Monsters In The Mirror

Eleven-year-old Darwen Arkwright's ordinary life changed forever when he was given a magical mirror, a portal to the wonderful world of Silbrica. Darwen defeated the terrible monsters released from the mirror once. Now, an even more terrifying beast has escaped through the mirror. Darwen and his friends, Rik and Alexandra, must journey to Costa Rica to save the world from a giant tentacled creature that leaves destruction in its wake. This time, old allies can't be trusted, and the danger runs deeper than Darwen could have ever imagined. The problem with doors is that they open both ways. There are monsters inside, and some of them are trying to get out ...

Stretch is a cat, long and slinky. Woffles is a dog, big and woolly. When the People bring home Muffy the new cat with sharp claws, Woffles' quiet life is shattered. But Stretch has an idea to put an end to Muffy's little games... Comically illustrated by Sholto Walker, this hilarious story was written by popular children's author Jean Ure.

It all started with the bathroom mirror, which started reflecting a subtly altered picture of Anders's reality, but now it is every reflective surface, and Anders knows that whatever is hiding in the mirror is evil--only he is having trouble getting anyone to believe that the monster he sees is real.

From Julia Donaldson, the bestselling author of The Gruffalo, comes Princess Mirror-Belle and the Sea Monster's Cave, the exciting adventures of a princess with a difference. Full of black-and-white illustrations by Lydia Monks, Princess Mirror-Belle and the Sea Monster's Cave is perfect for fans of this bestselling picture-book team who are beginning to read on their own. Ellen gets a big shock when her double appears out of the bathroom mirror. But Mirror-Belle is a double with a difference! She is a princess, and a very mischievous one at that. Join magically mischievous Mirror-Belle as she comes popping out of Ellen's mirror to sweep her into a variety of hilarious escapades – from Mirror-Belle muscling in on Ellen's seaside holiday to the return of Prince Precious Paws. You can always guarantee that wherever Mirror-Belle goes, trouble will follow.

A woolly dog and a fluffy cat live together in perfect harmony – until the arrival of a tiny kitten. Heartwarming story from a renowned author.

Eminently human and ultimately joyful. The Mirror of Monsters and Prodigies is a compelling novel full of humor, pathos, revulsion, and love. Mixing fact and imagination, this fictional oral history about "human oddities" includes figures such as Aesop, Catherine the Great, Tom Thumb, and Jo-Jo. The Russian Dog-Faced Boy in a provocative story that extends from Ancient Egypt to 18th Century England to 20th Century America.

God has made the law of karma invalid. Will humans survive? Riseland is the home of magicians, scientists and businessmen. In their constant struggle for power, the kings of Riseland ignore the greatest threat of all time: The Flying City. Injustice and misinformation are rising everywhere, and no one seems to care. In the middle of this chaos, random forces are rising to settle scores. Who will triumph? The most powerful Anahata, the most intelligent Shekha, the richest Kakkar, the Hitler-like psychologist Sidawisa, the honest Dhruvraj, the outlawed Triyama or the mysterious scientist Horsley? Will humans survive? If they do, how?

It all started with the bathroom mirror, which started reflecting a subtly altered picture of Anders's reality, but now it is every reflective surface, and Anders knows that whatever is hiding in the mirror is evil--only he is having trouble getting anyone to believe that the monster he sees is real.

Existing research on monsters acknowledges the deep impact monsters have especially on Politics, Gender, Life Sciences, Aesthetics and Philosophy. From Sigmund Freud’s essay ‘The Uncanny’ to Scott Poole’s ‘Monsters in America’, previous studies offer detailed insights about uncanny and immoral monsters. However, our anthology wants to overcome these restrictions by bringing together multidisciplinary authors with very different approaches to monsters and setting up variety and increasing diversification of thought as ‘guiding patterns’. Existing research hints that monsters are embedded in social and scientific exclusionary relationships but very seldom copes with them in detail. Erving Goffman’s doesn’t explicitly talk about monsters in his book ‘Stigma’, but his study is an exceptional case which shows that monsters are stigmatized by society because of their deviations from norms, but they can form groups with fellow monsters and develop techniques for handling their stigma. Our book is to be understood as a complement and a ‘further development’ of previous studies: The essays of our anthology pay attention to mechanisms of inequality and exclusion concerning specific historical and present monsters, based on their research materials within their specific frameworks, in order to ‘create’ engaging, constructive, critical and diverse approaches to monsters, even utopian visions of a future of societies shared by monsters. Our book proposes the usual view, that humans look in a horrified way at monsters, but adds that monsters can look in a critical and even likewise frightened way at the very societies which stigmatize them.

Of all human inventions, the mirror is perhaps the one most closely connected to our own consciousness. As our first technology for contemplation of the self, the mirror is arguably as important an invention as the wheel. Mirror Mirror is the fascinating story of the mirror's invention, refinement, and use in an astonishing range of human activities -- from the fantastic mirrored rooms that wealthy Romans created for their orgies to the mirror's key role in the use and understanding of light. Pendergrast spins tales of the 2,500year mystery of whether Archimedes and his "burning mirror" really set faraway Roman ships on fire; the medieval Venetian glassmakers, who perfected the technique of making large, flat mirrors from clear glass and for whom any attempt to leave their cloistered island was punishable by death; Isaac Newton, whose experiments with sunlight on mirrors once left him blinded for three days; the artist David Hockney, who holds controversial ideas about Renaissance artists and their use of optical devices; and George Ellery Hale, the manic-depressive astronomer and telescope enthusiast who inspired (and gave his name to) the twentieth century's largest ground-based telescope. Like mirrors themselves, Mirror Mirror is a book of endless wonder and fascination.

Emerging from darkness, daring to take form and become something more than the Other, monsters stalk these pages, shifting form in true monstrous fashion as they inhabit literature and film, history and parallel communities modelled after our own. They become enmeshed in popular music, run rampant through cities, take androgynous form to rally for their own identities, their own futures, and their own families, and they hold up mirrors while we are caught shattering our sense of Self. Both the past and the future are rich fodder for the evil that monsters do, and from freak show to homunculus to serial killer to cyborg, they remind us that they are never far from sight - and that we cannot look away even if we wish to. Monstrosity from the Inside Out takes as the paradox that monsters are simultaneously impossible and very much a part of what it means to be human.

The story about Hollywood monsters, vampires, zombies, werewolfs, phantoms, mummies, and ghouls of literture - and how they went Hollywood. Classic monsters are primarily the creatures of lagend, touched by the supernatural or created by the madness of men who ventures where no man should go, the good olf monsters who lurked in gloomy settings of Central European villages, ancient castles and tombs, moulding mansions and stone laboratories filled mazes of bewilding equipment and sounds of hummimgs of electricty, in dark nights and violent storms. From A to Z - Hollywood Monsters inspired by Edgar Allan Poe, Bram Stoker and Mary Shelley.

Of Men and Monsters examines the serial killer as an American cultural icon, one that both attracts and repels. Richard Tithecott suggests that the stories we tell and the images we conjure of serial killers—real and fictional—reveal as much about mainstream culture and its values, desires, and anxieties as they do about the killers themselves.