Projecting The Holocaust Into The Present

In this accessible, clear, jargon free, and comprehensive text, Projecting the Holocaust into the Present offers an insightful historical perspective on how public conceptions of the Holocaust in film have changed over time.

An imprint of University of New England.

The Holocaust has been the focus of countless films in the United States, Great Britain, and Europe, and its treatment over the years has been the subject of considerable controversy. When finally permitted to portray the atrocities, filmmakers struggled with issues of fidelity to historical fact, depictions of graphic violence, and how to approach the complexities of the human condition on all sides of this horrific event. In Hollywood and the Holocaust, Henry Gonshak explores portrayals of the Holocaust from the World War II era to the present. In chapters devoted to films ranging from The Great Dictator to InglouriousBasterds, this volume looks at how these films have shaped perceptions of the Shoah. The author also questions if Hollywood, given its commercialism, is capable of conveying the Holocaust in ways that do justice to its historical trauma. Through a careful consideration of over twenty-five films across genres—including Life Is Beautiful, Cabaret, The Reader, The Boys from Brazil, and Schindler’s List—this book provides an important look at the social, political, and cultural contexts in which these movies were produced. By also engaging with the critical responses to these films and their role in the public’s ongoing fascination with the Holocaust, this book suggests that viewers take a closer look at how such films depict this dark period in world history. Hollywood and the Holocaust will be of interest to cultural critics, historians, and anyone interested in the cinema’s ability to render these tragic events on screen.

Relating the Holocaust to poetic and aesthetic phenomena has often been considered taboo, as only authentic testimony, documents, or at least ‘unliterary’, prosaic approaches were seen as appropriate. However, from the very beginning of Holocaust literature and culture, there were tendencies towards literarization, poetization, and ornamentalization. Nowadays, aesthetic approaches—also in provocative, taboo-breaking ways—are more and more frequently encountered and seen as important ways to evoke the attention required to keep the cataclysm alive in popular memory. The essays in this volume use examples predominantly from Polish, Czech, and German Holocaust literature and culture to discuss this controversial subject. Topics include the poetry of concentration camp detainees, lyrical poetry about the Holocaust, poetic tendencies in narrative literature and drama, ornamental prose about the Holocaust, and the devices and functions of aestheticization in Holocaust literature and culture.

During World War II Poland lost more than six million people, including about three million Polish Jews who perished in the ghettos and extermination camps built by Nazi Germany in occupied Polish territories. This book is the first to address the representation of the Holocaust in Polish film and does so through a detailed treatment of several films, which the author frames in relation to the political, ideological, and cultural contexts of the times in which they were created. Following the chronological development of Polish Holocaust films, the book begins with two early classics: Wanda Jakubowska's The Last Stage (1948) and Aleksander Ford's Border Street (1949), and next explores the Polish School period, represented by Andrzej Wajda's A Generation (1955) and Andrzej Munk's The Passenger (1963). Between 1965 and 1980 there was an "organized silence" regarding sensitive Polish-Jewish relations resulting in only a few relevant films until the return of democracy in 1989 when an increasing number were made, among them Krzysztof Kieślowski's Decalogue 8 (1988), Andrzej Wajda's Korczak (1990), Jan Jakub Kolski's Keep Away from the Window (2000), and Roman Polański's The Pianist (2002). An important contribution to film studies, this book has wider relevance in addressing the issue of Poland's national memory.

The organization 'Genocide Watch' estimates that 100 million civilians around the globe have lost their lives as a result of genocide in only the past sixty years. Over the same period, the visual arts in the form of documentary footage has aided international efforts to document genocide and prosecute those responsible, but this book argues that fictional representation occupies an equally important and problematic place in the process of shaping minds on the subject. Edited by two of the leading experts in the field, The History of Genocide in Cinema analyzes fictional and semi-fictional portrayals of genocide, focusing on, amongst others, the repression of indigenous populations in Australia, the genocide of Native Americans in the 19th century, the Herero genocide, Armenia, the Holodomor (Stalin's policy of starvation in Ukraine), the Nazi Holocaust, Nanking and Darfur. Comprehensive and unique in its focus on fiction films, as opposed to documentaries, The History of Genocide in Cinema is an essential resource for students and researchers in the fields of cultural history, holocaust studies and the history of film.

Recent events such as ‘Iran’s Green Revolution’ and the ‘Arab Uprisings’ have exploded notions that human rights are irrelevant to Middle Eastern and North African politics. Increasingly seen as a global concern, human rights are at the fulcrum of the region’s on-the-ground politics, transnational intellectual debates, and global political intersections. The Routledge Handbook on Human Rights and the Middle East and North Africa: emphasises the need to consider human rights in all their dimensions, rather than solely focusing on the political dimension, in order to understand the structural reasons behind the persistence of human rights violations; explores the various frameworks in which to consider human rights—conceptual, political and transnational/international; discusses issue areas subject to particularly intense debate—gender, religion, sexuality, transitions and accountability; contains contributions from perspectives that span from global theory to grassroots reflections, emphasising the need for academic work on human rights to seriously engage with the thoughts and practices of those working on the ground. A multidisciplinary approach from scholars with a wide range of expertise allows the book to capture the complex dynamics by which human rights have had, or could have, an impact on Middle Eastern and North African politics. This book will therefore be a key resource for students and scholars of Middle Eastern and North African politics and society, as well as anyone with a concern for Human Rights across the globe.

Site of Amnesia: The Lost Historical Consciousness of Mizrahi Jewry takes a multidisciplinary approach to historical and sociocultural analysis of the North African and Middle Eastern Jewish experience during World War II, as represented in film and television media in Israel, Europe and the Middle East.

Collection of essays exploring the controversies surrounding images of the Holocaust

Each scholar working in the field of Holocaust literature and representation has a story to tell. Not only the scholarly story of the work they do, but their personal story, their journey to becoming a specialist in Holocaust studies. What academic, political, cultural, and personal experiences led them to choose Holocaust representation as their subject of research and teaching? What challenges did they face on their journey? What approaches, genres, media, or other forms of Holocaust representation did they choose and why? How and where did they find a scholarly “home” in which to share their work productively? Have political, social, and cultural conditions today affected how they think about their work on Holocaust representation? How do they imagine their work moving forward, including new challenges, responses, and audiences? These are but a few of the questions that the authors in this volume address, showing how a scholar's field of research and resulting writings are not arbitrary, and are often informed by their personal history and professional experiences.

The first book in English to specifically address the sexual violation of Jewish women during the Holocaust

Paris was home to one of the key European initiatives to document and commemorate the Holocaust, the Centre de documentation juive contemporaine . By analysing the earliest Holocaust narratives and their reception in France, this study provides a new understanding of the institutional development of Holocaust remembrance in France after the War.

English summary: This anthology focuses on the comparison of historical memory debates concerning Holocaust, National Socialism, Communism and Stalinism in the larger Baltic sea area since the 1990s. As the enlarged Baltic Sea Region through its entire history was filled with conflict lines and cooperation regions, it offers an ideal field of research for various theories, notions and narratives of the cultural historical memory as well as for patterns of conflict solutions and can be productively compared with structurally similar border regions. History has left deep traces in the relationships between the regions or states of the Baltic Sea Region as well as in the interaction between majorities and minorities in the single states. As history, in having its impact also upon the border-crossing dialogue of this old region, essentially and subconsciously contributes to today's Region-Building of North-Eastern Europe, we regard it important to be consciously aware of its influence. German description: Seit dem Ende des Kalten Krieges ist die Auseinandersetzung mit der Geschichte des 20. Jahrhunderts auch im erweiterten Ostseeraum gepragt von der Beschaftigung mit Geschichtspolitik und Erinnerung (Memory) sowie der Suche nach transnationalen vergleichenden europaischen Zugangen zu bisher nationalgeschichtlich gepragten Perspektiven. Dieser Band analysiert den europaischen Raum im ostlichen Norden am Beispiel der geschichtspolitischen Debatten seit 1991. Im Zentrum stehen zentrale historische Leitbilddebatten in den Transformationsphasen der estnischen, lettischen und litauischen Gesellschaften. Dabei hat die Reflexion uber die kommunistische Diktatur einen hohen Stellenwert; ebenso die Auseinandersetzung mit Zweitem Weltkrieg und Holocaust. Als geschichtspolitische Kontrollgruppe werden Finnland, Schweden und Deutschland eingebunden.

Throughout history and around the world, community members have come together to build places, be it settlers constructing log cabins in nineteenth-century Canada, an artist group creating a waterfront gathering place along the Danube in Budapest, or residents helping revive small-town main streets in the United States. What all these projects have in common is that they involve local volunteers in the construction of public and community places; they are community-built. Although much attention has been given to specific community-built movements such as public murals and community gardens, little has been given to defining community-built as a whole. This volume provides a preliminary description of community-built practices with examples from the disciplines of urban design, historic preservation, and community art. Taken as a whole, these community-built projects illustrate how the process of local involvement in adapting, building, and preserving a built environment can strengthen communities and create places that are intimately tied to local needs, culture, and community. The lessons learned from this volume can provide community planners, grassroots facilitators, and participants with an understanding of what can lead to successful community-built art, construction, preservation, and placemaking.

Violence against Jews, Roma, and other persecuted minorities in the multiethnic borderlands of Eastern, Central, and Southeastern Europe. Includes: Anca Filipovici: The Rise of Antisemitism in the Multiethnic Borderland of Bukovina: Student Movements and Interethnic Clashes at the University of Cernăuți (1922-1938) Doris Bergen: Saving Christianity, Killing Jews: German Religious Campaigns and the Holocaust in the Borderlands Linda Margittai: Hungarians, Germans, Serbs, and Jews in Wartime Vojvodina: Patterns of Attitudes and Behaviors towards Jews in a Multiethnic Border Region of Hungary Goran Miljan: The "Ideal Nation-State" for the "Ideal New Croat": The Ustasha Youth and the Aryanization of Jewish Property in the Independent State of Croatia, 1941-1945 Svetlana Suveica: Appropriation of Jewish Property in the Borderlands: Local Public Employees in Bessarabia during the Romanian Holocaust Anna Wylegała: Listening to Contradictory Voices: Jewish, Polish, and Ukrainian Narratives on Jewish Property in Nazi-Occupied Eastern Galicia Miriam Schulz: Gornisht oyser verter?!: The Yiddish Language as a Mirror of Interethnic Relations and Dynamics of Violence in German-Occupied Eastern Europe

This volume is a compilation of articles written by renowned scholars and promising young researchers, in which the Jewish space is revealed as diverse forms of life and relations that developed in the rich context of urbanism, social life, leisure and economic activities, and coexistence with the non-Jewish world. Having undergone various transformations, the Jewish space has preserved its authenticity and individuality. In the book, the Jewish space is analysed in a wide chronological perspective from the viewpoint of literature, history, architecture and social relations. This volume will be of interest to anyone interested in various forms of entertainment (sports, leisure, cabaret parties), living, participation in social life, reading and writing of Jews in Eastern European towns and shtetls in the 19th and early 20th century.