Sublime Dreams Of Living Machines

Historian Minsoo Kang argues that to properly understand the human-as-machine and the human-as-fundamentally-different-from-machine, we must trace the origins of these ideas and examine how they were transformed by intellectual, cultural, and artistic appearances of the automaton throughout the history of the West. Kang tracks the first appearance of the automaton in ancient myths through the medieval and Renaissance periods, marks the proliferation of the automaton as a central intellectual concept in the Scientific Revolution and the subsequent backlash during the Enlightenment, and details appearances in Romantic literature and the introduction of the living machine in the Industrial Age. He concludes with a reflection on the destructive confrontation between humanity and machinery in the modern era and the reverberations of the humanity-machinery theme today. --

Rhetorical Unconsciousness and Political Psychoanalysis investigates unintentional forms of persuasion, their political consequences, and our ethical relation to the same. M. Lane Bruner argues that the unintentional ways we are persuaded are far more important than intentional persuasion; in fact all intentional persuasion is built on the foundations of rhetorical unconsciousness, whether we are persuaded through ignorance (the unsayable), unconscious symbolic processes (the unspoken), or productive repression (the unspeakable). Bruner brings together a wide range of theoretical approaches to unintentional persuasion, establishing the locations of such persuasion and providing examples taken from the Western European transition from feudalism to capitalism. To be more specific, phenomena related to artificial personhood and the commodity self have led to transformations in material culture from architecture to theater, showing how rhetorical unconsciousness works to create symptoms. Bruner then examines ethical considerations, the relationships among language in use, unconsciousness, and the seemingly irrational aspects of cultural and political history.

A new, definitive translation of the quintessential Korean classic: the Robin Hood story of a magical boy who joins a group of robber bandits and becomes a king *Selected as a Best Book of the Year by NPR and The Washington Post* The Story of Hong Gildong is arguably the single most important work of classic Korean fiction. A fantastic story of adventure, it has been adapted into countless movies, television shows, novels, and comics in Korea. Until now, the earliest and fullest text of this incredible fable has been inaccessible to English readers. Hong Gildong, the brilliant but illegitimate son of a noble government minister, cannot advance in society due to his second-class status, so he leaves home and becomes the leader of a band of outlaws. On the way to building his own empire and gaining acceptance from his family, Hong Gildong vanquishes assassins, battles monsters, and conquers kingdoms. Minsoo Kang’s expressive and lively new translation finally makes the authoritative text of this premodern tale available in English, reintroducing a noble and righteous outlaw and sharing a beloved hallmark of Korean culture. "Hong Gildong is an iconic figure in the Korean literary canon...He's the mythic center of a sometimes-delightful, sometimes-unsettling tale, and it's time the Western world gets to know him." —NPR "[A] marvel-filled swashbuckler...Besides being half fairy tale, half social protest novel, The Story of Hong Gildong possesses a profound resonance for modern Koreans." —Michael Dirda, The Washington Post For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

The stunning follow-up to the multiple-award-winning anthology of SFF by people of colour Octavia E. Butler said, “There’s nothing new under the sun, but there are new suns.” New Suns 2 brings you fresh visions of the strange, the unexpected, the shocking—breakthrough stories, stories shining with emerging truths, stories that pierce stale preconceptions with their beauty and bravery. Like the first New Suns anthology (winner of the World Fantasy, Locus, IGNYTE, and British Fantasy awards), this book liberates writers of many races to tell us tales no one has ever told. Many things come in twos: dualities, binaries, halves, and alternates. Twos are found throughout New Suns 2, in eighteen science fiction, fantasy, and horror stories revealing daring futures, hidden pasts, and present-day worlds filled with unmapped wonders. Including stories by Daniel H. Wilson, K. Tempest Bradford, Darcie Little Badger, Geetanjali Vandemark, John Chu, Nghi Vo, Tananarive Due, Alex Jennings, Karin Lowachee, Saad Hossain, Hiromi Goto, Minsoo Kang, Tlotlo Tsamaase, Rochita Loenen-Ruiz, Malka Older, Kathleen Alcalá, Christopher Caldwell and Jaymee Goh with a foreword by Walter Mosley and an afterword by Dr. Grace Dillon.

Anthology of contemporary stories by emerging and seasoned writers of many races "There's nothing new under the sun, but there are new suns," proclaimed Octavia E. Butler. New Suns: Original Speculative Fiction by People of Color showcases emerging and seasoned writers of many races telling stories filled with shocking delights, powerful visions of the familiar made strange. Between this book's covers burn tales of science fiction, fantasy, horror, and their indefinable overlappings. These are authors aware of our many possible pasts and futures, authors freed of stereotypes and clichéd expectations, ready to dazzle you with their daring genius Unexploited brilliance shines forth from every page. Includes stories by Kathleen Alcala, Minsoo Kang, Anil Menon, Silvia Moreno-Garcia, Alex Jennings, Alberto Yanez, Steven Barnes, Jaymee Goh, Karin Lowachee, E. Lily Yu, Andrea Hairston, Tobias Buckell, Hiromi Goto, Rebecca Roanhorse, Indrapramit Das, Chinelo Onwualu and Darcie Little Badger.

The pursuit of the American Dream, supposedly shaped by the edenic promises of the American land, has engaged our writers from the beginning, and much of our literature has come out of the national literary experience thus expressed. This collection of nineteen original, unpublished essays written for this book is particularly relevant today, when our col­lective field of vision seems obscured, and when the American Dream seems to have become a cliché, symbolic of the Dream defunct. The nineteen critics here presented include, among others, Leslie Fiedler, Oscar Cargill, Maxwell Geismar, Jules Chametzky, Louis Filler, and Ihab Hassan. Most of them seem to agree with the view expressed by the majority of our best creative writers: that in pursuing the American Dream, America has created a nightmare. Taken together, the nineteen essays provide a comprehensive view of American literature, past and present, as it has dealt with the Dream; but the emphasis is on modern works and present social, cultural, and political problems—poverty, war, and racism. Ten of the essays focus on such key works as Herman Melville’s “The Two Temples,” F. Scott Fitz­gerald’s The Great Gatsby, William Faulkner’s “The Bear,” Thomas Wolfe’s You Can’t Go Home Again, Ralph Ellison’s Invisible Man, Arthur Miller’s Death of a Salesman, and Norman Mailer’s Why Are We in Vietnam?

Have you ever wondered if one day Windows 2028 might just know what you're thinking and type it? In this collection of essays, a selection of today's top media and sci-fi theorists weigh in. The Book of Imaginary Media explores the persistent idea that technology may one day succeed where no human has, not only in space or in nature, but also in interpersonal communication. Building on insights from media archeology, Siegfried Zielinski, Bruce Sterling, Erkki Huhtamo and Timothy Druckrey spin a web of associations between the fantasy machines of Athanasius Kircher, the mania of stereoscopy and "dead" media. Edwin Carels and Zoe Beloff descend into the cinematographic caverns of spiritualism and the iconography of death, and renowned cartoonists including Ben Katchor depict their own visionary media fantasies. On the enclosd DVD, artist Peter Blegvad provides hilarious commentary in a son et lumière version of his On Imaginary Media.

Throughout the 19th century, European royalty built extraordinary palaces to which they retreated from their "official" lives in St. Petersburg, Paris, Vienna, and elsewhere. This book offers a panorama of these fantastic estates, where leading architects, craftsmen, muralists, garden designers, and naturalists were employed at enormous expense to create a life of unsurpassed luxury. Many of the palaces are now legendary: Ludwig II's famous Neuschwanstein, which dominates the Bavarian Alps; the "Alexandra Cottage" of Peterhof, the gift of Nicholas I to his wife; the lovely Castle of Miramare built for the ill-fated Archduke Maximilian, the short-lived emperor of Mexico. The palaces are "romantic" in every sense, as creations of their time, and as places suffused with nostalgic memory. Author Jérôme Coignard provides a brief overview of each royal family and their palace's architecture and decoration, drawing on contemporary memoirs and letters. Marc Walter's color photographs are accompanied by period interior views, watercolors, and family photographs. With information on visiting hours and directions to each of the palaces, this book offers a private tour through the last courts of Europe.