The Bungalow Mystery

"He had his tea as usual; when I knocked at the door with the tray (he always had afternoon tea), I found him—like this." Dr Roger Lavington is dreading his debut performance with the village amateur dramatic society. But real-world drama takes over when Lavington's neighbour, a reclusive artist, is found murdered in his own sitting room. Also found on the scene are a lady's glove, a diamond ring, and a mysterious young woman who begs Lavington for his protection. Her safety will depend on her ability to take a role in the forthcoming village play—but is Lavington sheltering a wronged woman or a clever murderess? The Bungalow Mystery (1923) was the first of Annie Haynes's golden age crime novels, and announced a major talent. This new edition, the first in over eighty years, features an introduction by crime fiction historian Curtis Evans. "The ingredients in this story are skilfully mixed." Times "Contrived and worked out with considerable craftsmanship—drawn with sympathy and power." Sunday Times "Contains many cunning devices." Outlook "The mystery is a real mystery." Guardian "Plenty of mystery and drama." Queen "This author has a sure hand at a crime story...strongly recommended to every type of novel reader." Liverpool Courier

While driving a motorboat around the Twin Lakes, Nancy and her friend Helen get caught in a dangerous storm. Luckily, they are rescued by another teenage girl in a rowboat. They soon learn that their rescuer is Laura Pendleton, whose mother has recently having passed away. Laura has come to meet up with her new guardians, but something isn't quite right about them. Nancy investigates the situation, and soon she stumbles upon a shocking surprise in the cellar of a bungalow!

A terrified young girl and the peculiar guardian she fears get Nancy involved in a strange and daring mystery case.

While trying to help a friend out of a difficulty, Nancy has a perilous experience in and around a deserted bungalow, from which only her bravery and quick thinking save her.

Despite its cozy image, the bungalow in literature and film is haunted by violence even while fostering possibilities for personal transformation, utopian social vision and even comedy. Originating in Bengal and adapted as housing for colonialist ventures worldwide, the homes were sold in mail-order kits during the "bungalow mania" of the early 20th century and enjoyed a revival at century's end. The bungalow as fictional setting stages ongoing contradictions of modernity--home and homelessness, property and dispossession, self and other--prompting a rethinking of our images of house and home. Drawing on the work of writers, architects and film directors, including Katherine Mansfield, E. M. Forster, Amitav Ghosh, Frank Lloyd Wright, Willa Cather, Buster Keaton and Walter Mosley, this study offers new readings of the transcultural bungalow.

"Rediscovering Nancy Drew is a rich collection of literary memories and insightful cultural comments."--Journal of Children's Literature "Nancy, especially the Nancy of the original story, is our bright heroine, chasing down the shadows, conquering our worst fears, giving us a glimpse of our brave and better selves, proving to everybody exactly how admirable and wonderful a thing it is to be a girl. Thank you, Nancy Drew."--Nancy Pickard "Nancy Drew belongs to a moment in feminist history; it is a moment, I suggest, that we celebrate, allowing ourselves the satisfaction of praising her for what she dared and forgiving her for what she failed to undertake or understand."--Carolyn G. Heilbrun "Rediscovering Nancy Drew lights up the territory. It informs, delights, and acknowledges through love and scholarship a debt long overdue."--Dale H. Ross In 1991, women staff and faculty at the University of Iowa discovered that the pseudonymous author of the original Nancy Drew books, Carolyn Keene, was none other than Mildred Wirt Benson, the first person to earn a master's degree in journalism at Iowa. The excitement caused by their discovery led to the 1993 Nancy Drew Conference, which explored the remarkable passion for Nancy Drew that spans a wide spectrum of American society. The result: a lively collaboration of essays by and interviews with mystery writers, collectors, publishers, librarians, scholars, journalists, and fans which presents a spirited, informative, totally enjoyable tribute to the driver of that blue roadster so many readers have coveted.

While trying to help a friend out of a difficulty, Nancy has a perilous experience in and around a deserted bungalow, from which only her bravery and quick thinking save her.

Nine critical essays contribute to the accelerating academic investigation into girls' fiction as mechanics of gender formation in the 20th century. Among the series they discuss are Ann of Green Gables, Isabel Carleton, Linda Lane, Betsy-Tacy, and several focusing on automobiles, as well as Nancy herself. They also consider Girl Scouts and related organizations and books furthering the effort of World War II. No personal recollections are included. Paper edition (unseen), $18.95. Annotation copyrighted by Book News, Inc., Portland, OR

While driving a motorboat around the Twin Lakes, Nancy and her friend Helen get caught in a dangerous storm. Luckily, they are rescued by another teenage girl in a rowboat. They soon learn that their rescuer is Laura Pendleton, whose mother has recently having passed away. Laura has come to meet up with her new guardians, but something isn't quite right about them. Nancy investigates the situation, and soon she stumbles upon a shocking surprise in the cellar of a bungalow!

This specially priced starter set includes six Nancy Drew favorites: "The Secret of the Old Clock, The Hidden Staircase, The Bungalow Mystery, The Mystery at Lilac Inn, The Secret of Shadow Ranch" and "The Secret of Red Gate Farm."

In the very early years of the century America was putting down its roots and searching for its own identity in housing architecture. It wasn't until the bungalow style emerged unfettered by Greek, Gothic, or Italianate overtones that America finally had a domestic architectural style to call its own.