Understanding Michael Chabon

Pulitzer Prizewinning author Michael Chabon has emerged as one of the most daring writers of American fiction in the post-Pynchon era. Joseph Dewey examines how Chabon’s narratives have sought to bring together the defining elements of the two principal expressions of the American narrative that his generation inherited: the formal extravagances of postmodernism and the compelling storytelling of psychological realism. Like the audacious, self-conscious excesses of Pynchon and his postmodern disciples, Dewey argues, Chabon’s fictions are extravagant, often ironic, experiments into form animated by dense verbal and linguistic energy. As with the probing texts of psychological realism by Updike and his faithful, Chabon’s fictions center on keenly drawn, recognizable characters caught up in familiar, heartbreaking dilemmas; enthralling storylines compelled by suspense, enriched with suggestive symbols; and humane themes about love and death, work and family, and sexuality and religion. Evolving over three decades, this hybrid fiction has made Chabon not only one of the most widely read composers of serious fiction of his guild but one of the most critically respected writers as well, thus positioning Chabon as a representative voice of the generation. Dewey’s study, the first to examine the full breadth of Chabon’s fiction from his landmark debut novel, The Mysteries of Pittsburgh, to his controversial 2012 best seller, Telegraph Avenue, places Chabon’s fictional sensibility, for all its hipness, within what has been the defining theme of American literature since the provocative romances of Hawthorne and Melville: the anxious tension between escape and engagement; between the sweet, centripetal pull of the redemptive imagination as a splendid, if imperfect, engine of retreat and the harsh, centrifugal pull of real life itself, recklessly deformed by the crude handiwork of surprise and chance and unable to coax even the simplest appearance of logic.

This four-volume reference work surveys American literature from the early 20th century to the present day, featuring a diverse range of American works and authors and an expansive selection of primary source materials. Bringing useful and engaging material into the classroom, this four-volume set covers more than a century of American literary history—from 1900 to the present. Twentieth-Century and Contemporary American Literature in Context profiles authors and their works and provides overviews of literary movements and genres through which readers will understand the historical, cultural, and political contexts that have shaped American writing. Twentieth-Century and Contemporary American Literature in Context provides wide coverage of authors, works, genres, and movements that are emblematic of the diversity of modern America. Not only are major literary movements represented, such as the Beats, but this work also highlights the emergence and development of modern Native American literature, African American literature, and other representative groups that showcase the diversity of American letters. A rich selection of primary documents and background material provides indispensable information for student research. Covers significant authors, as well as those neglected by history, and their works from major historical and cultural periods of the last century, including authors writing today Situates authors' works not only within their own canon but also with the historical and cultural context of the U.S. more broadly Positions primary documents after specific authors or works, allowing readers to read excerpts critically in light of the entries Examines literary movements, forms, and genres that also pay special attention to multi-ethnic and women writers

Michael Chabon’s America: Magical Words, Secret Worlds, and Sacred Spaces is the first comprehensive scholarly collection analyzing the work of acclaimed, Pulitzer Prize-winning author Michael Chabon. At its core, the book demonstrates how Chabon uses a broad range of styles and genres, including detective and comic book fiction and essays and other works of nonfiction, to get at the heart of defining the American experience. As a result, Michael Chabon’s America provides context and exploration for understanding the author’s work from cultural, historical, and stylistic perspectives by scholars from five continents, revealing Chabon’s deep global impact.

This first book-length study of Stewart O'Nan's work offers a comprehensive introduction to his writings and carefully examines recurring thematic concerns and stylistic characteristics of his novels. The author of eighteen novels, several works of nonfiction, and two short-story collections, O'Nan received the Pirate's Alley Faulkner Society's Gold Medal for best novel for Snow Angels and the Drew Heinz Prize for In the Walled City. In 1996 Granta magazine named him one of the Twenty Best Young American Novelists. In Understanding Stewart O'Nan, Heike Paul appraises O'Nan's oeuvre to date, including his popular multigenerational trilogy of novels—Wish You Were Here; Emily, Alone; and Henry, Himself—that received enthusiastic reviews in the New York Times, the Washington Post, Publisher's Weekly, and the Guardian. Paul argues that O'Nan is not only a writer of popular fiction but also has developed into a major literary voice worthy of canonical status and of having a firm place in school, college, and university curricula. To this end Paul analyzes his use of formulas of long-standing popular American genres, such as the Western and the gothic tale, as he re-invents them in innovative and complex ways creating a style that Paul describes as "everyday gothic." She also offers a critical examination of O'Nan's treatment of American myths and vivid descriptions of struggling middle class settings and individuals who lead precarious lives. Paul believes this first critical study of O'Nan's collected works will be instrumental in building a critical archive and analysis of his oeuvre.

Since the publication of his first novel, The Mysteries of Pittsburgh, launched him to fame, Michael Chabon (b. 1963) has become one of contemporary literature's most acclaimed novelists by pursuing his singular vision across all boundaries of genre and medium. A firm believer that reading even the most challenging literature should be a fundamentally pleasurable experience, Chabon has produced an astonishingly diverse body of work that includes detective novels, weird tales of horror, alternate history science fiction, and rollicking chronicles of swashbuckling adventure alongside tender coming-ofage stories, sprawling social novels, and narratives of intense introspection. Uniting them all is Chabon's utterly distinct prose style--exuberant and graceful, sometimes ironic but never cynical. His work has earned accolades ranging from the Pulitzer Prize to science fiction's Hugo and Nebula Awards. Conversations with Michael Chabon collects eighteen revealing interviews with the renowned author of The Amazing Adventures of Kavalier & Clay, The Yiddish Policemen's Union, and other much-admired works. Spanning nearly twenty years and drawn from science fiction fan magazines and literary journals alike, these interviews shed new light on the central concerns of Chabon's fiction, including the importance of dismantling the false divide between literary and lowbrow, his evolving relationship to Jewish culture and literature, the unique properties of male friendship, and the complexities of race in contemporary America. These interviews are essential reading for anyone seeking a better understanding of the life and work of an author who has been instrumental in defining the landscape of contemporary American fiction.

This lighthearted and eye-opening book explores the role of comedy in cultural and political critiques of American society from the past century. • Provides a context, vocabulary, and perspective to better appreciate and understand American humor • Connects historical developments to cultural changes • Includes both academic references and popular works • Covers a wide range of artists over a variety of media • Examines and explains general trends in American comedy

Analyzes the author's novels and presents commentary on his life and works, viewing his career as bridging the gap between literary and popular culture.

The volume explores the various intersections and interconnections of the self and popular music in fiction; it examines questions of musical taste and identity construction across decades, spaces, social groups, and cultural contexts, covering a wide range of literary and musical genres.

Understanding Jennifer Egan is the first book-length study of the novelist, short-story writer, and journalist best known for the Pulitzer Prize–winning novel, A Visit from the Goon Squad. Alexander Moran examines each of Egan's varied published works, analyzes how her journalism informs her fiction, excavates her literary and intellectual influences, and considers her place in contemporary fiction. Moran argues that because Egan's fiction is not easily categorized many of her novels have been underappreciated. He proposes a framework for understanding her writing centered on what it means to have, and to write, an "authentic" experience. In Emerald City, Egan explores the authenticity of touristic experience; in The Invisible Circus, her focus shifts to the authenticity of historical memory; in Look at Me, The Keep, and A Visit from the Goon Squad, she explores the effects of digital technology on how we understand authentic experience. In the concluding chapter, Moran discusses Egan's 2017 novel Manhattan Beach as a text that explores the authenticity of history and genre while resonating with the instability of the present.

A Study Guide for Michael Chabon's "The Amazing Adventures of Kavalier & Clay," excerpted from Gale's acclaimed Novels for Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Novels for Students for all of your research needs.

The Routledge Introduction to American Postmodernism offers readers a fresh, insightful overview to all genres of postmodern writing. Drawing on a variety of works from not only mainstream authors but also those that are arguably unconventional, renowned scholar Linda Wagner-Martin gives the reader a solid framework and foundation to reading, understanding, and appreciating postmodern literature since its inception through the present day.

This second edition of Historical Dictionary of Postmodernist Literature and Theater contains a chronology, an introduction, and a bibliography. The dictionary section has over 400 cross-referenced entries on postmodernist writers, the important postmodernist aesthetic practices.

In the fictional world of the Pulitzer Prize-winning novel, The Amazing Adventures of Kavalier & Clay, the Escapist--the epitome of Golden Age superhero--was conceived. This anthology is a collection of the hero's history and his exploits, created by an all-star cast of comic book luminaries. The Escapist and his associates are heroes to all who languish in oppression's chains. They roam the globe, performing amazing feats to foil diabolical evildoers. From preventing a prison break and attack on Empire City, to facing a demonic horde in Japan, to crushing a galactic takeover in the year 2966, and to surfacing a sunken submarine from 300 fathoms, the Escapist brings hope and liberation. As the history of his creators, Joe Kavalier and Sam Clay, was chronicled in The Amazing Adventures of Kavalier & Clay, now a multitude of the Escapist's adventures are collected here, along with the patchwork publishing history of the character. This volume also contains the adventures of the Escapist's associate, Luna Moth. The stories and art within are by amazing talent like Brian K. Vaughan (Saga, Y--The Last Man), Kyle Baker (The Fifth Beatle), Eduardo Barreto (Batman), Howard Chaykin (American Flagg, Star Wars), Gene Colan (Daredevil, Howard the Duck), Matt Kindt (Pistolwhip), Kevin McCarthy (Circuit-Breaker), Bill Sienkiewicz (Elektra: Assassin), Jim Starlin (Captain Marvel) and, of course, Michael Chabon. Containing a total of twenty-six tales, along with two never-before-collected stories, this volume also contains six never-before-published stories, as well as a robust gallery of pinups celebrating the world of the Escapist from artists including Brian Bolland (Judge Dredd), Jöelle Jones (Lady Killer), Mike Mignola (Hellboy), Eric Wight (My Dead Girlfriend), Jae Lee (Before Watchmen), and more!

In his first novel since The Mysteries of Pittsburgh, Chabon presents a hilarious and heartbreaking work--the story of the friendship between the eponymous "wonder boys"--Grady, an aging writer who has lost his way, and Tripp, whose relentless debauchery is capsizing his career.

Gale Researcher Guide for: Dave Eggers, Michael Chabon, and Literature as Witness is selected from Gale's academic platform Gale Researcher. These study guides provide peer-reviewed articles that allow students early success in finding scholarly materials and to gain the confidence and vocabulary needed to pursue deeper research.

Pulitzer Prize-winning author Michael Chabon is considered one of the most distinguished contemporary American novelists. Reading Michael Chabon, the first full-length volume on the writer, views his career as bridging the gap between literary and popular culture. Designed for book club members and high school and college students, this reference guide will help readers keep track of Chabon's intricate plots and draw thematic connections between and among his major novels. It will also help them understand his fiction as cultural commentary on contemporary masculinity and Jewish identity. The book treats both Chabon's life and work, including film adaptations of his novels, his love affair with comics, and his forays into detective and adventure fiction. A chapter is dedicated to each of his major novels, including Mysteries of Pittsburgh, Wonder Boys, The Amazing Adventures of Kavalier and Clay, and The Yiddish Policemen's Union.

Understanding Jonathan Lethem is a study of the novels, short fiction, and nonfiction on a wide range of subjects in the arts by American novelist Jonathan Lethem, who is the recipient of the National Book Critics Circle Award for Fiction for Motherless Brooklyn, a MacArthur Foundation “genius” grant, and the Locus Award for Best First Novel for Gun, with Occasional Music. Matthew Luter explores the key contemporaries of and influences on Lethem, who is the Roy Edward Disney Professor of Creative Writing at Pomona College. Luter begins this volume by explaining how Lethem’s innovative and provocative essay on creative appropriation “The Ecstasy of Influence” differs from other writing about influence, suggesting an artistic mode that celebrates thoughtful borrowing. Readings of Lethem’s three major novels follow: taken together, Motherless Brooklyn, The Fortress of Solitude, and Chronic City present a novelist coming to terms with the joys and downsides of artistic influence. Motherless Brooklyn pays tribute to and subverts traditional hardboiled detective novels as Lethem plays with the conventions of a favorite (and influential) genre. Fortress dwells obsessively on appreciation and criticism of influential art, as Lethem’s main character spends a lifetime contemplating the complexities of the art he loves, interrogating his own reactions to it, and thinking through the political implications of the ways he has been influenced by that which he consumes. Chronic City depicts the cost of fandom and the dangers of giving over too much of oneself to the art that one loves, dramatized via a character brought nearly to ruin not by the demands of artistic creation, but by obsessive cultural consumption. Borrowing openly and promiscuously from earlier traditions both high and low (experimental fiction, comic books, art film, detective novels), Lethem displays a career-long interest in questioning what literary originality might mean in a postmodern age. Some suggest that such borrowings indicate a literary well that has run dry, making writers such as Lethem mere patchwork artists. Luter argues instead that Lethem’s propensity for wearing his influences and obsessions on his sleeve encourages new thought about originality itself. Out with “it’s all been done” and in with “look at all that’s been done, and all that we can still do with it!”