Sleuths Sidekicks And Stooges

This reference work on British and American crime, mystery and adventure fiction in English contains 7,000 entries, listed alphabetically by detective, providing information about sleuths, their sidekicks and their rivals. A broad definition of detective is used encompassing Batman, Sherlock Holmes, James Bond, Nero Wolfe and Hercule Poirot.

The ultimate collection for mystery fans Following in the footsteps of those devoted to science fiction and works about Sherlock Holmes, general mystery fandom emerged in 1967 and has since thrived and become an international phenomenon. With its irresistible combination of puzzle-solving and the examination of the dark underbelly of humanity, crime fiction continues to fascinate and delight millions of readers. Ranging the gamut from cozy mysteries to fast-paced thrillers, crime fiction contains a nearly endless range of books... and, of course, a similarly diverse group of readers who devour them. Out of this rabid readership, countless websites, nearly one hundred fan magazines, and dozens of conferences celebrating mysteries have arisen to bring authors, readers, and fans together. This revised and updated edition of The Heirs of Anthony Boucher is an illuminating look at the history of mystery fandom and its effect on readers across the globe. Complete with anecdotes, personal reminiscences, facts, and pictures, it tells the story of the mystery community's publications and conventions, the fans who produce them, and the future of mystery fandom in years to come.

This book aims to establish the position of the sidekick character in the crime and detective fiction literary genres. It re-evaluates the traditional view that the sidekick character in these genres is often overlooked as having a small, generic or singular role—either to act as the foil to the detective in order to accentuate their own abilities at solving crimes, or else to simply tell the story to the reader. Instead, essays in the collection explore the representations and functions of the detective’s sidekick across a range of forms and subgenres of crime fiction. By incorporating forms such as children’s detective fiction, comics and graphic novels and film and television alongside the more traditional fare of novels and short stories, this book aims to break down the boundaries that sometimes exist between these forms, using the sidekick as a defining thread to link them together into a wider conceptual argument that covers a broad range of crime narratives.

Since its appearance nearly two centuries ago, crime fiction has gripped readers' imaginations around the world. Detectives have varied enormously: from the nineteenth-century policemen (and a few women), through stars like Sherlock Holmes and Miss Marple, to newly self-aware voices of the present - feminist, African American, lesbian, gay, postcolonial and postmodern. Stephen Knight's fascinating book is a comprehensive analytic survey of crime fiction from its origins in the nineteenth century to the present day. Knight explains how and why the various forms of the genre have evolved, explores a range of authors and movements, and argues that the genre as a whole has three parts – the early development of Detection, the growing emphasis on Death, and the modern celebration of Diversity. The expanded second edition has been thoroughly updated in the light of recent research and new developments, such as ethnic crime fiction, the rise of thrillers in the serial-killer and urban collapse modes, and feel-good 'cozies'. It also explores a number of fictional works which have been published in the last few years and features a helpful glossary. With full references, and written in a highly engaging style, this remains the essential short guide for readers of crime fiction everywhere!

Between 1887 and 1927, Sir Arthur Conan Doyle wrote sixty Sherlock Holmes stories, and his great Canon has become the most praised, most studied, and best-known chapter in the history of detective fiction. Over twenty thousand publications pertaining to the Sherlock Holmes phenomenon are known to have been published, most of them historical and critical studies. In addition, however, almost since the first stories appeared, such was their uniqueness and extraordinary attraction that other authors began writing stories based on or derived from them. A new genre had appeared: pastiches; parodies; burlesques; and stories that attempted to copy or rival the great detective himself. As the field widened, there was hardly a year in the twentieth century in which new short stories or novels did not appear. Many hundreds are now known to have been published, some of them written by authors well-known for their work in other literary fields. The non-canonical Sherlock Holmes literature not only constitutes a literary field of considerable historical interest, but includes many stories that are both enjoyable and fascinating in their own right. Although a large bibliography on these stories exists, and a few limited anthologies have been published, no attempt has previously been made to collect them all and discuss them comprehensively. The Alternative Sherlock Holmes does so: it provides a new and valuable approach to the Sherlock Holmes literature, as well as making available many works that have for years remained forgotten. Presented as an entertaining narrative, of interest to both the aficionado and the scholar, it provides full bibliographic data on virtually all the known stories in the field.

This is an encyclopedic work, arranged by broad categories and then by original authors, of literary pastiches in which fictional characters have reappeared in new works after the deaths of the authors that created them. It includes book series that have continued under a deceased writer's real or pen name, undisguised offshoots issued under the new writer's name, posthumous collaborations in which a deceased author's unfinished manuscript is completed by another writer, unauthorized pastiches, and "biographies" of literary characters. The authors and works are entered under the following categories: Action and Adventure, Classics (18th Century and Earlier), Classics (19th Century), Classics (20th Century), Crime and Mystery, Espionage, Fantasy and Horror, Humor, Juveniles (19th Century), Juveniles (20th Century), Poets, Pulps, Romances, Science Fiction and Westerns. Each original author entry includes a short biography, a list of original works, and information on the pastiches based on the author's characters.

An annotated guide to reference works that document and describe the primary and secondary literature of mystery and detective fiction.

This new edition of Bleiler's popular and award-winning guide is a superb reference and research tool, as well as an invaluable aid to collection development. Evaluative reviews of approximately 1,000 reference works on mystery and detective fiction provide in-depth discussions of their contents, strengths, weaknesses, and usefulness, often comparing titles to similar or competing works. Encyclopedias, biographical dictionaries, genre guides, national bibliographies, media studies, general reader's guides, web sites, and organizations are just some of the information sources covered in this thorough source. All annotations from the previous edition have been reviewed, revised, and updated; and complete critical reviews of works published since the last edition have been added, including titles released in the present year (2003). More than one third of monographic citations are new to this edition. In a feature new to this edition, Bleiler indexes reference works that provide biographical information on mystery writers, and lists the key websites on these authors. More than 2,500 bio-bibliographic citations to individual mystery writers are given-information that will be particularly useful to those researching specific authors. Organized by publication type for easy access, this work also features a detailed index, making it an essential guide for scholars, researchers, educators, readers' advisors, reference librarians, collection development specialists, and fans.

Spans much of the modern history of the mystery genre and, along with it, many of the political and social changes from the classical detective story, the World War II spy story, and the Cold War thriller to postmodern detective and spy adventures and the politics of terrorism and confrontation of the twenty-first century.

Discusses and details the mistakes, omissions, inconsistencies and imperfections pervading Conan Doyle's Sherlock Holmes canon.