Sexuality War And Schizophrenia

Tausk was a major figure among pre-World War I psychoanalysts and a prominent pupil of Freud. Twelve of his papers are collected here and introduced by Paul Roazen (social and political science, York U.). Indexed by name only. Annotation(c) 2003 Book News, Inc., Portland, OR (booknews.com)

Tausk was a major figure among pre-World War I psychoanalysts and a prominent pupil of Freud. Twelve of his papers are collected here and introduced by Pa Roazen (social and political science, York U.). Indexed by name only. Annotation copyright Book News, Inc. Portland, Or.

Historian Minsoo Kang argues that to properly understand the human-as-machine and the human-as-fundamentally-different-from-machine, we must trace the origins of these ideas and examine how they were transformed by intellectual, cultural, and artistic appearances of the automaton throughout the history of the West. Kang tracks the first appearance of the automaton in ancient myths through the medieval and Renaissance periods, marks the proliferation of the automaton as a central intellectual concept in the Scientific Revolution and the subsequent backlash during the Enlightenment, and details appearances in Romantic literature and the introduction of the living machine in the Industrial Age. He concludes with a reflection on the destructive confrontation between humanity and machinery in the modern era and the reverberations of the humanity-machinery theme today. --

Reforming the Moral Subject explores a movement known as "ethics reform" that flourished in Central Europe between 1890 and 1930. Tracie Matysik examines the works of German-speaking intellectuals and activists-moral philosophers, sociologists, legal theorists, pedagogy specialists, psychoanalysts, sexual liberationists, and others-who discovered in the language of ethics a means to revitalize the public sphere. Ethics reformers used the academic field of moral philosophy to contest public- and state-sponsored rhetoric that they thought equated "morality" with national loyalty, religious tradition, and repressive sexual mores. They founded organizations and periodicals, circulated brochures, and hosted lectures and conferences, all aimed at rethinking ethics for a secular modernity. Arising in a context sharply influenced by materialism, Darwinism, and the advent of sexology, ethics debates gradually focused not surprisingly on the role of sexuality in definitions of ethics and of the moral subject. Intellectuals and activists came to agree that sexuality was central to the formation of the moral subject. Some viewed the moral subject as that individual who had learned to suppress sexual drives, while others saw sexual drives and sexual autonomy as the source of moral energy and sentiment. The association of sexuality with a wide and variegated discussion of ethics made the sexualized moral subject an open concept that could not be fully regulated, confined, or conflated with national identities. Matysik's compelling intellectual and cultural history of ethics and moral subjectivity reframes the nature of German liberalism and intellectual activism from the end of the nineteenth century until the interwar period.

Special Focus editor: Natasha Lushetich Series editors: Rüdiger Ahrens, Florian Kläger, Klaus Stierstorfer Symbolism is cohesive. It gathers heterogeneity over time, across fields of human endeavor and systems of communication. Non-sequiturs, paradox and tautology, appear dissipative. Yet they are highly productive in reticular and fractal ways. Suffice it to look at the philosophical tautology of Parmenides’s kind, which suggests that being "is"; at the practice of the koan, which collapses dualistic thinking by way of incompatible propositions, such as "the Eastern hill keeps running on the water"; at logical paradoxes in which the operative logic is sabotaged by its own means, as in Hempel’s paradox; at absurdist dramatic texts in which protagonists record empty time in order to mark the emptiness of the time they are recording, as in Beckett’s Krapp’s Last Tape; or at paradoxical games like Maciunas’s Prepared Table Tennis played with paddles that have huge holes in them. In all of these examples, the existence-apprehending processes occur via unexpected itineraries, in vacant but nevertheless enunciative codes, in seemingly futile, yet calibrating performances, and in a temporality that is the cumulative time’s "other." They catapult the mind into the realm of the extra-linguistic, the para-logical and the meta-experiential, or they transfigure it through a series of reticular iterations. Forty years after Varela et al’s groundbreaking work on the embodied, emotional and environmentally embedded mind – that marked a definitive departure from its former strictly rational conception – there is a need to re-examine the territory that lies beyond mind for a different reason: the proliferation of algorithmic logics that rely on the idea of a rational agent (human or algorithmic) making logical, self-serving decisions. This special issue explores neither-rational-nor-irrational forms of thinking and making. It sketches a cartography of a-rational processes of meaning- and knowledge-production that operate across numerous sites, practices, and disciplines: visual and media art; literature; art history; music; dance; film; intermedia and photography. Part I "Ahistoricity, Assemblages and Interpretative Reversals" focuses on the legacy of the (neo) avant-garde and amodernism. Part II "Destinerrance, Labyrinths and Folds" investigates the ways in which the Derridian delays/detours and the Deleuzian folding function as concrete ways of embodied knowledge-production. Part III, "Immanent Transcendence", offers a glimpse into the reticular and iterative structuring of transcendence that does not pre-exist immanence but is its residue.

A new theory of culture presented with a new method achieved by comparing closely the art and science in 20th century Austria and Hungary. Major achievements that have influenced the world like psychoanalysis, abstract art, quantum physics, Gestalt psychology, formal languages, vision theories, and the game theory etc. originated from these countries, and influence the world still today as a result of exile nurtured in the US. A source book with numerous photographs, images and diagrams, it opens up a nearly infinite horizon of knowledge that helps one to understand what is going on in today’s worlds of art and science.

In 1968, Stanley Kubrick completed and released his magnum opus motion picture 2001: A Space Odyssey; a time that was also tremendously important in the formation of the psychoanalytic theory of Jacques Lacan. Bringing these figures together, Bristow offers a study that goes beyond, as the film did. He extends Lacan’s late topological insights, delves into conceptualisations of desire, in G. W. F. Hegel, Alexandre Kojève, and Lacan himself, and deals with the major themes of cuts (filmic and psychoanalytic); space; silence; surreality; and ‘das Ding’, in relation to the movie’s enigmatic monolith. This book is a tour de force of psychoanalytic theory and space odyssey that will appeal to academics and practitioners of psychoanalysis and film studies, as well as to any fan of Kubrick’s work.

It is during the nineteenth-century, the age of machinery, that we begin to witness a sustained exploration of the literal and discursive entanglements of minds, bodies, machines. This book explores the impact of technology upon conceptions of language, consciousness, human cognition, and the boundaries between materialist and esoteric sciences.

Take a deep breath. Air—without it, life on Earth would cease to exist. Though not usually seen, its presence is relied upon. At once both ethereal and physical, air has been associated with flight and spirit, and yet it has progressively become a territory that can be claimed through communications, warfare, travel, and scientific exploration. At the same time, air is no longer a completely reliable part of our daily life: like water, it has become an environmental element that must be watched closely for quality and purity. A Matter of Air investigates the meanings of air over the last three centuries, including our modern concern over emissions and climate change. Steven Connor looks at the human relationship with air, both positive and negative. His explorations include the dangers posed by radio atmospherics, poison gas, and haze as well as our continued fascination with effervescence and explosives. Drawing ideas from religion, science, art, literature, and philosophy, A Matter of Air creates a comprehensive history of the human perception of air. Thoroughly researched and written with wit and quirky enthusiasm, the book will appeal to a wide range of general readers interested in the environment, human history, and our most essential aspects of life.

The author was an important and influential early member of Freud's inner circle of trusted colleagues. As such, he played a significant part in the establishment of psychoanalysis as a recognised and respected discipline.

First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.

The Freudian Calling traces the evolution of an early psychoanalytic science of culture by examining how the work of cultural interpretation became essential to the Freudian movement in Vienna in the years before World War I. Louis Rose explores Freud's writings on art, society, and history in light of the discussions and projects of his Viennese circle. Drawing on the history of psychoanalytic cultural science in Vienna, The Freudian Calling reexamines the development of Freud's own thought, from his biography of Leonardo da Vinci and the study of Michelangelo's Moses to the writing of Totem and Taboo and, finally, Civilization and Its Discontents.

Schizostructuralism draws together insights from psychoanalytic, structuralist, and Marxist theory, and the divisions and antagonisms that both underpin and distinguish them, to form a new psychoanalytic system. Working through the key concepts and methods in these fields, Daniel Bristow describes the processes of unification and separation inherent in structure; extends concepts within the field of psychoanalytic topology and its study of surface; and interrogates types and phasings of time that operate psychosocially, testing workings of these against analyses of class division and struggle. Returning to and working through key concepts and methods in the fields of structuralism, topology, temporality, and Marxist political theory, Schizostructuralism looks again at such major figures as Freud, Reich, Lacan, Laing, and Deleuze and Guattari—invoking their socially oriented theories and practices—and sets out possibilities for recalibrating critical and clinical approaches to be more politically radical and inclusive. Bristow draws on an array of schematic diagrams, depicting and formulating the clinical categories of neurosis, perversion, and psychosis. Schizostructuralism will be of interest to academics and students of psychoanalytic studies, Lacanian studies, and philosophy. It will also inform psychoanalysts in practice and in training.

Helene Deutsch was one of the most famous psychoanalysts to emerge from Freud's immediate circle in Vienna. Best known for her writings on female psychology, she was also one of the great teachers of psychoanalysis. As the founding president of the Vienna Psychoanalytic Training Institute, she confirmed her stature in the history of psychoanalysis by cultivating a whole younger generation of influential analysts. Deutsch was tolerant and open-minded, both as a theoretician and teacher, but, as Paul Roazen remarks in his introduction, independence and an absence of fanaticism can mean a temporary fading out of influence. For the first time, Deutsch's major professional contributions are brought together for permanent consideration. This volume documents her enduringly valuable exploration of the complexities of the psychology of women's experience. Deutsch remained essentially faithful to the Freudian canon. Nonetheless, and throughout these writings, she developed ideas on the subject of femininity that were often at odds with those of her mentor. Her use of Freud's theories aimed to encourage toleration of human diversity and to modify his model of sexuality according to the particular circumstances of women's lives. It was Deutsch who introduced motherhood as a central concern of psychoanalysis by stressing how the psychological dimension of reproduction was different for men and women and how this uniquely feminine capacity had its effects on the entire psychology of women. The same commitment to human diversity informs her much-misunderstood work on the clinical problems of female sexual dysfunction. While accepting the Freudian goal of sexual gratification, Deutsch argues that sublimation through work was a key value in its own right This is illustrated in "George Sand: A Woman's Destiny," a brilliant early example of psychobiography. This volume of Deutsch's classic papers, several appearing in English for the first time, will be of interest to psychologists, intellectual historians, and women's studies specialists.

In this 2001 book Pamela Thurschwell examines the intersection of literary culture, the occult and new technology at the fin-de-siècle. Thurschwell argues that technologies began suffusing the public imagination from the mid-nineteenth century on: they seemed to support the claims of spiritualist mediums. Talking to the dead and talking on the phone both held out the promise of previously unimaginable contact between people: both seemed to involve 'magical thinking'. Thurschwell looks at the ways in which psychical research, the scientific study of the occult, is reflected in the writings of such authors as Henry James, George du Maurier and Oscar Wilde, and in the foundations of psychoanalysis. This study offers provocative interpretations of fin-de-siècle literary and scientific culture in relation to psychoanalysis, queer theory and cultural history.

Cinema by Other Means explores avant-garde endeavors to practice the cinema by using the materials and the techniques different from those commonly associated with the cinematographic apparatus. Using examples from both the historical and the post-war avant-garde -- Dada, Surrealism, Letterism, "structural-materialist" film, and more -- Pavle Levi reveals a range of peculiar and imaginative ways in which filmmakers, artists, and writers have pondered and created, performed and transformed, the "movies" with or without directly grounding their work in the materials of film. The study considers artists and theorists from all over Europe --- France, Italy, Soviet Union, Germany, Hungary -- but it particularly foregrounds the context of the Yugoslav avant-garde. Cinema by Other Means offers the English-language reader a thorough explication of an assortment of distinctly Yugoslav artistic phenomena, such as the Zenithist cine-writings of the 1920s, the proto-structural Antifilm movement of the early 1960s, and the "ortho-dialectical" film-poetry of the 1970s.