Reading Michael Chabon

Analyzes the author's novels and presents commentary on his life and works, viewing his career as bridging the gap between literary and popular culture.

Since the publication of his first novel, The Mysteries of Pittsburgh, launched him to fame, Michael Chabon (b. 1963) has become one of contemporary literature's most acclaimed novelists by pursuing his singular vision across all boundaries of genre and medium. A firm believer that reading even the most challenging literature should be a fundamentally pleasurable experience, Chabon has produced an astonishingly diverse body of work that includes detective novels, weird tales of horror, alternate history science fiction, and rollicking chronicles of swashbuckling adventure alongside tender coming-ofage stories, sprawling social novels, and narratives of intense introspection. Uniting them all is Chabon's utterly distinct prose style--exuberant and graceful, sometimes ironic but never cynical. His work has earned accolades ranging from the Pulitzer Prize to science fiction's Hugo and Nebula Awards. Conversations with Michael Chabon collects eighteen revealing interviews with the renowned author of The Amazing Adventures of Kavalier & Clay, The Yiddish Policemen's Union, and other much-admired works. Spanning nearly twenty years and drawn from science fiction fan magazines and literary journals alike, these interviews shed new light on the central concerns of Chabon's fiction, including the importance of dismantling the false divide between literary and lowbrow, his evolving relationship to Jewish culture and literature, the unique properties of male friendship, and the complexities of race in contemporary America. These interviews are essential reading for anyone seeking a better understanding of the life and work of an author who has been instrumental in defining the landscape of contemporary American fiction.

Pulitzer Prizewinning author Michael Chabon has emerged as one of the most daring writers of American fiction in the post-Pynchon era. Joseph Dewey examines how Chabon’s narratives have sought to bring together the defining elements of the two principal expressions of the American narrative that his generation inherited: the formal extravagances of postmodernism and the compelling storytelling of psychological realism. Like the audacious, self-conscious excesses of Pynchon and his postmodern disciples, Dewey argues, Chabon’s fictions are extravagant, often ironic, experiments into form animated by dense verbal and linguistic energy. As with the probing texts of psychological realism by Updike and his faithful, Chabon’s fictions center on keenly drawn, recognizable characters caught up in familiar, heartbreaking dilemmas; enthralling storylines compelled by suspense, enriched with suggestive symbols; and humane themes about love and death, work and family, and sexuality and religion. Evolving over three decades, this hybrid fiction has made Chabon not only one of the most widely read composers of serious fiction of his guild but one of the most critically respected writers as well, thus positioning Chabon as a representative voice of the generation. Dewey’s study, the first to examine the full breadth of Chabon’s fiction from his landmark debut novel, The Mysteries of Pittsburgh, to his controversial 2012 best seller, Telegraph Avenue, places Chabon’s fictional sensibility, for all its hipness, within what has been the defining theme of American literature since the provocative romances of Hawthorne and Melville: the anxious tension between escape and engagement; between the sweet, centripetal pull of the redemptive imagination as a splendid, if imperfect, engine of retreat and the harsh, centrifugal pull of real life itself, recklessly deformed by the crude handiwork of surprise and chance and unable to coax even the simplest appearance of logic.

Pulitzer Prize-winning author Michael Chabon is considered one of the most distinguished contemporary American novelists. Reading Michael Chabon, the first full-length volume on the writer, views his career as bridging the gap between literary and popular culture. Designed for book club members and high school and college students, this reference guide will help readers keep track of Chabon's intricate plots and draw thematic connections between and among his major novels. It will also help them understand his fiction as cultural commentary on contemporary masculinity and Jewish identity. The book treats both Chabon's life and work, including film adaptations of his novels, his love affair with comics, and his forays into detective and adventure fiction. A chapter is dedicated to each of his major novels, including Mysteries of Pittsburgh, Wonder Boys, The Amazing Adventures of Kavalier and Clay, and The Yiddish Policemen's Union.

The Pulitzer Prize winner explores the literary joys of sci-fi and superheroes, gumshoes and goblins, and the stories that bring us together. “I read for entertainment, and I write to entertain. Period.” Such is the manifesto of Michael Chabon, an author of indisputable literary renown who maintains a fierce appreciation of the seductive arts of so-called “genre” fiction. In this lively collection of sixteen critical and personal essays, the author of The Amazing Adventures of Kavalier & Clay champions the cause of westerns, horror, and all the stories, comics, and pulp fiction that get pushed aside when literary discussion turns serious. Whether he’s taking up Superman or Sherlock Holmes, Poe or Proust, Chabon makes it his emphatic mission to explore the reasons we tell one another tales. Throughout, Chabon reveals his own blooming as a writer, from The Mysteries of Pittsburgh to The Yiddish Policeman’s Union. He is living proof of his theory that the stories that give us great pleasure are in many ways our truest, best art—the building blocks of our shared imagination—and in Maps and Legends, he “makes an inviting case for bridging the gap between popular and literary writing” (O, The Oprah Magazine). This ebook features a biography of the author.

Offering a radical critique of contemporary Israeli and diaspora fiction by major writers of the generation after Amos Oz and Philip Roth, this book asks searching questions about identity formation in Jewish spaces in the twenty-first century and posits global, transnational identities instead of the bipolar Israel/diaspora model. The chapters put into conversation major authors such as Jonathan Safran Foer, Nicole Krauss, Michael Chabon, and Nathan Englander with their Israeli counterparts Zeruya Shalev, Eshkol Nevo, and Etgar Keret and shows that they share common themes and concerns. Read through a postmodern lens, their preoccupation with failed marriage and failed ideals brings to the fore the crises of home, nation, historical destiny, and collective memory in contemporary secular Jewish culture. At times provocative, at others iconoclastic, this innovative study must be read by anyone concerned with Jewish culture and identity today, whether scholars, students, or the general reader.

Imagining the Unimaginable examines popular fiction's treatment of the Holocaust in the dystopian and alternate history genres of speculative fiction, analyzing the effectiveness of the genre's major works as a lens through which to view the most prominent historical trauma of the 20th century. It surveys a range of British and American authors, from science fiction pulp to Pulitzer Prize winners, building on scholarship across disciplines, including Holocaust studies, trauma studies, and science fiction studies. The conventional discourse around the Holocaust is one of the unapproachable, unknowable, and the unimaginable. The Holocaust has been compared to an earthquake, another planet, another universe, a void. It has been said to be beyond language, or else have its own incomprehensible language, beyond art, and beyond thought. The 'othering' of the event has spurred the phenomenon of non-realist Holocaust literature, engaging with speculative fiction and its history of the uncanny, the grotesque, and the inhuman. This book examines the most common forms of nonmimetic Holocaust fiction, the dystopia and the alternate history, while firmly positioning these forms within a broader pattern of non-realist engagements with the Holocaust.

Michael Chabon’s America: Magical Words, Secret Worlds, and Sacred Spaces is the first comprehensive scholarly collection analyzing the work of acclaimed, Pulitzer Prize-winning author Michael Chabon. At its core, the book demonstrates how Chabon uses a broad range of styles and genres, including detective and comic book fiction and essays and other works of nonfiction, to get at the heart of defining the American experience. As a result, Michael Chabon’s America provides context and exploration for understanding the author’s work from cultural, historical, and stylistic perspectives by scholars from five continents, revealing Chabon’s deep global impact.

While, strictly speaking, Alternate Histories are not Future Narratives, their analysis can shed a clear light on why Future Narratives are so different from past narratives. Trying to have it both ways, most Alternate Histories subscribe to a conflicting set of beliefs concerning determinism and freedom of choice, contingency and necessity. For the very first time, Alternate Histories are here discussed against the backdrop of their Other, Future Narratives. The volume contains in-depth analyses of the classics of the genre,such as Philip K. Dick's The Man in the High Castle and Philip Roth's The Plot against America, as well as less widely-discussed manifestations of the genre, such as Dieter Kühn's N,ChristianKracht'sIch werde hier sein im Sonnenschein und im Schatten,and Quentin Tarantino's film Inglourious Basterds.

Librarians who work with readers will find this well-loved guide to be a treasure trove of information. With descriptive annotations of thousands of genre titles mapped by genre and subgenre, this is the readers' advisor's go-to reference. • Helps librarians answer the challenging question "What should I read next?" • Helps LIS students understand popular genres and better select books for which readers are looking • Serves as a starting point for library patrons looking for their next read

This lighthearted and eye-opening book explores the role of comedy in cultural and political critiques of American society from the past century. • Provides a context, vocabulary, and perspective to better appreciate and understand American humor • Connects historical developments to cultural changes • Includes both academic references and popular works • Covers a wide range of artists over a variety of media • Examines and explains general trends in American comedy

Information and communication technology is transforming our notion of literacy. In the study of second language learning, there is an acute need to understand how learners collaborate in mediating discourse online. This edited volume offers essays and research studies that lead us to question the borders between speech and writing, to redefine narrative, to speculate on the consequences of many-to-many communication, and to ponder the ethics of researching online interaction. Using diverse technologies (bulletin boards, course management systems, chats, instant messaging, online gaming) and situated in different cultural environments, the studies explore intercultural notions of identity, voice, and collaboration. Although the studies come from varying theoretical perspectives, they point, as a whole, to insights to be gained from an ecological approach to studying how people make discourse online. The volume will especially benefit researchers in the digital arena and instructors who must consider how online interaction affects language learning and use.

“The ultimate literary bucket list.” —THE WASHINGTON POST Celebrate the pleasure of reading and the thrill of discovering new titles in an extraordinary book that’s as compulsively readable, entertaining, surprising, and enlightening as the 1,000-plus titles it recommends. Covering fiction, poetry, science and science fiction, memoir, travel writing, biography, children’s books, history, and more, 1,000 Books to Read Before You Die ranges across cultures and through time to offer an eclectic collection of works that each deserve to come with the recommendation, You have to read this. But it’s not a proscriptive list of the “great works”—rather, it’s a celebration of the glorious mosaic that is our literary heritage. Flip it open to any page and be transfixed by a fresh take on a very favorite book. Or come across a title you always meant to read and never got around to. Or, like browsing in the best kind of bookshop, stumble on a completely unknown author and work, and feel that tingle of discovery. There are classics, of course, and unexpected treasures, too. Lists to help pick and choose, like Offbeat Escapes, or A Long Climb, but What a View. And its alphabetical arrangement by author assures that surprises await on almost every turn of the page, with Cormac McCarthy and The Road next to Robert McCloskey and Make Way for Ducklings, Alice Walker next to Izaac Walton. There are nuts and bolts, too—best editions to read, other books by the author, “if you like this, you’ll like that” recommendations , and an interesting endnote of adaptations where appropriate. Add it all up, and in fact there are more than six thousand titles by nearly four thousand authors mentioned—a life-changing list for a lifetime of reading. “948 pages later, you still want more!” —THE WASHINGTON POST

Flat Aesthetics seeks to secure a more granular and ontologically demotic handle on the contemporary in American literature. While contemporaneity can be viewed as “our” period, Christian Moraru approaches the contemporary as some-thing made by things themselves. The making of the contemporary is variously restaged by the body of fictional prose under scrutiny here. Thus, this corpus itself participates in the making of contemporaneity. In dialogue with object-oriented ontology and various new materialisms, Moraru contends that the contemporary does not preexist objects or the novels featuring them; it is not their background but an outcome of things' self-presentation. As objects, beings, or existents present themselves in the present, in our “now,” they foster thing-configurations that together compose the form of, and essentially make, the contemporary - the present's cultural-material signature, as Moraru calls it. To decipher this signature, Flat Aesthetics provides a cross-sectional reading of postmillennial American fiction. Discussed are solely post-2000 works by writers who have also established themselves over the past two decades or so, from Nicole Krauss, Michael Chabon, and Ben Lerner to Colson Whitehead and Emily St. John Mandel. Their output, Moraru claims, bears witness to the onset of a “flat” aesthetics in American letters after September 11, 2001. Organized into five parts, the books canvases objectual constellations of contemporaneity shaped by material dynamics of language, museality and display, spatiality, zombification and thing-rhetoric, and post-anthropocentric kinship.

Everyone’s favorite guide to fiction that’s thrilling, mysterious, suspenseful, thought-provoking, romantic, and just plain fun is back—and better than ever in this completely revamped and revised edition. A must for every readers’ advisory desk, this resource is also a useful tool for collection development librarians and students in LIS programs. Inside, RA experts Wyatt and Saricks cover genres such as Psychological Suspense, Horror, Science Fiction, Fantasy, Romance, Mystery, Literary and Historical Fiction, and introduce the concepts of Adrenaline and Relationship Fiction; include everything advisors need to get up to speed on a genre, including its appeal characteristics, key authors, sure bets, and trends; demonstrate how genres overlap and connect, plus suggestions for guiding readers among genres; and tie genre fiction to the whole collection, including nonfiction, audiobooks, graphic novels, film and TV, poetry, and games. Both insightful and comprehensive, this matchless guidebook will help librarians become familiar with many different fiction genres, especially those they do not regularly read, and aid library staff in connecting readers to books they’re sure to love.

Which 100 novels represent the finest American literature ever produced? Let this book be your guide. Ordered A-Z by author this latest title in the popular Must-Read series provides a rich resource for your reading. It features 100 titles from 19th century classics: Melville's Moby Dick and Hawthorne's The Scarlet Letter, to the 1920s generation: Hemingway, F Scott Fitzgerald and William Faulkner, the Beat generation (Kerouac's On the Road) to the major writers of today: Toni Morrison (Beloved) Michael Chabon (The Amazing Adventures of Kavalier and Clay), Jonathan Franzen (The Corrections), Donna Tartt (The Secret History) and Barbara Kingsolver (The Poisonwood Bible). All the major figures are covered from Fenimore Cooper to the present day, as well as lesser known and more offbeat writers that you may not yet have discoverd such as Dawn Powell, William Maxwell and Marilynne Robinson. The Read-On suggestions provide up to 500 recommendations for further titles and a long Introduction provides contextual and historical background on American fiction, providing great value and everything you need to expand your range of reading.

"Harry Brod situates superheroes within the course of Jewish-American history: they are aliens in a foreign land, like Superman; figures plagued by guilt for abandoning their families, like Spider-Man; and outsiders persecuted for being different, like the X-Men. Brod blends humor and sharp observation as he considers the overt and discreet Jewish characteristics of these well-known figures and explores how their creators integrated their Jewish identities and their creativity."--From publisher description.