Murder In Hell S Kitchen

“Lee Harris, author of the beloved Christine Bennett holiday mystery series, gives us a new detective and a grittier neighborhood in Murder in Hell’s Kitchen, but her storytelling skill remains top quality.”—Tony Hillerman After twenty years of loyal service, Detective Jane Bauer is just two months and one case away from leaving the NYPD for a cushy desk job. Her last assignment: working for a special unit that tackles unsolved crimes. At a crossroads in her personal life, Jane relishes the chance to lose herself in a challenging investigation. Four years ago, Arlen Quill was found dead in the entryway to his apartment building—leaving no clues, no witnesses, and no leads. When Jane decides to interview Quill’s old neighbors, she makes a startling discovery: Every single occupant at the time of the murder subsequently disappeared. Like any seasoned New Yorker, Jane knows that mere homicide isn’t enough to drive people from their rent-controlled apartments. In Hell’s Kitchen—where a cold case suddenly heats up—Jane soon finds herself face-to-face with a killer. . . . “Lee Harris heads off in an exciting new direction with Murder in Hell’s Kitchen—a page-turner of a police procedural, in which a cold case turns hot and the suspense builds and builds. Detective Jane Bauer is a most welcome addition to the ranks of fictional cops.”—Peter Robinson

In this rich and fascinating work, Clarke gives a clear and incisive account of the photograph's historical development, elucidating the insights of the most engaging thinkers on the subject, including Roland Barthes and Susan Sontag. "The Photograph" offers a series of discussions of major themes and genres, providing an up-to-date introduction to the history of photography. 130 illustrations, 16 in color.

AN AWARD-WINNING LAW & ORDER WRITER WHO KNOWS THE CITY STREETS LIKE FEW DO . . . A COP THRILLER THAT WILL HOLD YOU IN ITS GRIP. . . . Charles Kipps introduces Conor Bard, NYPD homicide detective and wanna-be rock star, in his suspense-packed debut novel. Hell’s Kitchen: The Manhattan neighborhood with a long history of cold-blooded crimes now witnesses one more—the murder of a hugely successful criminal defense lawyer with rumored Mafia ties, whose corpse is found on the banks of the Hudson River. Conor Bard’s investigation begins with a sexy, unfaithful widow who stands to inherit millions . . . and leads him to cross paths with a sorrowful, intriguing Albanian woman he can’t resist. Young enough to chase down bad guys, smart enough to know time’s ticking on his dreams of making it in the music business and finding the right woman, Conor will discover that time is more precious than even he may realize . . . as a tightening web of secrets, lies, and seduction may cut his own life short.

In 1914, Hell’s Kitchen is an apt name for New York City’s grittiest neighborhood, as one of the city’s first policewomen, Louise Faulk, is about to discover when the death of a young prostitute leads her on a grim journey through the district’s darkest corners . . . Filthy, dangerous, and deadly—Hell’s Kitchen is no place for a lady, but Louise Faulk is no ordinary woman. The amateur investigator turned rookie policewoman is investigating the death of young prostitute, Ruthie, who leaves behind a baby boy. Although detectives are quick to declare it a suicide, Louise is less certain after she discovers clues implying murder while attempting to find a caretaker for Ruthie’s orphaned son. Uncovering the truth won’t be easy, especially since Louise is struggling to make a name for herself amid the boys’ club of the New York City Police Department. But Ruthie’s case keeps tugging at Louise, luring her beyond the slums’ drawn curtains and tenement doors, into an undercover investigation that often seems to conceal more than it reveals. Louise is convinced Ruthie’s secrets got her killed, but can she prove it before they catch up to her too?

Christmas time in 1930s New York. After escaping through the chimney of an orphanage in Hell's Kitchen, Richard Blakemore a.k.a. the masked crimefighter known only as the Silencer is mistaken for Santa Claus by one of the children and learns that the orphanage is under siege by both a gang of brutal racketeers and an unscrupulous landlord. Richard vows to help the children and their guardians. However, it turns out that the attacks on the orphanage are only part of a much larger plot, when Richard's quest for justice leads him into the upper echelons of Manhattan's high society. Soon, the Silencer finds himself face to face with one of the most powerful men in the city, while Richard and Constance struggle to save the orphanage and give the children of Hell's Kitchen an unforgettable Christmas. This is a novella of 30000 words or approximately 100 pages in the Silencer series, but may be read as a standalone.

A guide to series fiction lists popular series, identifies novels by character, and offers guidance on the order in which to read unnumbered series.

This multivolume resource is the most extensive reference of its kind, offering a comprehensive summary of the misdeeds, perpetrators, and victims involved in the most memorable crime events in American history. • Supports national standards curriculum • Offers an extensive selection of primary documents to encourage critical thinking and reading practice • Includes photos and illustrations to help bring content to life • Features sidebars with illuminating crime facts and interesting anecdotes

Homicide represents the result of an exhaustive search of the world literature regarding homicide. More than 7,000 entries have been compiled from references selected from major indexes in libraries from outstanding universities, government agencies, and military posts; science libraries; law libraries; and the Library of Congress. Each entry features a one- or two-word annotation that indicates whether it is an article or a book, and all entries conform to the American Psychological Association stylebook guidelines. Key-word and author indexes provide quick access to works pertaining to particular subjects or by a certain author.

Conor Bard—the fortysomething-year-old homicide detective who doesn’t always play by the rules—is working on the streets of New York City’s Diamond District when he becomes involved in a deadly game of international intrigue. Crystal Death begins as Detective Conor Bard is called off the stage of the Rhythm Bar, where his rock band is performing, to investigate the murder of a beautiful young Israeli diamond dealer in midtown Manhattan. Bard quickly learns that a priceless red diamond (yes, there are red diamonds) is missing and that the South African government is determined to find it. The list of murder suspects grows quickly as Conor Bard and his new partner, Rosita Rubio, struggle to unravel the conflicting information they uncover. Could the cold, calculating inspector from Johannesburg actually be the killer? Is he inserting himself into the investigation to cover his tracks? Or perhaps the lovesick jeweler, whose persistent advances were met with indifference by the victim, faced one rejection too many? Other suspects include an Indian diamond cutter who may or may not be linked to the red diamond; a billionaire collector from Abu Dhabi who will go to any lengths to own rare gems; a ruthless international smuggler; and a stunning Indian businesswoman whom Conor Bard falls for, of course. Crystal Death gives readers a look inside the international diamond trade and paints an unsentimental, accurate picture of the life of a New York City detective. Fans of Hell’s Kitchen Homicide will welcome this second installment in the Conor Bard mystery series. The characters are genuine, the streets are real, and Kipps’s TV pedigree is evident once again in the fast pace and gritty reality of the story.

Italian and Irish criminals engaged in a brutal war for decades, and it frequently involved the Church of Rome. How will the Italian underworld react when the most influential Irish Catholic family in the world tries to elevate one of its own, a United States senator, to the most powerful office in the worldPresident of the United States? Anthony Martino, a brilliant yet ruthless killer, was called on to prevent the senator from becoming president. Faced with the possibility of battling Irish criminals, the FBI, and members of the Irish Republican Army, he decides to cooperate with the Irish. In the end, will he kill the senator anyway? Irish politicians and Italian criminals had much in common, the most obvious of which was their religion and the manner in which they practiced it, embraced it, and at times corrupted it for their own evil purposes. The Italian-Irish-Church triangle of hypocrisy was held together by a desire for power. Yet there were also a few good men, especially some priests, who were motivated by a simple desire for the greater good. Thinking the triangle had done much that was of value, they did their best to preserve it. The Popes representative to the United Nations, Archbishop Calogero Ferraro, was one such priest. Desperately wanting another Roman Catholic president, he directs the Italians and the Irish to put aside their differences. Will they cooperate, or will the Italian-Irish criminal war explode once again, turning the senator and Anthony Martino into two of its victims?

This work provides an extensive guide for students, fans, and collectors of Marvel Comics. Focusing on Marvel’s mainstream comics, the author provides a detailed description of each comic along with a bibliographic citation listing the publication’s title, writers/artists, publisher, ISBN (if available), and a plot synopsis. One appendix provides a comprehensive alphabetical index of Marvel and Marvel–related publications to 2005, while two other appendices provide selected lists of Marvel–related game books and unpublished Marvel titles.

Part III of the Joslin de Lay Mysteries, set in medieval Oxford. It's a place riven by hatred and violence. Joslin senses danger, but has no choice but to enter. He is taken into Doncaster College, where he sings for the Masters, and his supper. But Death has entered with him, and throughout the dark cloisters and musty libraries, bodies are being discovered. This is a book full of exciting twists, turns and murder that will be enjoyed equally by adults as by teenagers.

You don't know what hell is until you try to get out of it... The moment Luke Hawthorn slid open the window to his bedroom and dropped into the alley behind his uncle's building in Manhattan, the course of his life changed forever. He just didn't know it yet. Six months earlier and 5,500 kilometers away, a new drug called Rave-N stole the life of a friend. Days later, Luke's London home was consumed by a fire that also claimed the life of his mother. Then an uncle he'd never known appeared at his mother's funeral and offered Luke a home in New York City-in Hell's Kitchen. Things are not what they seem in Hell's Kitchen. As Luke's friends in London start to disappear, he begins overhearing bits of cryptic conversation from his secretive uncle. Compelled to find out more, Luke embarks on an investigation that spirals his world into an ever-widening hell that will consume friends and enemies alike. "John Hanzl's writing style and story are similar in some ways to Robert Ludlum's earlier novels?a definite plus. John has an exciting style which draws you in and keeps you turning the pages." ? Kaye Trout, Midwest Book Review "Mr. Hanzl does an excellent job of weaving several subplots around the main plot for a fast-paced, page-turning journey with characters who come to life almost immediately." - Writer'sDigest

In Hell's Kitchen, New York City, to work on a low-budget documentary on the area's colorful history, ex-stuntman-turned-location-scout John Pellam finds himself investigating a series of suspicious fires that may be linked to efforts to hide the past.

Manhattan's past whispers for attention amongst the bustle of the city's ever-changing landscape. At Fraunces Tavern, George Washington's emotional farewell luncheon in 1783 echoes in the Long Room. Gertrude Tredwell's ghost appears to visitors at the Merchant's House Museum. Long since deceased, Olive Thomas shows herself to the men of the New Amsterdam Theatre, and Dorothy Parker still keeps her lunch appointment at the Algonquin Hotel. In other places, it is not the paranormal but the abnormal violent acts by gangsters, bombers, and murderers that linger in the city's memory. Some think Jack the Ripper and the Boston Strangler hunted here. The historic images and true stories in Ghosts and Murders of Manhattan bring to life the people and events that shaped this city and raised the consciousness of its residents.