Sketches Of Etruscan Places And Other Italian Essays

From the author of The Rainbow, a travelogue of his journey through central Italy during the reign of Mussolini. Written in 1927 after visiting several Etruscan cities in central Italy, six of the seven essays contained in Sketches of Etruscan Places were posthumously published in 1932. The seventh, “The Florence Museum” is published here for the first time, along with forty-five illustrations reproduced with D. H. Lawrence’s own captions. The second part of this volume contains eight additional essays about Florence and the Tuscan countryside.

Sketches of Etruscan Places contains seven essays D. H. Lawrence wrote in 1927 after visiting several Etruscan cities in central Italy. Six were published posthumously in 1932 as Etruscan Places; 'The Florence Museum' is published for the first time here. Some appeared in magazines in Lawrence's lifetime, but he expressed a wish that they be published in a volume with the photographs he had collected; in fact, only twenty of the forty-five illustrations here reproduced with Lawrence's own captions were included in 1932. Eight essays about Florence and the Tuscan countryside form the second part of this volume. The texts have been established by checking manuscripts, typescripts, proofs and periodical and book publications. The introduction gives the genesis, publication, textual history and reception of the essays.

"Etruscan Places" by D. H. Lawrence. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

Etruscan civilisation, which flourished from the 8th until the 5th century BC in what is now Tuscany, is one of the most fascinating and mysterious in history. An uninhibited, elemental people, the Etruscans enthralled D.H. Lawrence, who craved their 'old wisdom', the secret of their vivacity and love of life. To him they represented the antithesis of everything he despised in the modern world, perhaps because their spontaneity and naturalness struck a chord with his own quest for personal and artistic freedom - so often censured or repressed. Lawrence approaches the enigmatic Etruscans as a poet, passionately and searchingly, and so the reader is swept up in his luminous descriptions of a utopian world where dancing and feasting, art and music were everything. The exhilaration of Lawrence in his Etruscan adventures stands in stark contrast to his intimations of the darkness of Mussolini's Italy - at a time when Europe was beginning its inexorable drift towards tragedy. The last of Lawrence's travel books, 'Etruscan Places' is an ephemeral and vivid account, replete with hauntingly evocative descriptions of the way of life of this once great civilisation. Check out our other books at www.dogstailbooks.co.uk

Sketches of Etruscan Places and other Italian Essays, or Etruscan Places, is a collection of travel writings by D. H. Lawrence, first published posthumously in 1932. In this book Lawrence contrasted the life affirming world of the Etruscans with the shabbiness of Benito Mussolini's Italy during the late 1920s. In preparing these essays, Lawrence travelled through the countryside of Tuscany with his friend Earl Brewster during the spring of 1927.

Sketches of Etruscan Places contains seven essays D. H. Lawrence wrote in 1927 after visiting several Etruscan cities in central Italy. Six were published posthumously in 1932 as Etruscan Places; 'The Florence Museum' is published for the first time here. Some appeared in magazines in Lawrence's lifetime, but he expressed a wish that they be published in a volume with the photographs he had collected; in fact, only twenty of the forty-five illustrations here reproduced with Lawrence's own captions were included in 1932. Eight essays about Florence and the Tuscan countryside form the second part of this volume. The texts have been established by checking manuscripts, typescripts, proofs and periodical and book publications. The introduction gives the genesis, publication, textual history and reception of the essays.

The first critical edition of D. H. Lawrence's 1912-16 essays. Lawrence left England for the first time in May 1912, and began to record his reactions to foreign cultures. In 1915 he amplified some of these essays and wrote others for Twilight in Italy (1916), his first travel book.

For many of us DH Lawrence was a schoolboy hero. Who can forget sniggering in class at the mention of 'Women In Love' or 'Lady Chatterley's Lover'? Lawrence was a talented if nomadic writer whose novels were passionately received, suppressed at times and generally at odds with Establishment values. This of course did not deter him. At his death in 1930 at the young age of 44 he was more often thought of as a pornographer but in the ensuing years he has come to be more rightly regarded as one of the most imaginative writers these shores have produced. As well as his novels he was also a masterful poet (he wrote over 800 of them), a travel writer as well as an author of many classic short stories. Here we publish his travel writings 'Etruscan Places'. Once again Lawrence shows his hand as a brilliant writer. Delving into the landscapes and peeling back the layers to reveal the inner heart.

Provides a biography, detailed overview of Lawrence's works, and full bibliographical information for hundreds of critical works.

David Herbert Richards Lawrence (1885-1930) was an English writer of the 20th century, whose prolific and diverse output included novels, short stories, poems, plays, essays, travel books, translations, literary criticism, and personal letters. His collected works represent an extended reflection upon the dehumanizing effects of modernity and industrialisation. In them, Lawrence confronts issues relating to emotional health and vitality, spontaneity, sexuality, and human instinct. Lawrence's opinions earned him many enemies and he endured official persecution, censorship, and misrepresentation of his creative work throughout the second half of his life, much of which he spent in a voluntary exile he called his "savage pilgrimage." E. M. Forster, in an obituary notice, challenged this widely held view, describing him as "the greatest imaginative novelist of our generation." Lawrence is perhaps best known for his novels Sons and Lovers, The Rainbow, and Lady Chatterley's Lover. Within these he explores the possibilities for life and living within an Industrial setting. His other works include: The White Peacock (1911), The Widowing of Mrs Holroyd (1914), The Lost Girl (1920), St. Mawr (1925), The Man Who Died (1931) and The Fight for Barbara (1933).

Myths of Europe focuses on the identity of Europe, seeking to re-assess its cultural, literary and political traditions in the context of the 21st century. Over 20 authors - historians, political scientists, literary scholars, art and cultural historians - from five countries here enter into a debate. How far are the myths by which Europe has defined itself for centuries relevant to its role in global politics after 9/11? Can 'Old Europe' maintain its traditional identity now that the European Union includes countries previously supposed to be on its periphery? How has Europe handled relations with the non-European Other in the past and how is it reacting now to an influx of immigrants and asylum seekers? It becomes clear that founding myths such as Hamlet and St Nicholas have helped construct the European consciousness but also that these and other European myths have disturbing Eurocentric implications. Are these myths still viable today and, if so, to what extent and for what purpose? This volume sits on the interface between culture and politics and is important reading for all those interested in the transmission of myth and in both the past and the future of Europe.

In recent decades, critical and theoretical debate in the field of culture and literature has called into question many literary categories, has re-discussed the literary canon, and has totally renovated critical approaches in the wake of major changes in western society such as the irruption of new cultural identities, the disruption of the well-established Euro-centric conception, and the need to establish new world visions. D. H. Lawrence has been a focus for critical debate since his early publications in the first decades of the 20th century. The force of his thought, his courageous challenge against the most important values of western industrial society, his rejection of England and its bourgeois values, his choice to live in exile, his never-ending quest for lost vital meanings, his open-mindedness in coming into contact with different worlds and cultures, and the revolutionary impact of his writing have all provided critics with important issues for discussion. Most of Lawrence’s works are still being read and analysed through ever-new critical lenses and approaches. This volume brings together a selection of papers delivered at the 13th International D. H. Lawrence Conference, D. H. Lawrence: New Life, New Utterance, New Perspectives held in Gargnano in 2014, on Lake Garda: the place of Lawrence’s first Italian sojourn, where he started a “new life” with Frieda and a new phase as a writer. The essays selected for Part I of this volume offer new readings of Lawrence’s work and ideology through various theoretical and philosophical approaches, drawing comparisons with philosophers and thinkers such as Bataille, Darwin, Derrida, Heidegger, and Benjamin, among others. Part II focuses on translation, a concept which can be extended to cultural mediation, as it can be applied not only to the proper translation of texts from one language into another, but also to travel writing and to transcodification, as is the case of film versions of Lawrence’s novels.

November 1925 found David and Frieda Lawrence on the Italian Riviera, looking for sun, sea air, and health. The Lawrences were exhilarated by life in their rented villa, set amid olive groves and vineyards, with a view of the sparkling Mediterranean. The drab English winter couldn’t have been farther away. But before long Frieda found herself irresistibly attracted to their landlord, a dashing Italian army officer, and the resulting affair served as the background for Lawrence’s writing: while in the villa, he turned out two stories, “Sun” and “The Virgin and the Gypsy,” both prefiguring Lady Chatterley’s Lover in their depiction of women fatally drawn to earthy, muscular men. Built on the unpublished, and previously unexplored, letters and diaries of Rina Secker, the Anglo-Italian wife of Lawrence’s publisher, and featuring never-before-published letters from Lawrence, Lady Chatterley’s Villa reconstructs the drama of the tempestuous marriage, and the ways it fired Lawrence’s creativity. Along the way, Richard Owen offers a new accounting of Lawrence’s passion for Italy, tracing his travels along the coasts and islands and his deep engagement with Italian culture. This exploration of a little-studied, but crucial period of the writer’s life will be a must for Lawrence’s many fans.

This pre-eminent bibliography for D. H. Lawrence was extensively revised, updated and expanded by Paul Poplawski for publication in 2001.

This is the first book written about Maria Monaci Gallenga (1880-1944), the enigmatic fashion artist and designer marginalized after decades of fortune and fame. The daughter of Ernesto Monaci, the illustrious philologist and mentor of Luigi Pirandello, Gallenga was the wife of Pietro Gallenga, a medical scientist related to the Gallenga Stuart family. The text outlines Maria Monaci Gallenga’s impact on the world of fashion, contextualizing her work and that of other forgotten fashion designers in the 1920s and 1930s. It sheds light on her cultural impact and idealism as a business entrepreneur in Europe and America promoting Italian art and culture. It also highlights her engagement in social and educational activities after she retired from the world of fashion, and explains the reasons behind her marginalization and disappearance, and the obstacles and constraints she faced during the years of Fascism. The book also considers the influence of the British arts and crafts movement and the vision of the Pre-Raphaelite Brotherhood on her aesthetic vision, and, in turn, investigates Maria Gallenga’s influence on late Pre-Raphaelite paintings (Frank Cadogan Cowper) inspired by her designs and fabrics. The discovery of her fabrics and accessories by the Fendi sisters in the collections of the Tirelli House eventually sparked a new interest in her models, now enhanced by digital media.