The Arvon Book Of Life Writing

Fascinating, wide-ranging, hugely knowledgeable - an indispensable guide and a beguiling education William Boyd Packed with insights and advice - just the inspiration to start writing! Jenny Uglow Everyone has a story This book shows how the best writers tell them, and offers advice on how to tell them yourself. Biographers Sally Cline and Carole Angier teach life writing - an area of creative writing that is exploding in popularity - at the world-famous Arvon Foundation. They have distilled the essence of their popular course on memoir, autobiography and biography into this wide-ranging book. The Arvon Book of Life Writing offers three fascinating ways into the genre. First, reflections on their trade by the authors, exploring its special challenges: truth, memory, ethics, evidence and interpretation. Second, personal tips and tales from 32 top British and American life writers - autobiographers and memoirists, literary, sports and celebrity biographers; plus a critic, an agent, a literary editor, two novelists, and a ghost writer. Third, a practical guide, complete with exercises, designed for use in creative writing courses or by individual writers at home. No other book contains such detailed, witty and professional advice on the genre.

Essential reading for anyone interested in writing biography or memoir, with practical advice from successful biographers and creative writing teachers.

The thirst for real-life stories, is an area of creative non-fiction that is exploding in popularity. Biographers' Sally Cline and Carole Angier teach at the world famous Arvon Foundation writing course and have distilled the essence of their course into this practical handbook with contributions from leading writers.

A professional guide to the rapidly evolving genre of literary non-fiction written by tutors from the prestigious Arvon Foundation course and with contributions from leading writers.

This book showcases a unique, innovative form for contemporary life narrative scholarship. Life Narrative is a dynamic and interdisciplinary field defined through attention to diverse styles of personal and auto/biographical narration and to subjectivity and ethics in acts of self-representation. The essay is a uniquely sympathetic mode for such scholarship, responsive to diverse methods, genres, and concepts and enabling a flexible, hybrid critical and creative approach. Many of the essays curated for this volume are by the authors of creative works of life writing who are seeking to reflect critically on disciplinary issues connected to practice, ethics, audience, or genre. Others show academics from a variety of disciplinary backgrounds engaged in creative critical self-reflection, using methods of cultural analysis, ethnography, or embodied scholarship to address foundational and emerging issues and concepts in relation to identity, experience, or subjectivity. Essays in Life Writing positions the essay as a unique nexus of creative and critical practice, available to academics publishing peer-reviewed scholarly work from a variety of disciplinary backgrounds, and a form of scholarship that is contributing in exciting and vigorous ways to the development of new knowledge in Life Narrative as a field. The chapters in this book were originally published as a special issue of the journal Life Writing.

“Inspirational and very useful . . . quite literally packed with valuable tips and exercises and is almost a mini-course in writing your family history.”—Bedfordshire Family History Society Gill Blanchard’s practical step-by-step guide to writing a family history is designed for anyone who wants to bring their ancestors’ stories to life. She looks at ways of overcoming the particular problems family historians face when writing a family history—how to deal with gaps in knowledge, how to describe generations of people who did the same jobs or lived in the same area, how to cover the numerous births, marriages and deaths that occur, and when to stop researching and start writing. Her book provides examples to help readers find their own writing style, deal with family stories, missing pieces of information and anomalies. It also offers advice on key aspects of composition, such as adding local and social history context and using secondary material. The focus throughout is on how to develop a story from beginning to end. Exercises are a key feature of the text. There is guidance on the various formats a family history can take and how to choose the appropriate one, with examples of format and layout. Production and publishing are also covered—books, booklets, newsletters, websites, blogs and ebooks. “If you’re toying with the idea of writing a family history-themed book, whether it be for general publication or simply for family members, read this first and then take the plunge. Who knows, it could be a bestseller!”—Family Tree Magazine

Following discussions on scientific biography carried out over the past few decades, this book proposes a kaleidoscopic survey of the uses of biography as a tool to understand science and its context. It offers food for thought on the role played by the gender of the biographer and the biographee in the process of writing. To provide orientation in such a challenging field, some of the authors have accepted to write about their own professional experience while reflecting on the case studies they have been working on. Focusing on (auto)biography may help us to build bridges between different approaches to men and women's lives in science. The authors belong to a variety of academic and professional fields, including the history of science, anthropology, literary studies, and science journalism. The period covered spans from 1732, when Laura Bassi was the first woman to get a tenured professorship of physics, to 2009, when Elizabeth H. Blackburn and Carol W. Greider were the first women's team to have won a Nobel Prize in science.

Another Mother gives voice to women who become mothers through the routes of adoption, surrogacy and egg donation, and their silent partners – the birth mothers, surrogate mothers and egg donors – who make motherhood possible for them. Exploring experiences of motherhood beyond the biological mother raising her child, Everington draws on interviews and a range of interdisciplinary approaches to produce illuminating personal testimonies which expand our understanding of what it means to be a mother. The life writing narratives also examine the unique and hidden relationships that exist between adopters and birth mothers, egg donors and women who become mothers through egg donation, and surrogates and women who become mothers through surrogacy. Offering a fresh approach to life writing, using hybrid form encompassing edited interview, re-imagined scenes, poetry, personal essay and quotation collage, this topical book is recommended for anyone interested in motherhood studies, gender and women’s studies, life writing studies, the sociology of reproduction, creative non-fiction writing approaches, oral history and ethnography studies.

Life Writing: A Writers' & Artists' Companion is an essential guide to writing biography, autobiography and memoir. PART 1 explores the history and forms of life writing and the challenges and potential pitfalls of the genre. PART 2 includes tips by bestselling writers: Diana Athill, Alan Bennett, Alain de Botton, Jill Dawson, Millicent Dillon, Margaret Drabble, Geoff Dyer, Victoria Glendinning, Lyndall Gordon, Peter Hayter, Richard Holmes, Michael Holroyd, Kathryn Hughes, Diane Johnson, Hermione Lee, Andrew Lownie, Janet Malcolm, Alexander Masters, Nancy Milford, Blake Morrison, Andrew Morton, Clare Mulley, Jenni Murray, Nicholas Murray, Kristina Olsson, Marion Elizabeth Rodgers, Meryle Secrest, Miranda Seymour, Frances Spalding, Hilary Spurling, Boyd Tonkin, Edmund White. PART 3 includes practical advice - from planning, researching and interviewing to writing, pacing and navigating ethical issues.

For those that have mastered the basics of memoir and wish to probe this brand of creative nonfiction further, Writing the Radical Memoir uses salient theories about memory and the self to challenge assumptions about how we remember and tell the truth of our lives when we write about it. Innovative in approach and making new critical ideas accessible, each chapter maps out the key principles of such writers as Barthes, Lacan, Derrida, Lewis Mehl-Madrona, Philippe Le Jeune and Joseph Campbell, invokes literary examples to show how other writers have mastered the idea before reflecting on how you can practically apply the theory to your writing. With original exercises and prompts for further reading that bridge the gap between the theoretical and how it might be put into practice, the book is attentive to the multiple facets of the genre of nonfiction writing generally, covering such topics as: - The writer/ reader contract - How to embark on a thematic/ symbolic exploration of themes and incidents in your life - How neuro-scientific theory can inform our understanding of memory and recall and what happens to our memories when we remember them - Character development and the ethics of writing about real people - How constructing your identity in memoir offers a chance to push back against traditional structures - That memoir might not be preservation of your past but a process of self-erasure - How J. M. Coetzee's Autrebiography trilogy challenges traditional biography By bringing together lived experience, post-structuralist and postmodernist theories, praxis and artistic vision as a unique approach to writing memoir, this book encourages you to think the self, how it is portrayed, created, erased and made strange through the process of writing and remembering.

Tackle the challenges of memoir writing and share your story. 'Cathy is the person who first told me to write about my mental health when I was nervous to do so. She is a great writer herself and this is brilliant.' - Matt Haig, author of Reasons to Stay Alive Why do we want to write and what stops us? How do we fight the worry that no-one will care what we have to say? What can we do to overcome the obstacles in our way? Sunday Times bestselling author Cathy Rentzenbrink shows you how to tackle all this and more in Write It All Down, a guide to putting your life on the page. Complete with a compendium of advice from amazing writers such as Dolly Alderton, Adam Kay and Candice Carty-Williams, this book is here to help you discover the pleasure and solace to be found in writing; the profound satisfaction of wrestling a story onto a page and seeing the events of your life transformed through the experience of writing a memoir. Perfect for seasoned writers as well as writing amateurs and everyone in between, this helpful handbook will steer you through the philosophical and practical challenges of writing, whether you're struggling with writers block or worrying what people will say. Intertwined with reflections and exercises, Write It All Down is at once an intimate conversation and an invitation to share your story.

There is a saying that 'everyone has a book in them'. But not many people are able to get it out. This practical and inspiring guide, written by a successful author whose novels are published by Bloomsbury, will help guide you through every step of the process, including: * First thoughts - Why do you want to write, and how can you do it? * Genres - Understanding the conventions of writing * Generating ideas - Find a concept that makes your book stand out * Structure - Create a compelling story arc * Character - What you need to bring your characters to life * Dialogue - How to write snappy and suitable direct speech * Setting - Understand the role of place and time * Drafting - How to get your work on the page, chapter after chapter * Redrafting - How to assess your writing (or get it assessed) and improve it * Submission - Agents, publishers, and how to approach them * Publication - Working with your publisher to make your book a success

LEARN HOW TO WRITE YOUR FIRST NOVEL WITH THIS COMPREHENSIVE GUIDE. This new edition of an acclaimed guide to writing a novel helps you if you are just at the very beginning of your writing journey, showing you how to gain confidence and find inspiration. A classic book that has supported thousands of authors over the years, it contains a wealth of information on how to structure, craft and develop your writing, how to edit and redraft, and how to take the first steps towards publication. Each chapter contains a long and several shorter writing exercises, while key quotes, ideas and focus points will be clearly signposted and will summarise important concepts and advice. At the heart of each chapter is the 'Workshop'. The Workshop is a key exercise, in which you will gain a deeper insight into the craft of writing This new edition also includes an expanded section on self- and digital-publishing, to reflect recent advances in technology and practice. ABOUT THE SERIES The Teach Yourself Creative Writing series helps aspiring authors tell their story. Covering a range of genres from science fiction and romantic novels, to illustrated children's books and comedy, this series is packed with advice, exercises and tips for unlocking creativity and improving your writing. And because we know how daunting the blank page can be, we set up the Just Write online community at tyjustwrite, for budding authors and successful writers to connect and share.

This beautiful gift is for writers at any stage, whether you're just starting out or know exactly what you want to write. It's a full writing course, packed with information, support, advice, ideas and tools to help you focus your writing and share it with the world. It includes a 6-month subscription to Writing Magazine and a beautiful notebook in which to record your thoughts and ideas on the go, or as you listen to the accompanying MP3 CD.Full of inspiring, creativity-boosting suggestions, you'll not only learn how to write with confidence but also discover how the publishing industry works, who does what, and how decisions are made. Discover the tips, tricks and insider secrets that will help you fine-tune your creative writing - and launch your publishing career.Includes: Chris Sykes' Complete Creative Writing Course- the 368pp book Complete Creative Writing Course - the audio accompaniment to the Complete Creative Writing Course book.The Insider's Guide to Publishing - full of tips and insights (Features the key content from Teach Yourself's Get Your Book Published and Get Started in Self-Publishing)Deluxe notebook for when inspiration strikes6-month subscription to Writing MagazineABOUT THE SERIESTheTeach Yourself Creative Writing series helps aspiring authors tell their stories. Covering a range of genres from science fiction and romantic novels to illustrated children's books and comedy, this series is packed with advice, exercises, and tips for unlocking creativity and improving your writing. And because we know how daunting the blank page can be, we set up the Just Write online community, at tyjustwrite.com, for budding authors and successful writers to connect and share.

The story of an emotionally powerful writer and a woman of unusual strength of character.

A riveting double biography of Nazi Germany's most highly decorated women test pilots – Hitler's personal Valkyries. Hanna Reitsch and Melitta von Stauffenberg were talented, courageous and strikingly attractive women who fought convention to make their names in the male-dominated field of flight in 1930s Germany. With the war, both became pioneering test pilots and both were awarded the Iron Cross for service to the Third Reich. But they could not have been more different and neither woman had a good word to say for the other. Hanna was middle-class, vivacious and distinctly Aryan, while the darker, more self-effacing Melitta, came from an aristocratic Prussian family. Both were driven by deeply held convictions about honour and patriotism but ultimately while Hanna tried to save Hitler's life, begging him to let her fly him to safety in April 1945, Melitta covertly supported the most famous attempt to assassinate the Führer. Their interwoven lives provide a vivid insight into Nazi Germany and its attitudes to women, class and race. Acclaimed biographer Clare Mulley gets under the skin of these two distinctive and unconventional women, giving a full – and as yet largely unknown – account of their contrasting yet strangely parallel lives, against a changing backdrop of the 1936 Olympics, the Eastern Front, the Berlin Air Club, and Hitler's bunker. Told with great narrative flair, The Women Who Flew for Hitler is an extraordinary true story, with all the excitement and colour of the best fiction.