Motion Picture Almanac

When Hollywood Loved Britain examines the Hollywood "British" film--American feature films that were set in Britain, based on British history or literature and included the work of British producers, directors, writers and actors. "British" films include many of the most popular and memorable films of the 1930s and 1940s, yet they have received little individual attention from film historians and even less attention as a body of films. While the book is centered on wartime "British" films, it also investigates wider issues: the influence of censorship and propaganda agencies during Hollywood’s studio era, studio finances, the isolationist campaign in the United States between 1939 and 1941, and American perceptions of Britain at war.

This study looks at how the movie industry organisation functioned between the late ‘40s and 1983 when it was originally published. It describes the changing role of domestic exhibition through this time and analyses the wider film industry to provide a model of the exhibition structure in relation to production, distribution and outside factors. It addresses the growing issues of the cable and video markets as competition to the film exhibition business at that time and looks forward into a highly turbulent environment. With particular interest now as the film industry address a new range of threats and adaptations of its working structure, this book offers and integral understanding of a key stage in cinema history.

The true story behind the 'Fatty Arbuckle' Scandal David Yallop is no stranger to controversy. The impact of his investigations in such bestsellers as In God's Name, Beyond Reasonable Doubt and To Encourage the Others has reverberated around the world. In The Day the Laughter Stopped, he uncovers the incredible true story behind the Roscoe 'Fatty' Arbuckle scandal of 1921, when the fat film comedian stood accused of the rape and murder of a pretty screen actress. Arbuckle's is the story of a man born in extreme poverty who was destined to rise to the heights of a multi-million dollar career, only to have it snatched from him by a wave of hysteria and bigotry that swept the globe. It is the story of Hollywood and what really happened in the corridors of power; the political corruption of San Francisco; the immorality of a president. How Charlie Chaplin's career was saved. How Buster Keaton's was begun. Both by Arbuckle. It is a life story that ranges from comic heights to tragic depths. The Day the Laughter Stopped confirms David Yallop's reputation as the world's greatest investigative author, combining exhaustive research with compulsive narrative.

This anthology addresses the salient aesthetic, ideological and economic determinants of independent American cinema over the past three decades.

The golden age of Mexican cinema, which spanned the 1930s through to the 1950s, saw Mexico's film industry become one of the most productive in the world, exercising a decisive influence on national culture and identity. In the first major study of the global reception and impact of Mexican Golden Age cinema, this book captures the key aspects of its international success, from its role in forming a nostalgic cultural landscape for Mexican emigrants working in the United States, to its economic and cultural influence on Latin America, Spain and Yugoslavia. Challenging existing perceptions, the authors reveal how its film industry helped establish Mexico as a long standing centre of cultural influence for the Spanish-speaking world and beyond.

From the 1920s through the 1950s, the famous Black Mask pulp magazine was the place where crime and mystery writers such as Raymond Chandler, Dashiell Hammett, Erle Stanley Gardner, and John D. MacDonald published their work; it also provided Holly-wood with some of its most prolific genre screenwriters, men who brought the Black Mask style to the movies. This book covers the film careers of Horace McCoy, Eric Taylor, Dwight V. Babcock, Peter Ruric, and John K. Butler. With more than two hundred feature film credits, this group of Black Mask writers left their mark on Hollywood. From The Phantom of the Opera to Dick Tracy Meets Gruesome, from Big Jim McLain to Enemy Agents Meet Ellery Queen, the Black Mask contingent applied their expertise to the movies.

For application of the most current Anglo-American Cataloguing Rules, there is but one standard: Maxwell's Handbook for AACR2. This practical and authoritative cataloging how-to, now in its Fourth Edition, has been completely revised inclusive of the 2003 update to AACR2. Designed to interpret and explain AACR2,Maxwell illustrates and applies the latest cataloging rules to the MARC record for every type of information format. Focusing on the concept of integrating resources, where relevant information may be available in different formats, the revised edition also addresses the Program for Cooperative Cataloging (PCC) and the cataloging needs of electronic books and digital reproductions of physical items such as booksand maps. From books and pamphlets to sound recordings, music, manuscripts, maps,and more, this is the most comprehensive and straightforward guide to interpreting and applying standard cataloging rules. Learn: How and when to apply the rules What has changed in MARC21 coding How the rules help organize descriptive and bibliographic information What are uniform titles for unusual formats or materials How to select access points Extensive updates have resulted in all-new chapters covering cartographic materials, electronic resources, and continuing resources (formerly called serials). Illustrated with over 490 figures, showing actual MARC catalog records, this is the must-have AACR2 guide for catalogers, LIS students, and cataloging instructors.

After more than fifteen years, this initial volume of the American Film Institute Catalog series is again in print. The 1920s set covers the important filmmaking period when "movies" became "talkies," and the careers of many influential directors and actors were launched. Films such as Wings, The Phantom of the Opera, All Quiet on the Western Front, and The Jazz Singer are included in this volume. After more than fifteen years, this initial volume of the American Film Institute Catalog series is again in print. The 1920s set covers the important filmmaking period when "movies" became "talkies," and the careers of many influential directors and actors were launched. Films such as Wings, The Phantom of the Opera, All Quiet on the Western Front, and The Jazz Singer are included in this volume.