Weaponized Whiteness

Weaponized Whiteness by Fran Shor interrogates the meanings and implications of white supremacy and, more specifically, white identity politics from historical and sociological perspectives.

Weaponized Whiteness by Fran Shor interrogates the meanings and implications of white supremacy and, more specifically, white identity politics from historical and sociological perspectives. By analyzing the constructions and deconstructions of white identity politics throughout U. S. history and up through the present, these collected essays provide insight into the deep roots and resonances of white identity politics and the challenges that have emerged, in particular, since the 1960s.

How two seemingly separate forces—white power and neoliberalism—intersect and polarize the United States today. White Power and American Neoliberal Culture speaks to the urgency of the present moment by uncovering and examining the ideologies that led us here. Working through sources such as white terrorist manifestos, white power utopian fiction, neoliberal think tank reports, and neoconservative policy statements, Patricia Ventura and Edward K. Chan analyze the conjunction of current forms of white supremacy and racial capitalism. Short and accessible, this timely book argues that white extremist worldviews—and the violence they provoke—have converged with a radical economic and social agenda to shape daily life in the United States, especially by enshrining the male-dominated white family as the ideal of national identity. Through insightful observation and critical dissection, Ventura and Chan paint a striking portrait of how these forces enable each other, perpetuating social injustice and inequity.

COVID-19 isn’t simply a viral pathogen nor is it, strictly speaking, the trigger of a global pandemic. Since the outbreak began in late-2019, an outpouring of clinical and scientific research, together with an array of public health initiatives, has sought to understand, mitigate, or even eradicate the virus. This book represents a snapshot of critical responses by researchers from 10 countries and 4 continents, in a collective effort to explore how Cultural Studies can contribute to our struggle to persevere in a "no normal" horizon, with no clear end in sight. Together, the essays address important questions at the intersection of culture, power, politics, and public health: What are the possible outlines for the panic-pandemic complex? How has the pandemic been endowed with meanings and affective registers, often at the tipping points where existing social relations and medical understanding were being rapidly displaced by new ones? How can societies discover ways of living with, through, and against COVID that do not simply reproduce existing hierarchies and power relations? The 30 essays comprising this collection, along with the editors’ introduction, explore the formative period of the COVID pandemic, from mid-2020 to mid-2021. They are grouped into three sections – ‘Racializations,’ ‘Media, Data, and Fragments of the Popular,’ and ‘Un/knowing the Pandemic’ – themes that animate, but do not exhaust, the complex cultural and political life of COVID-19 with respect to identity, technology, and epistemology. No doubt, readers will chart their own pathway as the pandemic continues to rage on, based on their own unique circumstances. This book provides critical-intellectual guideposts for the way forward – toward an uncertain future, without guarantees. The chapters in this book were originally published as a special issue of the journal, Cultural Studies.

This book explores the central role that gender has historically played in violent far-right movements and groups, in a time of increasing political polarisation and rising extremism. The author examines the way neo-Nazis and white supremacists have constructed gender, and how this has impacted on the practical role of men and women on the global extreme right between 1969 and 2009, giving valuable insight into the inner workings of the extremist fringe today. In the context of rising violent ultra-nationalism in the UK, Eastern Europe, the USA, India and Russia, this transnational history of racist extremist movements offers a very necessary glimpse into the intimate, personal politics of organised hate, and into the ideological and organisational roots of our current moment. In order to fully understand the extreme right, it is essential to develop an awareness of the deep social foundations that underlie it. By exposing the gendered basis of racist extremism in the USA and UK, this book makes a necessary intervention in the field of far-right studies, shedding new light on the shadowy corners of the political spectrum and ultimately opening new avenues for countering hate on the personal, political and academic level. The book seeks to explain the intricate relationship between organised racist extremism and ideological misogyny, and explores the fundamental contradictions and inconsistencies that underlie women’s far-right activism. Offering historical context to the current social and political moment in which white supremacist and far-right terror presents an immediate threat to security and stability in both the USA and the UK, this book provides useful insights for those researching the history of fascism and the far-right, violent social movements and political activism, as well as women’s history and gender studies.

In Images of War in Contemporary Art, Uroš Cvoro and Kit Messham-Muir mount a challenge to the dominance of theoretical tropes of trauma, affect, and emotion that have determined how we think of images of war and terror for the last 20 years. Through analyses of visual culture from contemporary "war art" to the meme wars, they argue that the art that most effectively challenges the ethics and aesthetics of war and terror today is that which disrupts this flow-art that makes alternative perceptions of wartime both visible and possible. As a theoretical work, Images of War in Contemporary Art is richly supported by visual and textual evidence and firmly embedded in current artistic practice. Significantly, though, the book breaks with both traditional and current ways of thinking about war art-offering a radical rethinking of the politics and aesthetics of art today through analyses of a diverse scope of contemporary art that includes Ben Quilty, Abdul Abdullah (Australia), Mladen Miljanovic, Nebojša Šeric Šoba (Bosnia and Herzegovina), Hiwa K, Wafaa Bilal (Iraq), Teresa Margolles (Mexico), and Arthur Jafa (United States).

When Brenton Tarrant live-streamed his massacre of fifty-one Muslims in Christchurch, New Zealand, in March 2019, he was but one in a series of lone-acting white men committing violent crime to further the radical white nationalist aim to save the white race from extinction and establish a white ethnostate. From where did white nationalists get the notion of an ongoing white genocide? Why should 'resistance' against a perceived invasion of 'white' territory be launched by individual 'lone wolves' massacring noncombatants they have no prior relation to? How could slaughtering children be construed as a heroic act that a perpetrator wants to broadcast to the world? Based on a unique collection of interviews with lone wolves, their victims, and their supporters, and a close reading of lone wolf, fascist, and radical nationalist material and communication, this Element provides solid answers to these and adjacent questions of importance.

"Reckoning: Black Lives Matter and the Democratic Necessity of Social Movements is an analysis of the emergence of the Movement for Black Lives, its organizational structure and culture, and its strategies and tactics, while also laying out and contextualizing the social movement's unique political philosophy, Radical Black Feminist Pragmatism, along with documenting measurable political effects in terms of changing public meanings, public opinion, and policy. Throughout the text, the author interweaves theoretical and empirical observations, rendering both an illustration of this movement and an analysis of the work social movements do in democracy"--

Buy now to get the key takeaways from Emmanuel Acho's Uncomfortable Conversations with a Black Man. Summary Key Takeaways: 1) We can never allow ourselves as a society to forget that the majority of people in this country of African descent had ancestors who were stripped of their culture, language, and land, and forcibly taken to America as slaves. This went on for hundreds of years. 2) Black racial labels have changed over time. Following the Civil War, “colored” was popularized. This was switched to “Negro” after progressive black figures like Booker T. Washington pushed for it. In the late 1960s, “black” became prominent, and in 1988 black leaders met and proposed the replacement “African American.

Do you keep your opinions to yourself because you’re afraid people will reject you? Do you sign on to a cause just because everyone around you acts like it’s the right thing to do? Welcome to The Weaponization of Loneliness. Tyrants of all stripes want to tell you what to believe and how to live your life. They get away with it by using the most potent weapon at their disposal: your fear of ostracism. This book explains how dictators—from the French Revolution to the Communist Party of China to today’s globalists—aim to atomize us in order to control us. We fall for it because our need to connect with others and our fear of social rejection are so hardwired that they trigger our conformity impulse. These dynamics can even cause us to comply with evil orders. We all need a better understanding of how the merchants of loneliness—power elites in Big Tech, Big Media, Big Government, academia, Hollywood, and the corporate world— exploit our terror of social isolation. Their divide-and-conquer tactics include identity politics, political correctness, and mob agitation. Their media monopoly spawns the propaganda essential to demonization campaigns, censorship, cancel culture, snitch culture, struggle sessions, the criminalization of comedy, and the subversion of society’s most fundamental institutions. It all adds up to a machinery of loneliness. Ironically, people tend to comply with this machinery to avoid loneliness, but such compliance only isolates us further. The Weaponization of Loneliness offers a message of hope. We can resist this psychological warfare if we have strong bonds in our families, faith communities, and friendships. Let’s resolve to talk to one another openly and often, especially about the consequences of giving in to social pressures and media hype. Indeed, totalitarians always seek to destroy private life because it is the very fount of freedom.

The infamous rise in characterizations of white women as Becky(s) is a modern phenomenon, different from past characterizations like the Miss Anne types. But just who embodies the Becky? Why is it important to understand, especially with regards to anti-racism and racial justice? Understanding that learning, moreover even discussing, dynamics of race and gender are oftentimes met with discomfort and emotional resistance, this creative, yet theoretical book merges social science analyses with literary short stories as a way to more effectively teach about the impact of whiteness and gender. Additionally, the book includes guiding questions so that readers can critically reflect on the behaviors of Becky(s) and how they impact the hope for racial harmony. Designed specifically for both educational spaces and the larger society, the author, an educational researcher and former classroom teacher, approaches the topic of race and gender, specifically whiteness and white women, in a nuanced manner. By borrowing from traditions found in critical race theory and teacher education, this book offers both counterstories and anecdotes that can help people better understand the dynamics behind race and gender.

"This books takes up the hot-button issues at the intersection of free speech, hate speech, and academic freedom on the contemporary college campus. It questions whether scholarship and "extramural" speech that is deemed racist, homophobic, or sexist should be exempt from the protections of academic freedom and sanctioned on campus"--

This book continues the groundbreaking work begun in Intercultural Public Relations: Theories for Managing Relationships and Conflicts with Strategic Publics (Routledge, 2018), by applying the theoretical framework of intercultural public relations to actual practice. Practical public relations contexts examined by the contributing chapter authors—both scholars and practitioners—include corporations, government, military, healthcare, education, and activism. The book covers real-world situations, including the training of practitioners to become more interculturally competent, identifying and understanding publics or stakeholders with different cultural backgrounds and identities, building and maintaining relationships with these publics/stakeholders, and managing conflicts with them. Offering practical guidance while examining both best practices and difficult challenges, this book is useful for public relations researchers, practitioners, and students as they explore how intercultural public relations contributes to organizational effectiveness and social change.

While the COVID-19 pandemic overshadowed all else and would quickly have a lasting impact on our daily lives, other events related to the radical right in 2020 soon surfaced. From terrorist attacks in Germany and India to anti-mask protests across the U.S. and Europe, radical right violence escalated in the midst of circulating conspiracy theories and disinformation. The yearbook draws upon insightful analyses from an international network of scholars, policymakers, and practitioners who explore the dynamics and impact of the radical right. It explores a wide range of topics including reflections on authoritarianism and fascism, the role of ideology and (counter-)intellectuals, and radical-right responses to the pandemic and calls for police reform in the height of the Black Lives Matter protests. It ends with important assessments on best approaches towards countering the radical right, both online and offline. This timely overview provides a broad examination of the global radical right in 2020, which will be useful for scholars, students, policymakers, journalists, and the public.

At a time when disinformation, hate crimes, inequality, racial injustice, and white supremacy are on the rise, Brown Enough, part memoir and part social commentary, emerges, asking readers to proudly put their bodies, their identities, into the conversations of race. Brown Enough is a roller coaster of finding one's true self while simultaneously having a racial awakening amidst the struggle to be "perfectly" Latinx, woke, and as Brown as possible to make it in today's America. From world-renowned actor John Leguizamo: "Brown Enough is a celebration of Brownness and a manifesto about the magic, beauty, and heartbreak that comes with being Brown in America. Brownness is more than our skin color or language or where we grew up; it’s also about the common threads that connect us all. I’m excited to see Christopher’s impact continue to grow as one of the key voices of his generation.” Its pages are full of honest explorations of love, sex, fake-it-till-you-make-it ambition, bad Spanish, color, code-switching, white-washing, scandal, Hollywood, and more. This memoir navigates these necessary and often revealing topics through fourteen chapters, each a distinct moment where Rivas explores his Brownness and how to own it. Brown Enough opens with a moment that forever changed Christopher Rivas's life, the night Ta-Nehisi Coates shared, in an intimate gathering in downtown L.A., the Brown man's role in the race conversation. "All I hear is black and white. As a Brown man, a Latin man, where does that leave me?" Coates took a short breath and responded, "Not in it." Like a reprimanded child, Rivas took his seat and remained silent for much of the event. But the effects didn't end there. This conversation pushed Rivas to contemplate and rethink how whiteness and Blackness had impacted his sense of self and worth. "Why is Brown not in it?" became the unspoken question for the rest of his life and a thread moving through this collection. Eventually, in every conversation, during every date, at every job, Rivas began to ask, "What are the consequences of not being in the conversation?" "What does it take to be in it?" Brown Enough is the quest to find an answer. "Brown Enough is a must-read for anyone who wants a more expansive and inclusive view of race in America. Rivas fiercely asks us to consider tough questions and offers candid and provocative answers. He lays bare his soul on the pages." — Julissa Arce, author of You Sound Like a White Girl: The Case for Rejecting Assimilation Christopher Rivas is an actor, author, podcaster, and storyteller best known for his on-screen work on the Fox series, CALL ME KAT. In addition, he hosts two podcasts on SiriusXM's Stitcher: Rubirosa, a limited series about the life of Porfirio Rubirosa, and a weekly show, Brown Enough. He is a Ph.D. Candidate in Expressive Arts for Global Health & Peace Building from The European Graduate School and a Rothschild Social Impact fellow. Rivas resides in Los Angeles, CA.

A no-holds-barred guidebook aimed at white women who want to stop being nice and start dismantling white supremacy. It's no secret that white women are conditioned to be "nice," but did you know that the desire to be perfect and to avoid conflict at all costs are characteristics of white supremacy culture? As the founders of Race2Dinner, an organization which facilitates conversations between white women about racism and white supremacy, Regina Jackson and Saira Rao have noticed white women's tendency to maintain a veneer of niceness, and strive for perfection, even at the expense of anti-racism work. In this book, Jackson and Rao pose these urgent questions: how has being "nice" helped Black women, Indigenous women and other women of color? How has being "nice" helped you in your quest to end sexism? Has being "nice" earned you economic parity with white men? Beginning with freeing white women from this oppressive need to be nice, they deconstruct and analyze nine aspects of traditional white woman behavior--from tone-policing to weaponizing tears--that uphold white supremacy society, and hurt all of us who are trying to live a freer, more equitable life. White Women is a call to action to those of you who are looking to take the next steps in dismantling white supremacy. Your white supremacy. If you are in fact doing real anti-racism work, you will find few reasons to be nice, as other white people want to limit your membership in the club. If you are not ticking white people off on a regular basis, you are not doing it right.

The theory of white fragility is one of the most influential ideas to emerge in recent years on the topics of race, racism, and racial inequality. White fragility is defined as an unwillingness on the part of white people to engage in the difficult conversations necessary to address racial inequality. This “fragility” allegedly undermines the fight against racial inequality. Despite its wide acclaim and rapid acceptance, the theory of white fragility has received no serious and sustained scrutiny. This book argues that the theory is flawed on numerous fronts. The theory functions as a divisive rhetorical device to shut down debate. It relies on the flawed premise of implicit bias. It posits a faulty way of understanding racism. It has serious methodological problems. It conflates objectivity and neutrality. It exploits narrative at the expense of facts. It distorts many of the ideas upon which the theory relies. This book also offers a more constructive way to think about Whiteness, white privilege, and “white fragility,” pointing us to a more promising vision for addressing racial inequality.