Rabbit Redux

In this sequel to Rabbit, Run, John Updike resumes the spiritual quest of his anxious Everyman, Harry “Rabbit” Angstrom. Ten years have passed; the impulsive former athlete has become a paunchy thirty-six-year-old conservative, and Eisenhower’s becalmed America has become 1969’s lurid turmoil of technology, fantasy, drugs, and violence. Rabbit is abandoned by his family, his home invaded by a runaway and a radical, his past reduced to a ruined inner landscape; still he clings to semblances of decency and responsibility, and yearns to belong and to believe.

A comprehensive study guide offering in-depth explanation, essay, and test prep for selected works by John Updike, two-time Pulitzer Prize Winner for Fiction in 1982 and 1991. Titles in this study guide include Rabbit Run and Rabbit Redux. As a prominent voice of literary realism for 1970s American fiction, Updike’s Rabbit novels commented on the changing social and political hierarchies of late modernism in America’s Eisenhour era. Moreover, Updike has been called a “maker of fables and parables,” which can be seen through his use of symbolism and imagery. This Bright Notes Study Guide explores the context and history of Updike’s classic work, helping students to thoroughly explore the reasons they have stood the literary test of time. Each Bright Notes Study Guide contains: - Introductions to the Author and the Work - Character Summaries - Plot Guides - Section and Chapter Overviews - Test Essay and Study Q&As The Bright Notes Study Guide series offers an in-depth tour of more than 275 classic works of literature, exploring characters, critical commentary, historical background, plots, and themes. This set of study guides encourages readers to dig deeper in their understanding by including essay questions and answers as well as topics for further research.

It's 1979 and Rabbit is no longer running. He's walking, and beginning to get out of breath. That's OK, though - it gives him the chance to enjoy the wealth that comes with middle age. It's all in place: he's Chief Sales Representative and co-owner of Springer motors; his wife, at home or in the club, is keeping trim; he wears good suits, and the cash is pouring in. So why is it that he finds it so hard to accept the way that things have turned out? And why, when he looks at his family, is he haunted by regrets about all those lives he'll never live?

These fourteen original essays on the politics of literature investigate aspects of our understanding of the political muse, with a focus on American writing since World War II. Essays include: "American Literature, Politics, and the Last Good War," "The Literary Art of the Hollywood Ten," "The Plight of the Left-Wing Screenwriter," and "Amiri Baraka and the Politics of Popular Culture."

"The first and second novels in John Updike's acclaimed quartet of Rabbit books-now in one marvelous volume. " RABBIT, RUN "Brilliant and poignant . . . By his compassion, clarity of insight, and crystal-bright prose, [Updike] makes Rabbit's sorrow his and out own." -"The Washington Post ""Precise, graceful, stunning, he is an athlete of words and images. He is also an impeccable observer of thoughts and feelings." -"The Village Voice " RABBIT REDUX " 'Great in love, in art, boldness, freedom, wisdom, kindness, exceedingly rich in intelligence, wit, imagination, and feeling-a great and beautiful thing . . .' these hyperboles (quoted from a letter written long ago by Thomas Mann) come to mind after reading John Updike's "Rabbit Redux." -The New York Times Book Review" " ""Updike owns a rare verbal genius, a gifted intelligence and a sense of tragedy made bearable by wit. . . . A masterpiece." -"Time"

Structure of the finished "mega-novel" echoes the work's thematic rationale." "To help readers who are interested in a particular Rabbit novel. Boswell devotes a chapter to each individual section of the tetralogy. At the same time, he treats each novel as an integral part of the more comprehensive whole." --Book Jacket.

Over the last fifteen years of my ministry I have seen both the positives and negatives of technology. For the most part technology has made lives better, but when technology drives humanity and when science defines the human condition, problems arise. Science has the potential for destroying myth. Myth is the thread that holds the human tapestry or narrative together. One role the Church must take on is to keep science and technology in their proper place by saying, "No," when the two overstep their limitations. Currently, there are no checks and balances placed upon science. Science is accountable to no one but itself. Humans are imperfect, and thus, science is imperfect. In this way, the Church brings meaning and purpose to religion, while still affirming science's role of making people's physical lives better. Both science and religion need a level of utilitarian mission, purpose, and vision. The Church and science must be in a friendly, adversarial relationship. Conflict is good and healthy because from out of conflict comes great creativity. Adversity spawns growth. When science and religion are in healthy, amiable conflict, creativity emerges-just as the butterfly struggles to emerge from the cocoon.

LIFE Magazine is the treasured photographic magazine that chronicled the 20th Century. It now lives on at LIFE.com, the largest, most amazing collection of professional photography on the internet. Users can browse, search and view photos of today’s people and events. They have free access to share, print and post images for personal use.

A disturbing element exists, O'Connell determines, in both the texts of the Rabbit novels and in the critical community that examines them. In the novels, O'Connell finds substantial evidence to demonstrate patterns of psychological and physical abuse toward women, citing as the culminating example the mounting toll of literally or metaphorically dead women in the texts.

Ninety-six alphabetically arranged author profiles include biographical information, critical commentary, and illustrations.

In the aftermath of Donald Trump’s victory in 2016, Americans finally faced a perplexing political reality: Democrats, purported champions of working people since the New Deal, had lost the white working-class voters of Middle America. For answers about how this could be, Yoav Fromer turns to an unlikely source: the fiction of John Updike. Though commonly viewed as an East Coast chronicler of suburban angst, the gifted writer (in fact a native of the quintessential Rust Belt state, Pennsylvania) was also an ardent man of ideas, political ideas—whose fiction, Fromer tells us, should be read not merely as a reflection of the postwar era but rather as a critical investigation into the liberal culture that helped define it. Several generations of Americans since the 1960s have increasingly felt “left behind.” In Updike’s early work, Fromer finds a fictional map of the failures of liberalism that might explain these grievances. The Moderate Imagination also taps previously unknown archival materials and unread works from his college years at Harvard to offer a clearer view of the author’s acute political thought and ideas. Updike’s prescient literary imagination, Fromer shows, sensed the disappointments and alienation of rural white working- and middle-class Americans decades before conservatives sought to exploit them. In his writing, he traced liberalism’s historic decline to its own philosophical contradictions rather than to only commonly cited external circumstances like the Vietnam War, racial strife, economic recession, and conservative backlash. A subtle reinterpretation of John Updike’s legacy, Fromer’s work complicates and enriches our understanding of one of the twentieth century’s great American writers—even as the book deftly demonstrates what literature can teach us about politics and history.

White men still hold most of the political and economic cards in the United States; yet stories about wounded and traumatized men dominate popular culture. Why are white men jumping on the victim bandwagon? Examining novels by Philip Roth, John Updike, James Dickey, John Irving, and Pat Conroy and such films as Deliverance, Misery, and Dead Poets Society—as well as other writings, including The Closing of the American Mind—Sally Robinson argues that white men are tempted by the possibilities of pain and the surprisingly pleasurable tensions that come from living in crisis.

It's 1959 and Harry 'Rabbit' Angstrom, one time high school sports superstar, is going nowhere. At twenty-six he is trapped in a second-rate existence - stuck with a fragile, alcoholic wife, a house full of overflowing ashtrays and discarded glasses, a young son and a futile job. With no way to fix things, he resolves to flee from his family and his home in Pennsylvania, beginning a thousand-mile journey that he hopes will free him from his mediocre life. Because, as he knows only too well, 'after you've been first-rate at something, no matter what, it kind of takes the kick out of being second-rate'. Includes an afterword by the author.

This book approaches Updike's oeuvre by illuminating its ongoing, pervasive conflict between faith and doubt. Concentrating on a trio of Olinger stories, the Rabbit Angstrom tetralogy, In the Beauty of the Lilies, and Rabbit Remembered and dramatizing most emphatically Updike's career-spanning dialogue with his complexly fragile religious beliefs, Bailey interprets the Rabbit saga as fictionalized spiritual autobiography in which, through imposing Harry Angstrom's perceptual limitations upon his own stylistic gifts, Updike set himself the toughest trial of his ethical and aesthetic creed of the spirit-affirming capacities of human perception and expression.

This book offers new perspectives on race and transnationalism in nineteenth-century American literary studies, and ranges widely in developing new approaches to canonical and non canonical authors. It will appeal to graduates and scholars working on nineteenth-century American literature, transnationalism, and African American literary studies.