Television Production

The bible of television production books--now thoroughly overhauled for the new millennium!

Abstract: The basics of successful television (TV) production are presented for those who have no background in this field. Information is provided on: terminology; broadcasting vs. non-broadcasting; TV production facilities; the 3 principal levels of TV production sophistication relative to equipment, personnel, facilities, and budget; the various video recording formats; color TV; TV pre- and post-production; and the actual "shooting" process. The preparatory requirements associated with TV production costs in terms of physical resources, technical know-how, team management, audience needs, legal aspects, and financial resources are cited. A glossary, a listing of TV equipment manufacturers, and a bibliography on TV production are appended. (wz).

Everything your school needs to become active in the emerging field of TV production can be found in this exciting package. It is loaded with practical information on subjects that range from equipment, copyright considerations, news show production, and videotaping school functions to using video to teach media skills and how to deal with vendors. It also contains 20 ready-to-use elementary school lessons on concepts and careers in television production. Reproducible student handouts and questions, notes to the teacher, and enrichment activities accompany the lessons. Media specialists can use this book as a manual for school television production activities, and classroom teachers will love the student activities and lessons. An entire unit on television can be presented, or the lessons can be used on a weekly basis throughout the school year. Whatever approach is taken, this is a useful addition to any elementary media center's professional collection. Grades K-8.

Television Production offers you a very practical guide to professional TV and video production techniques. Here you will find straightforward descriptions and explanations of the equipment you will use, and discover the best ways to use it. The authors also tell you how to anticipate and quickly overcome commonly-encountered problems in television production. You will explore in detail all the major features of television production, learning the secrets of top-grade camerawork, persuasive lighting techniques, effective sound treatment, as well as the subtle processes of scenic design and the art of video editing. Successful program-making is about communication and persuasion. It is not merely a matter of knowing which buttons to press, but how to influence and persuade your audience, hold their attention, develop their interest, and arouse their emotions. This book tells you how to do all this - and much more. The 15th edition has been completely revamped to include lessons on: * 3D- how to use 3D cameras, field-tested 3D workflows, and more * Shooting with DSLRs * Lighting with LEDs * Field-proven lessons and techniques on everything you need to know about the tools and tricks of television production, telling you how, as well as why and when to employ certain techniques and tools * New edition updated to include lessons on 3D-workflows and working with 3D cameras, shooting with DSLRs, lighting with LEDs, and more * Full of inspiring 4-color images that visually drive home the lessons conveyed in the text

In the field-defining text TELEVISION PRODUCTION HANDBOOK, author Herbert Zettl emphasizes how production proceeds in the digital age-from idea to image-and how it moves through the three major phases, from preproduction to production to postproduction. In this context, Zettl describes the necessary tools, considers what they can and cannot do, and explains how they are used to ensure maximum efficiency and effectiveness. This edition features the latest digital equipment and production techniques, including including stereo 3D, 3D camcorders, 4K and 8K digital cinema cameras, portable switchers, LED lighting instruments, and digital lighting control systems. Important Notice: Media content referenced within the product description or the product text may not be available in the ebook version.

Master the fundamentals of studio production procedure and become an effective leader on set. Gain fluency in essential studio terms and technology and acquire the skills you need to make it in the industry. Elegant, accessible, and to the point, the second edition of Andrew H. Utterback’s Studio Television Production and Directing is your back-to-the-basics guide to studio-based lighting, set design, camera operations, floor direction, technical direction, audio capture, graphics, prompting, and assistant directing. Whether you are an established studio professional or a student looking to enter the field, this book provides you with the technical expertise you need to successfully coordinate live or taped studio television in the digital age. This new edition has been updated to include: A UK/Euro focused appendix, enhancing the book’s accessibility to students and professionals of television production around the world An advanced discussion of the job of the Director and the Command Cue Language Fresh discussion of tapeless protocols in the control room, Media Object Server newsroom control software (iNews), editing systems, switcher embedded image store, and DPM (DVE) Brand new sections on UHDTV (4K), set design, lighting design, microphones, multiviewers, media asset management, clip-servers, and the use of 2D and 3D animation Expanded coverage of clip types used in ENG and video journalism (VO, VO/SOT, and PKG) An all new companion website (www.focalpress.com/cw/utterback) with pre-recorded lectures by the author, sample video clips, an expanded full color image archive, vocabulary flashcards, and more Note: the companion website is still under development, but in the meantime the author's filmed lectures are all freely available on Youtube: https://www.youtube.com/channel/UCRp_aSpO0y8cDqLjFGZ2s9A

The long-awaited revision of the bestselling Educator's Survival Guide comes complete with new chapters and student activities. It features drawings/charts and diagrams to help the reader understand the setup and use of a school television studio and equipment, and also focuses on the purchase and use of digital television equipment. Clearly and logically explained, the reader will easily be able to implement the ideas. Grades 7-12.

Written by television trainers who run their own courses on Multiskilling, this book offers a comprehensive introduction to the broad range of skills and technical knowledge required in this industry. It details all the essential information you need to know, acting as an on-the-job reference source for everyday use. For many broadcasting technicians, one of the biggest challenges in recent years has been the transition from a career working in a solo core skill such as camerawork or audio, to acquiring the experience and expertise of a range of production jobs. Many people are expected to work in a number of crafts and to equip themselves with a much wider range of television techniques than had been customary in the past. Multiskilling has become an integral part of television culture, requiring that new entrants are competent in several specialist production skills. Multiskilling for Television Production concentrates on the techniques associated with news and magazine programme production, where most tecnhical operators are usually employed, but most techniques are shared across the whole spectrum of television and film making. Anyone baffled by the range and scope of skills to be mastered will find this book invaluable.

Focuses on equipment, postproduction basics, single-camera studio production, techniques for video, and multicamera small studio production.

This streamlined, step-by-step guide provides students and newcomers in the field of media with an overview of the complete production process, from conceiving of an idea to marketing the final product. Readers will learn what it takes to create a concept, develop it, and then market and sell it. Chapters discuss pitching, producing, marketing visionary concepts, financing, and distributing content. Focused on traditional and non-traditional platforms including social media, websites, and online advertising, this book explores currently evolving media platforms, ideas, and practices and provides examples of how to navigate these unique creative processes. Interviews with business executives offer insider tips and tricks to creating a marketable project. In this book, you will learn how to: Distinguish between a "great idea" and a "marketable idea." Condense your concept into an effective "elevator pitch." Build a basic business plan. Create a marketing strategy, be it traditional, digital, or both. Establish a personal brand and portfolio that will grab the right attention. This book will be of great help to the student, independent filmmaker, and content creator looking to understand the process of getting their work produced, distributed, and marketed.

An elementary school dropout, George Burns went on to become one of America's most beloved entertainers. This book covers a neglected part of his career--his work as a television producer. Burns was not only a behind-the-scenes producer, but also filled the role of producer in various comedies in which he starred. Though his forte was situation comedies, Burns' company, McCadden Productions, also produced dramatic anthology series and pilots, including a pilot considered to be a precursor to the popular TV series Mission: Impossible. This book focuses on Burns' wide variety of production efforts, and follows his involvement in television productions from his 1950 comedy series with his wife, Gracie Allen, through his participation in the fantasy sitcom Mister Ed, and finally to his last producer credit in 1981, I Love Her Anyway, a remake of The Burns and Allen Show.

Before establishing himself as the “master of disaster” with the 1970s films The Poseidon Adventure and The Towering Inferno, Irwin Allen created four of television’s most exciting and enduring science-fiction series: Voyage to the Bottom of the Sea, Lost in Space, The Time Tunnel and Land of the Giants. These 1960s series were full of Allen’s favorite tricks, techniques and characteristic touches, and influenced other productions from the original Star Trek forward. Every science-fiction show owes something to Allen, yet none has equaled his series’ pace, excitement, or originality. This detailed examination and documentation of the premise and origin of the four shows offers an objective evaluation of every episode—and demonstrates that when Irwin Allen’s television episodes were good, they were great, and when they were bad, they were still terrific fun.

Covering all the major areas of television production, this in-depth work highlights the widely varying influences, difficulties and opportunities at work in the industry. Each kind of producer across the seven areas here examined faces the same practical issues of budget, talent and equipment resources, and end-product expectations; however, the self-image of the producers and the creative environment in which they work can differ greatly from one programming sector to the next, and whilst their careers may run parallel they are usually cut off from one another ideologically. Based on interviews from over two hundred and fifty producers working across a selection of British television channels as well as producers of a number of high-profile American shows, this book takes in a panoramic view of production models at work today and concludes with some insightful suggestions for the future.

This book includes theoretical approaches as well as a production section that focuses on basic techniques and introductory applications of media studies.