The Krays London

A true crime travel guide to the haunts and hangouts of the most notorious gangsters of London’s East End. There are many conflicting stories about who Ronnie and Reggie Kray were. Films depicting their lives have made the public vilify them, adore them and even admire them. This guidebook will dig a little deeper into the places they spent their time. Many of the places are renowned as the stomping grounds of the devious duo, but there are one or two exclusives that are not yet covered anywhere else, including the untold story of their lifelong hairdresser. Chapter by chapter, a map of their lives will reveal itself, making this the perfect read for anybody around the world interested in London’s gangster scene. “I remember going home from a cinema visit to London in the early 1960s with police sirens all over the place as we went through the East End. I remember the newspaper reports of the time, and wondering how the police could allow such people to control the East End to such an extent, and to apparently countenance the horrors this evil gang inflicted on their own and their enemies. It was a horrendous time to be alive in the East End of London, and Caroline’s superb book brings it all back to life.” —Books Monthly

Two names reigned supreme in London's underworld in the sixties - Ronnie and Reggie Kray; and it wasn't until 1969 that the twins went down at Brixton Prison for murder. I was only seventeen, on remand up in Risley, Warrington, for nicking a furniture lorry. Most of the lads in there had newspaper photos of the Krays stuck up on their cell walls. They were the cream of the criminal crop, and that's why I took such an interest in 'em. Once I was put away, it wasn't long before I got to meet them, and over the next 29 years I got closer to the Krays than any self-proclaimed henchman, any autograph hunter. As their trusted friend they let me in on it all - no holds barred behind bars! Since Ronnie and Reggie died, all I've heard is a load of bollocks! 'Reggie shot my cat; Ronnie stabbed my uncle Bert 75 times; Reggie ran over my hamster; I'm Ronnie's son, I'm Reggie's daughter.' Gutless maggots spreading rumours with their sham stories for sale. The shameless rats. Well now the twins are gone and I can talk. And let me tell you, I've got a lot to say and all the time in the world to say it. No bollocks. No silly stories. Just the facts about the time I spent doing porridge with the Krays.

The East End is an iconic area of London, from the transient street art of Banksy and Pablo Delgado to the exhibitions of Doreen Fletcher and Gilbert and George. Located east of the Tower of London and north of the River Thames, it has experienced a number of developmental stages in its four-hundred-year history. Originating as a series of scattered villages, the area has been home to Europe's worst slums and served as an affluent nodal point of the British Empire. Through its evolution, the East End has been the birthplace of radical political and social movements and the social center for a variety of diasporic communities. This reference work, with its alphabetically organized cross-referenced entries and its original and historical photography, serves as a comprehensive guide to the social and cultural history of this global hub.

In the 21st century celebrities and celebrity culture thrives. This book explores the much noted but little analyzed relationship between celebrity and crime. Criminals who become celebrities and celebrities who become criminals are examined, drawing on Foucault's theory of governance.

Winner of the 1990 Evening Standard Film Award for Best Film Post-war East End London. Ronnie and Reggie Kray are school ground bullies brought up by a domineering mother and two devoted aunts. National Service and spells in prison expose the brutality that helps establish the twin brothers as the kings of 1960s gangland London. Philip Ridley's original, uncut screenplay, almost as notorious as its subject matter is a stylised meditation on maternal love, childhood, violence and homoeroticism and takes its place as one of the masterpieces of contemporary cinema."Ridley...reveals himself most welcomely as a genuinely innovative film maker, untrammelled by conventions and with an individualistic imagination firing on all cylinders." (The Evening Standard)

An illustrated study of the British criminal underworld of the 1960s, including the Kray brothers and their gang. It includes eyewitness accounts and ties in with a Carlton Television documentary on the subject.

Running with the Krays lifts the liid off London's underworld, from street gangs and race-course con games to protection rackets, beatings, maimings, intimidation and even murders. It reveals elements of police corruption and provides insights into the interdependence of both sides of the underworld scene - a compelling and gruesome account of how the other half of London lives. Born in wartime London's east end, Billy Webb grew up in the violence of air-raids and street warfare. His first weapon was a knuckleduster which he had made to measure for the price of five cigarettes when he was 11. When he first met the Krays they were scraping a living by doorknocking for old clothes to be sold in street markets. For three years he and the twins were on the run together as army deserters, and over the course of time, he was a friend, ally and foe of the Krays in their violent rise to fame.

Paul Newland’s illuminating study explores the ways in which London’s East End has been constituted in a wide variety of texts – films, novels, poetry, television shows, newspapers and journals. Newland argues that an idea or image of the East End, which developed during the late nineteenth century, continues to function in the twenty-first century as an imaginative space in which continuing anxieties continue to be worked through concerning material progress and modernity, rationality and irrationality, ethnicity and 'Otherness', class and its related systems of behaviour.The Cultural Construction of London’s East End offers detailed examinations of the ways in which the East End has been constructed in a range of texts including BBC Television’s EastEnders, Monica Ali’s Brick Lane, Walter Besant’s All Sorts and Conditions of Men, Thomas Burke’s Limehouse Nights, Peter Ackroyd’s Hawksmoor, films such as Piccadilly, Sparrows Can’t Sing, The Long Good Friday, From Hell, The Elephant Man, and Spider, and in the work of Iain Sinclair.

Assesses how cinematic biographies of key figures reflect and shape what it means to be British. Winner of the 2019 SAMLA Studies Book Award for Edited Collections presented by the South Atlantic Modern Language Association Rule, Britannia! surveys the British biopic, a genre crucial to understanding how national cinema engages with the collective experience and values of its intended audience. Offering a provocative take on an aspect of filmmaking with profound cultural significance, the volume focuses on how screen biographies of prominent figures in British history and culture can be understood as involved, if unofficially, in the shaping and promotion of an ever-protean national identity. The contributors engage with the vexed concept of British nationality, especially as this sense of collective belonging is problematized by the ethnically oriented alternatives of English, Scottish, Welsh, and Irish nations. They explore the critical and historiographical issues raised by the biopic, demonstrating that celebration of conventional virtue is not the genre’s only natural subject. Filmic depictions of such personalities as Elizabeth I, Victoria, George VI, Elizabeth II, Margaret Thatcher, Iris Murdoch, and Jack the Ripper are covered. Homer B. Pettey is Professor of Film and Comparative Literature at the University of Arizona. His books include Film Noir and International Noir, both coedited with Palmer. R. Barton Palmer is Calhoun Lemon Professor of Literature and Director of the World Cinema program at Clemson University. His books include Invented Lives, Imagined Communities: The Biopic and American National Identity (coedited with William H. Epstein); Hitchcock at the Source: The Auteur as Adaptor (coedited with David Boyd); and Hitchcock’s Moral Gaze (coedited with Pettey and Steven M. Sanders), all published by SUNY Press.

London’s Underworld takes us on the nightmarish last journeys of condemned criminals to the gallows at Tyburn. We enter death-trap eighteenth century prisons, one of which the novelist Henry Fielding described as a ‘prototype of hell’. We walk the crowded streets of Victorian London with its swarms of prostitutes and follow the ingenious villains who carried out the first great train robbery in 1854. We see the rise and fall of the interwar racecourse gangs and the bloody battle for control of the Wes End. This fascinating book illustrates how crime in the capital has evolved from the extreme violence of the early eighteenth century to the vastly more complex and lucrative, but no less brutal, gangland of today.

This book offers an original and exciting analysis of the concept of the criminal underworld. Print culture, policing and law enforcement, criminal networks, space and territory are explored here through a series of case studies taken from the eighteenth, nineteenth and twentieth centuries.

This introductory book offers a coherent history of twentieth century crime and the law in Britain, with chapters on topics ranging from homicide to racial hate crime, from incest to anarchism, from gangs to the death penalty. Pulling together a wide range of literature, David Nash and Anne-Marie Kilday reveal the evolution of attitudes towards criminality and the law over the course of the twentieth century. Highlighting important periods of change and development that have shaped the overall history of crime in Britain, the authors provide in-depth analysis and explanation of each theme. This is an ideal companion for undergraduate students taking courses on Crime in Britain, as well as a fascinating resource for scholars.

Twins Ron and Reg Kray were without doubt the most powerful, violent and deadly gangsters that London has ever known. They ran protection rackets, clubs and casinos, as well as fraudulent 'long firms'. They blackmailed, intimidated and killed - for many years with impunity thanks to their powerful cronies in the Establishment. Working with all five main Mafia families in New York, they were expanding their business worldwide when they were imprisoned for murder in 1968. Featuring revealing new material, The Krays: A Violent Business is the story of their lives - and of the secrets and scandals the British government still doesn't want you to know about.

Though more than a generation has passed since the revolutionary fervor of the Summer of Love of 1967, the 1960s in many ways seem with us still. From recurring debates over the war in Vietnam to the perpetually appealing music of the Beatles and the Rolling Stone to the concern about youth drug use, the legacy of the 1960s is ubiquitous in contemporary life. The Summer of Love brings together an impressive group of historians, artists, and cultural critics to present a rich and varied interpretation of this seminal decade and its continuing influence on politics, society, and culture. The Summer of Love, which accompanies an exhibition at Tate Liverpool, pays particular attention to the wildly creative psychedelic art of the era. Perceptive essays on psychedelic comics, graphic design and typography, light shows, and film successfully rescue psychedelic art from the fog of nostalgia and unjust critical neglect. Distinguished contributors also explore the role of 1960s fashion and architecture, and they consider anew the central influence of hallucinogenic drugs on the art of the era. Running throughout the essays are the elements of epochal change—from sexual liberation to student revolutions—that still form the backdrop of our collective consciousness of the 1960s. An incisive collection of writings on all aspects of 1960s art and culture, tempered by time and critical distance, The Summer of Love will be indispensable for those who wish they had been there—or for those who were, but can't remember it.

The 1950s and 1960s saw a changing of the guard in London's gangland. A new and even more ruthless breed of criminal emerged to replace the aging generation of likes of Sabini, Mullins and Hayes.Protection rackets on bookies, club owners and shops were commonplace. Prostitution and drugs offered rich pickings. Police corruption was all too commonplace.Thanks to media interest the names of Charlie Richardson, Mad Frankie Fraser, Scarface Smithson and the Nichols became as widely known as they were feared. And then there were the Kray Twins, whose notoriety and brutality became watchwords. But as this insider book reveals they did not have it all their own way. For a thrilling and shocking story London's Gangs at War is in a class of its own. What makes it so chilling is that the murders, torture and mayhem actually happened.

The name Reggie Kray remains synonymous with London's East End to this day, and yet although much is known about Reg and his brother Ronnie's life of crime in the '50s and '60s, to date precious little has been revealed about their formative years. Reggie wrote his EAST END STORIES in the early 1990s, but they haven't seen the light of day until now. In the book, he recalls the close-knit East End community in which he and his brother grew up, the characters in his family and neighbourhood, and of course, the many villains he worked with. Filled with anecdotes about the area's most outlandish personalities and notorious criminals, and offering a fascinating journey around the Krays' 'manor' including their favourite haunts and business enterprises, the book paints a vivid portrait of a London that has long since disappeared.

This set includes key pieces from Peter Ackroyd, Charles Baudelaire, Walter Benjamin, Homi Bhaba, Charles Dickens, Fredrick Engles, Paul Gilroy, Thomas Hobbes, Max Weber, George Simmel, Ian Sinclair, Edward W. Soja, Gayatri Spivak, Nigel Thrift, Virginia Woolf, Sharon Zukin, and many others. The material is arranged thematically highlighting the variety of interests that coexist (and conflict) within the city. Issues such as gender, class, race, age and disability are covered along with urban experiences such as walking, politics & protest, governance, inclusion and exclusion. Urban pathologies, including gangsters, mugging, and drug-dealing are also explored. Selections cover cities from around the globe, including London, Berlin, Paris, New York, Los Angeles, Rio de Janeiro, Bombay and Tokyo. A general introduction by the editor reviews theoretical perspectives and provides a rationale for the collection. This collection offers a valuable research tool to a broad range of disciplines, including: sociology; anthropology; cultural history; cultural geography; art critical theory; visual culture; literary studies; social policy and cultural studies.