The Devil Rides Outside

No less a critic than Clifton Fadiman called "The Devil Rides Outside" a staggering novel. The first novel of John H. Griffin, it written during the authorOCOs decade of blindness following an injury suffered during the closing days of World War II. As "Time Magazine" described it, "The Devil Rides Outside" has some things relatively rare in U.S. letters: energy, earnestness and unashamed religious fervor. Written as a diary, the novel relates the intellectual and spiritual battles of a young American musicologist who is studying Gregorian chant in a French Benedictine monastery. Even though he is not Catholic, he must live like the monks, sleeping in a cold stone cell, eating poor food, sharing latrine duties. His dreams rage with memories of his Paris mistress; his days are spent being encouraged by the monks to seek God. He takes up residence outside the monastery after an illness, but he finds the village a slough of greed and pettiness and temptation. Indeed, as the French proverb says, the devil rides outside the monastery walls."

No less a critic than Clifton Fadiman called The Devil Rides Outside a "staggering novel." The first novel of John H. Griffin, it written during the author’s decade of blindness following an injury suffered during the closing days of World War II. As Time Magazine described it, The Devil Rides Outside "has some things relatively rare in U.S. letters: energy, earnestness and unashamed religious fervor." Written as a diary, the novel relates the intellectual and spiritual battles of a young American musicologist who is studying Gregorian chant in a French Benedictine monastery. Even though he is not Catholic, he must live like the monks, sleeping in a cold stone cell, eating poor food, sharing latrine duties. His dreams rage with memories of his Paris mistress; his days are spent being encouraged by the monks to seek God. He takes up residence outside the monastery after an illness, but he finds the village a slough of greed and pettiness and temptation. Indeed, as the French proverb says, "the devil rides outside the monastery walls."

Literature Suppressed on Sexual Grounds, Revised Edition examines the issues underlying the suppression of more than 100 works deemed sexually obscene. The entries new to this edition include America by Jon Stewart, Sex by Madonna, The Buffalo Tree by Adam Rapp, and many more. Also included are updates to entries such as Forever by Judy Blume, and more

The aristocratic Duke de Richleau faces new, sinister challenges in this macabre tale of the dark arts. When his good friend Simon Aron's naïve curiosity is tested, the Duke, along with his ever-patient friends Rex Van Ryn, and Richard Eaton, must intricately plot a means of both physical and spiritual rescue. But with Van Ryn's affections for a beautiful woman caught in the web of Satanists, and Eaton's ongoing scepticism, they all risk being brought to the verge of madness through dabbling with the powers of evil. From London to the West Country, the slums of Paris to a Christian monastery, the action of this powerful occult thriller moves with fantastic, compelling force.

This never before published memoir by the author of Black Like Me is an extraordinary chronicle of the triumph of the human spirit.

In 1969, one year after Thomas Merton's tragic (and suspicious) death, John Howard Griffin was invited to write a biography of America's most famous monk, a monk who strangely had become a best-selling theologian. The result was Follow the Ecstasy: The Hermitage Years of Thomas Merton (1983). Both Merton and Griffin were converts to Catholicism, and they had become fast friends during Griffin's occasional retreats to the Trappist Abbey of Gethsemani where Merton was cloistered. As Robert Bonazzi writes in his Foreword, "With natural humility and intense spirituality, they taught each other by example and silence." Merton and Griffin were both photographers as well as writers. Griffin wrote about Merton's painting and photography in A Hidden Wholeness: The Visual World of Thomas Merton (1970). They also shared a fascination with the French theologian Jacques Maritain, as well as French modernists Pierre Reverdy, George Braque, and Albert Camus. Griffin fell ill before he could finish his biography of Merton, and the mantle of official biographer passed to Michael Mott, author of The Seven Mountains of Thomas Merton, an essential compendium of the monk's life. Yet Follow the Ecstasy gets closer to the man—a portrait made by one who shared not only personal histories and interests with Merton, but an "intuitive perspective of solitude."

THE SUNDAY TIMES NUMBER ONE BESTSELLER 'Far and away the best writer of the lot . . . his turn of phrase is a joy.' The Sunday Times Birkenhead, 1973. The eighteen-year-old Paul O'Grady gets ready for a big Saturday night out on the town. New white T-shirt, freshly ironed jeans, looking good. As he bids farewell to his mum, who's on the phone to his auntie, and wanders off down the street in a cloud of aftershave, he hears her familiar cry: 'Oh, the devil rides out tonight, Annie. The devil rides out!' The further adventures of Paul O'Grady - following on from the million-copy-selling At My Mother's Knee - are, if anything, even more hilarious and outrageous than what has come before. To say that The Devil Rides Out is action-packed is an understatement. Its extraordinary cast of characters includes lords and ladies, the legendary Vera, a serial killer, more prostitutes than you can shake a stick at and drag queens of every shape and size. Wickedly funny, often moving, and searingly honest, Paul's tales of the unexpected will make your jaw drop and your hair stand on end. And you'll laugh like a drain. The Devil Rides Out is one hell of a read! Readers love The Devil Rides Out: 'At times heart-breaking but . . . incredibly funny.' ***** 'A powerful story of the man behind the persona . . . the most fabulous and modest tart with a heart of gold.' ***** 'Very down to earth, heart-breaking at times but Paul always comes back making you laugh.' *****

"0n the Street of the Seven Angels in Paris, we find a gathering of humanity's finest and most frivolous. The Paris bookseller, Charles Edmund Dantes Durand; the liberal-minded, generous monks of a poor Dominican monastery; Madame Culuhac, the personally abstemious owner of the local whorehouse; the Mademoiselle Mailleferre, whose Religious Arts Shop is the headquarters for the newly formed Société for the Preservation of Christian Morality Against Contemporary Indecency; and a host of other finely delineated characters and caricatures. The Société stations a catty collection of spinsters and housewives to spy on their neighbors, resulting in an hilarious citizen's arrest and a revealing censorship trial that intrigues all of Paris. As Jonathan Kozol writes of this novel, "the literary magic here is in the vivid details. I felt I was back in Paris once again after so many years, and followed the delicious story of Durand (a wonderful creation!) as if I were walking with him through the city""--Jacket flap.

This American classic has been corrected from the original manuscripts and indexed, featuring historic photographs and an extensive biographical afterword.

This comprehensive edition explores the life of John Howard Griffin as well as the issue of race as presented in his most famous work, Black Like Me, which details Griffin's experiment darkening his skin to pass as a black man during the Jim Crow era. This volume also presents modern perspectives on race in twenty-first-century America, with commentators asserting that while progress has been made, racism is still a significant issue.

Reluctant Activist is a deeply personal and spiritual biography of John Howard Griffin, the white author who darkened his skin and traveled the Deep South as an African American in 1959, then documented his harrowing journey in his explosive book Black Like Me-an exposé that brought him both fame and death threats, and made him a significant figure in the American civil rights movement. The backlash that followed the publication of Black Like Me was as enormous as it was inevitable. Griffin received so many threats that he had to relocate his family from Texas to Mexico for a period of exile. Griffin was not swayed, though, and eventually became a coveted lecturer, traveling extensively to talk about civil rights. Born in Dallas, Griffin became a Francophile as a young man and spent time studying philosophy, religion, art, music, and literature in France. During WWII, he fought with the Army Air Force in the South Pacific. When he returned to the States, his life took an artistic turn, and his writing and photography established him as an artist in his own right. Griffin lost his eyesight for a decade, and he endured periods of paralysis and crippling surgeries resulting from his diabetes. Miraculously, his vision eventually returned, but the end of his life was marked by relentless physical pain. A close friend of Thomas Merton, Griffin was a diligent Catholic who retained a reverence for the world and high standards for humanity throughout his life. Though he died in 1980, his legacy lives on through his numerous books (The Devil Rides Outside, Nuni, and Black Like Me, among others) as well as his personal Journal-a searing look into Griffin's inner struggles that shapes much of this book. As a close friend and literary executor, Bonazzi had unique access to Griffin's papers and files, and this book offers remarkable insights into both Griffin and his remarkable Black Like Me. Book jacket.

This book features new perspectives on the ethics and politics of free speech. Contributors draw on insights from philosophy, psychology, political theory, journalism, literature, and history to respond to pressing problems involving free speech in liberal societies. Recent years have seen an explosion of academic interest in free speech. However, most recent work has focused on constitutional protections for free speech and on issues related to academic freedom and campus politics. The chapters in this volume set their sights more broadly on the non-state problems that we collectively face in attempting to realize a healthy environment for free discourse. The volume’s contributors share the assumption that threats to free speech do not come exclusively from state sources or bad actors, but from ordinary strategic situations in which all may be acting in good faith. Contributors take seriously the idea that our current cultural moment provides plenty of reason to be concerned about our intellectual climate and offer new insights for how to make things better. New Directions in the Ethics and Politics of Speech will be of interest to researchers and students working in ethics, political philosophy, social theory, and law.

When Tolstoy's The Kreutzer Sonata was banned from distribution through the mail (except for first class) in 1890, New York street vendors began selling it from pushcarts carrying large signs reading "Suppressed!" In 1961, the United States Supreme Court pondered whether D.H. Lawrence's Lady Chatterley's Lover was lewd or literary. In 1969, the novel was required reading in many college literature courses. Changing sexual mores have moved many formerly forbidden books out of locked cabinets and into libraries and classrooms. Literature Suppressed on Sexual Grounds, Fourth Edition examines the issues underlying the suppression of more than 120 works deemed sexually obscene. Entries include: America: The Book (Jon Stewart) An American Tragedy (Theodore Dreiser) The Arabian Nights (Sir Richard Burton, trans.) The Art of Love (Ovid) The Bluest Eye (Toni Morrison) Forever (Judy Blume) Gossip Girl series (Cecily von Ziegesar) How the Garcia Girls Lost Their Accents (Julia Alvarez) Lady Chatterley's Lover (D.H. Lawrence) Lolita (Vladimir Nabokov) Looking for Alaska (John Green) Rabbit, Run (John Updike) Snow Falling on Cedars (David Guterson) Song of Solomon (Toni Morrison) This Boy's Life (Tobias Wolff) Ulysses (James Joyce) and more.

This new edition of Southern Writers assumes its distinguished predecessor's place as the essential reference on literary artists of the American South. Broadly expanded and thoroughly revised, it boasts 604 entries-nearly double the earlier edition's-written by 264 scholars. For every figure major and minor, from the venerable and canonical to the fresh and innovative, a biographical sketch and chronological list of published works provide comprehensive, concise, up-to-date information. Here in one convenient source are the South's novelists and short story writers, poets and dramatists, memoirists and essayists, journalists, scholars, and biographers from the colonial period to the twenty-first century. What constitutes a "southern writer" is always a matter for debate. Editors Joseph M. Flora and Amber Vogel have used a generous definition that turns on having a significant connection to the region, in either a personal or literary sense. New to this volume are younger writers who have emerged in the quarter century since the dictionary's original publication, as well as older talents previously unknown or unacknowledged. For almost every writer found in the previous edition, a new biography has been commissioned. Drawn from the very best minds on southern literature and covering the full spectrum of its practitioners, Southern Writers is an indispensable reference book for anyone intrigued by the subject.

The companion volume to the 50th-anniversary edition of Black Like Me, this book features John Howard Griffin’s later writings on racism and spirituality. Conveying a progressive evolution in thinking, it further explores Griffin’s ethical stand in the human rights struggle and nonviolent pursuit of equality—a view he shared with greats such as Gandhi, Martin Luther King Jr., and Thomas Merton. Enlightening and forthright, this record also focuses on Griffin’s spiritual grounding in the Catholic monastic tradition, discussing the illuminating meditations on suffering and the author’s own reflections on communication, justice, and dying.