The New Grove Dictionary Of Music And Musicians A To Aristotle

An anonymous fourteenth-century treatise that borrows heavily from the Libellus cantus mensurabilis attributed to Johannes de Muris, the Ars cantus mensurabilis mensurata per modos iuris differs from others ars nova treatises in its systematic application of scholastic philosophy and allusions to medieval law. Using music as the subject of inquiry, the writer addresses questions that occupied scholastic philosophers in other fields, such as the natural minimum of a substance and the potentia Dei absoluta. The writer quotes legal maxims and alludes to medieval legal issues such as the lex regia and the Becket controversy to justify and prove the rules of music. A substantial portion of the treatise was first published as Anonymous V in Edmond de Coussemaker's Scriptores de musica medii aevi, where it was paired with a counterpoint treatise beginning "Cum notum sit". The treatise published by Coussemaker, however, is not the entire work. From textual and manuscript evidence, the Greek and Latin Music Theory edition demonstrates that a set of three figures and an introduction are related to the mensural treatise; the same evidence suggests that the counterpoint treatise "Cum notum sit" should not be considered part of the treatise. The GLMT editionøpresents a complete critical text for the treatise together with a facing-page English translation. Annotations to the translation explain the numerous legal and scholastic allusions in the treatise. Also presented are corrected versions of the approximately one hundred musical figures. Preceding the critical text and translation, an extended introduction explains the musical and intellectual sources of the work.

All our abstract ideas are based on metaphors and action schemes. Jean Piaget did voluminous research on how thought develops in children through assimilation of action schemes. George Lakoff and Mark Johnson have done pioneering work on metaphors and action schemes in everyday thinking. This book builds on those foundations, looking at the role played by metaphors and action schemes in the history of ideas. The author begins his argument by taking a critical look at the philosophy of metaphor from Aristotle to the present. While he sees metaphor as simply conceiving one thing in terms of another, he points out that this is an inexhaustible process, because the context in which the process takes place is always changing. Change opens up new possibilities of similarity. Thus, the metaphor is an open door into a space of infinite possibilities.

Hearing History is a long-needed introduction to the basic tenets of what is variously termed historical acoustemology, auditory culture, or aural history. Gathering twenty-one of the fields most important writings, this volume will deepen and broaden our understanding of changing perceptions of sound and hearing and the ongoing education of our senses. The essays stimulate thinking on key questions: What is aural history? Why has vision tended to triumph over hearing in historical accounts? How might we begin to reclaim the sounds of the past? With theoretical and practical essays on the history of sound and hearing in Europe and the United States, the book draws on historical approaches ranging from empiricism to postmodernism. Some essays show the historian of technology at work, others highlight how With theoretical and practical essays on the history of sound and hearing in Europe and the United States, the book draws on historical approaches ranging from empiricism to postmodernism. Some essays show the historian of technology at work, others highlight how military, social, intellectual, and cultural historians have tackled historical acoustemologies. Investigating soundscapes that include a Puritan meetinghouse in colonial New England, the belfries of a French village at the close of the Old Regime, the court hall of Elizabeth I, and a Civil War battlefield, the essays vary just as widely in their topics, which include noise as a marker of social and cultural differences, the privileging of music as the sound of art, the persistence of Aristotelian ideas of sound into the seventeenth century, developments in sound related to medical practice, the advent of sound-recording technology, and noise pollution.

Shows the unique perspective of Talmudic rabbis as they navigate between platonic objective truth and the realm of rhetorical argumentation.

This book examines the Jungian imperative that the Third must become the Fourth through the lens of Carl Jung’s complex reception of Plato. While in psychoanalytic discourse the Third is typically viewed as an agent that brings about healing, the author highlights that, in the case of Jung, an early emphasis on the Third as the “transcendent function” gave way to an increasing insistence on the importance of the Fourth. And yet, he asks, why must “the Third become the Fourth”? Paul Bishop begins with a survey of work on Jung’s relation to Plato, before turning to Jung’s readings of the Timaeus and Black Books, as well as Goethe’s Faust II and Nietzsche’s Zarathustra. He proceeds to unpick Jung’s statements on the Third and the Fourth though a compelling analysis of how Jung draws upon religious and alchemical traditions, Pythagorean numerology, his own dream-like experiences and Plato’s cosmology. This book will appeal to practitioners and to scholars working in the history of ideas, psychoanalysis, philosophy, and psychoanalytic theory.

"This sharply focused collection of essays on poetics and poetry, with special attention to Shakespeare, includes the work of some of the nation's best-known and most respected scholars and authors. All of them are former colleagues of O. B. Hardison, Jr., and their major new essays, written especially for this collection, center on his interests: Aristotle and classical poetics, Petrarch and Italian poetics, the English Renaissance, especially Shakespeare and Milton, and postmodernist work in theory, literature, and science."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

The Monstrous New Art reveals the depth of medieval composers' engagement with monstrous and hybrid creatures and ideas.

From his earliest work on personal identity to his last on the value of truthfulness, the ideas and arguments of Bernard Williams - in the metaphysics of personhood, in the history of philosophy, but especially in ethics and moral psychology - have proved sometimes controversial, often influential, and always worth studying. This book provides a comprehensive account of Williams's many significant contributions to contemporary philosophy. Topics include personal identity, various critiques of moral theory, practical reasoning and moral motivation, truth and objectivity, and the relevance of ancient Greece to modern life. It not only positions Williams among these important philosophical topics, but also with regard to the views of other philosophers, including prominent forerunners such as Hume and Nietzsche and contemporary thinkers such as, Nagel, McDowell, MacIntyre and Taylor. The fragmentary nature of Williams's work is addressed and recurring themes and connections within his work are brought to light.

A historian of the first century BC, Dionysius of Halicarnassus taught rhetoric in Rome while studying the Latin language, collecting material for his magnum opus, ‘Roman Antiquities’. Dionysius states that his objects in writing history were to please lovers of noble deeds and to repay the benefits he had enjoyed while living in Rome, though he wrote also to reconcile Greeks to Roman rule. Delphi’s Ancient Classics series provides eReaders with the wisdom of the Classical world, with both English translations and the original Greek texts. This comprehensive eBook presents Dionysius’ complete extant major works, with relevant illustrations, informative introductions and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating to Dionysius’ life and works * Features the complete extant works of Dionysius, in English translation and the original Greek * Concise introduction to ‘Roman Antiquities’ * Includes Earnest Cary’s translation of ‘Roman Antiquities’, previously appearing in the Loeb Classical Library * Excellent formatting of the texts * Easily locate the sections you want to read with individual contents tables * Includes Dionysius’ rare letters THE THREE LITERARY LETTERS, first time in digital print * Provides a special dual English and Greek text of the eleven extant books of ‘Roman Antiquities’, allowing readers to compare the sections paragraph by paragraph – ideal for students * Features a bonus biography – discover Dionysius’ ancient world * Scholarly ordering of texts into chronological order and literary genres Please note: there are no unknown translations of Dionysius’s lesser known essays and fragments in the public domain and so they cannot appear in English. Once new texts become available, they will be added to the eBook as a free update. Please visit www.delphiclassics.com to explore our range of Ancient Classics titles or buy the entire series as a Super Set CONTENTS: The Translations ROMAN ANTIQUITIES ON LITERARY COMPOSITION THE THREE LITERARY LETTERS The Greek Texts LIST OF GREEK TEXTS The Dual Text DUAL GREEK AND ENGLISH TEXT The Biography INTRODUCTION TO DIONYSIUS by Earnest Cary Please visit www.delphiclassics.com to browse through our range of exciting titles