Half The Blood Of Brooklyn

There's a bad vibe in the air. Every Vampyre in Manhattan feels it in their bones . . . and in their blood. The mother of all gang rumbles is brewing between the divided Clans of the city's undead. A battle royal for more turf that will tear the island from stem to stern. And just his luck, Joe Pitt is smack in the middle of it. A rogue Vampyre who shunned Clan life, Joe's his own man. Kind of. Thing is, there's certain people have a claim on his talents. When they need someone who's . . . expendable, they call on Joe Pitt. They're calling now. With war drums beating from the Hudson to the Harlem River, Joe's been dispatched into the uncharted territory of Brooklyn to seal an alliance with the Freaks - a Clan who more than live up to their name. But across the bridge, things go south with savage swiftness, as Joe gets swept into a murderous family feud between crazed Clans that will paint the borough scarlet from Gravesend to Coney Island.

“One of the most remarkable prose stylists to emerge from the noir tradition in this century.” –Stephen King “Hard-boiled horror, pulp noir vampires, decaying urban souls– you’re gonna need a shower after this one. . . . [Huston] kicks down the door of horror.” –Fangoria, on Already Dead There’s only so much room on the Island, only so much blood, and Manhattan’s Vampyre Clans aren’t interested in sharing. So when the Vyrus-infected dregs of New York’s outer boroughs start creeping across the bridges and through the tunnels, the Clans want to know why. Bad luck for PI and general hard case Joe Pitt. See, Joe used to be a Rogue, used to work off his own dime, picked his own gigs, but tight times and a terminally ill girlfriend pushed him into the arms of the renegade Society Clan. Now he has all the cash and blood he needs, but at a steep price. The price tonight is crossing the bridge, rolling to Coney Island, finding the Freak Clan, and figuring out what’s driving that bunch of savages to scratch at the Society’s door. No need to look far. The answer lies around the corner in Gravesend. Convenient, all those graves. From uptown to the boardwalk, war drums are beating. Murderous family feuds and personal grudges are being drawn and brandished, along with the long knives. Blood will spill and, big surprise, Joe’s in the middle. But hey, why should this night be different from any other? Sunset to sunrise: put off a war, keep your head attached to your neck, and save your girl. Check. Joe’s on the case. Praise for Charlie Huston and his Joe Pitt novels “In conceiving his world (a New York City divided by vampire clans, each with different reasons to hate Pitt), Huston gives a fading genre a fresh afterlife. [Grade:] A.” –Entertainment Weekly “[Huston] creates a world that is at once supernatural and totally familiar, imaginative, and utterly convincing.” –The Philadelphia Inquirer

“[Charlie Huston’s] action scenes are unparalleled in crime fiction and his dialogue is so hip and dead-on that Elmore Leonard should be getting nervous.” –Publishers Weekly (starred review), on Half the Blood of Brooklyn It’s like this: a series of bullet-riddled bad breaks has seen rogue Vampyre and terminal tough guy Joe Pitt go from PI for hire to Clan-connected enforcer to dead man walking in a New York minute. And after burning all his bridges, the only one left to cross leads to the Bronx, where Joe’s brass knuckles and straight razor can’t keep him from running afoul of a sadistic old bloodsucker with a bad bark and a worse bite. Even if every Clan in Manhattan is hollering for Joe’s head on a stick, it’s got to be better than trying to survive in the outer-borough wilderness. So it’s a no-brainer when Clan boss Dexter Predo comes looking to make a deal. All Joe has to do to win back breathing privileges on his old turf is infiltrate an upstart Clan whose plan to cure the Vyrus could expose the secret Vampyre world to mortal eyes and set off a panic-driven massacre. Not cool. But Joe’s all over it. To save the Undead future, he just has to wade neck-deep through all the archenemies, former friends, and assorted heavy hitters he’s crossed in the past. No sweat? Maybe not, but definitely more blood than he’s ever seen or hungered for. And maybe even some tears–over the horror and heartbreaking truth about the evil men do no matter who or what they are. Praise for Charlie Huston and his Joe Pitt novels “In conceiving his world (a New York City divided by vampire clans, each with different reasons to hate Pitt), Huston gives a fading genre a fresh afterlife. [Grade:] A.” –Entertainment Weekly “[Huston] creates a world that is at once supernatural and totally familiar, imaginative, and utterly convincing.” –The Philadelphia Inquirer

With his teaching career derailed by tragedy and his slacker days numbered, Webster Fillmore Goodhue makes an unlikely move and joins Clean Team, charged with tidying up L.A.'s grisly crime scenes. For Web, it's a steady gig, and he soon finds himself sponging a Malibu suicide's brains from a bathroom mirror and flirting with the man's bereaved and beautiful daughter. Then things get weird: The dead man's daughter asks a favor. Every cell in Web's brain tells him to turn her down, but something makes him hit the Harbor Freeway at midnight to help her however he can. Soon enough it's Web who needs the help when gun-toting California cowboys start showing up on his doorstep. What's the deal? Is it something to do with what he cleaned up in that motel room in Carson? Or is it all about the brewing war between rival trauma cleaners? Web doesn't have a clue, but he'll need to get one if he's going to keep from getting his face kicked in. Again. And again. And again.

The guarantee of free speech enshrined in the U.S. Bill of Rights draws upon two millennia of Western thought about the value and necessity of free inquiry. Acclaimed legal scholar George Anastaplo traces the philosophical development of the idea of free inquiry from PlatoÕs Apology to Socrates to John MiltonÕs Areopagitica. He describes how these seminal texts and others by such diverse thinkers as St. Paul, Thomas More, and John Stuart Mill influenced the formation and the earliest applications of the First Amendment. Anastaplo also focuses on the critical free speech implications of a dozen Supreme Court cases and shows how First Amendment interpretations have evolved in response to modern events. Reflections on Freedom of Speech and the First Amendment grounds its vision of AmericaÕs most basic freedoms in the intellectual traditions of Western political philosophy, providing crucial insight into the legal challenges of the future through the lens of the past.

"Steve Sailer gives us the real Barack Obama, who turns out to be very, very different - and much more interesting - than the bland healer/uniter image stitched together out of whole cloth this past six years by Obama's packager, David Axelrod. Making heavy use of Obama's own writings, which he admires for their literary artistry, Sailer gives the deepest insights I have yet seen into Obama's lifelong obsession with 'race and inheritance,' and rounds off his brilliant character portrait with speculations on how Obama's personality might play out in the Presidency." - John Derbyshire Author, Prime Obsession: Bernhard Riemann and the Greatest Unsolved Problem in Mathematics

Prior to 1862, when the Department of Agriculture was established, the report on agriculture was prepared and published by the Commissioner of Patents, and forms volume or part of volume, of his annual reports, the first being that of 1840. Cf. Checklist of public documents ... Washington, 1895, p. 148.

The Horror Film is an in-depth exploration of one of the most consistently popular, but also most disreputable, of all the mainstream film genres. Since the early 1930s there has never been a time when horror films were not being produced in substantial numbers somewhere in the world and never a time when they were not being criticised, censored or banned. The Horror Film engages with the key issues raised by this most contentious of genres. It considers the reasons for horror's disreputability and seeks to explain why despite this horror has been so successful. Where precisely does the appeal of horror lie? An extended introductory chapter identifies what it is about horror that makes the genre so difficult to define. The chapter then maps out the historical development of the horror genre, paying particular attention to the international breadth and variety of horror production, with reference to films made in the United States, Britain, Italy, Spain and elsewhere. Subsequent chapters explore: The role of monsters, focusing on the vampire and the serial killer. The usefulness (and limitations) of psychological approaches to horror. The horror audience: what kind of people like horror (and what do other people think of them)? Gender, race and class in horror: how do horror films such as Bride of Frankenstein, The Texas Chainsaw Massacre and Blade relate to the social and political realities within which they are produced? Sound and horror: in what ways has sound contributed to the development of horror? Performance in horror: how have performers conveyed fear and terror throughout horror's history? 1970s horror: was this the golden age of horror production? Slashers and post-slashers: from Halloween to Scream and beyond. The Horror Film throws new light on some well-known horror films but also introduces the reader to examples of noteworthy but more obscure horror work. A final section provides a guide to further reading and an extensive bibliography. Accessibly written, The Horror Film is a lively and informative account of the genre that will appeal to students of cinema, film teachers and researchers, and horror lovers everywhere.

This book will take the reader into the world of shipbuilding where the working poor of Brooklyn built super tankers in the old Brooklyn Navy Yard against all odds. This in itself might be interesting, but the real story lies in the daily struggle of the workers working in hellish conditions, more than a few giving their lives in some horrible ways to build these ships. The triangle of passionate dislike between the workers, management, the union and the government are also detailed.

Greetings, initiate! Carter Kane, here. Congratulations on reaching Brooklyn House in one piece. You are quite clearly descended from Egyptian royalty, with magical powers gifted from the gods. But what good is power without knowing how to use it? That's where this training manual comes in. It's packed with quizzes, stories and inside info on the Ancient Egyptian deities. For those with the blood of the pharaohs, this is your first step down the path of the gods. But beware, anything can happen in the world of Egyptian magic . . . Forming a trio with HOTEL VALHALLA and CAMP HALF-BLOOD CONFIDENTIAL, this companion guide gives readers the inside scoop on Brooklyn House - the safe haven in New York for magicians like Carter and Sadie Kane.

Tiana Dìlleachdan's last name means orphan. She was raised in a mage school. Her pointed ears and the lock of faelin hair she was found with make half of her parentage known, but the other half was kept secret—until she is chosen by high sorcerer, Rayven Niltsiar to be his apprentice. Tiana knows that the grumpy mage only wants her for her lineage, but something about the rare smiles she teases out of him makes her long for him to want more. Rayven Niltsiar, former friend and now rival of the King, has been feared for centuries. He'd always refused to take an apprentice—until a beautiful mage with a secret lineage enters his nightmare forest for cooking herbs. With Tiana at his side, he will achieve his constant goals: accumulate more power. But as the world of Aisthanesthai prepares for war and Tiana's training progresses, Rayven comes to learn that there's more to life than power—just as impending danger and revealed secrets place him at risk of losing Tiana forever.

Includes the decisions of the Supreme Courts of Massachusetts, Ohio, Indiana, and Illinois, and Court of Appeals of New York; May/July 1891-Mar./Apr. 1936, Appellate Court of Indiana; Dec. 1926/Feb. 1927-Mar./Apr. 1936, Courts of Appeals of Ohio.

Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Pages: 114. Chapters: House of Night, Twilight, Gone, Hellblazer, The Mortal Instruments, Brave Story, Sweep, The Mercedes Thompson Series, Chicagoland Vampires, Godkiller, Hollows, Daughters of the Moon, The Dresden Files, Blue Moon, The Worst Witch, City of Bones, Midnighters Trilogy, The Saga of Darren Shan, Tanya Grotter, City of Ashes, The Borrible Trilogy, The Forest of Hands and Teeth, Running with the Demon, City of Glass, The Faerie Path, Wings, Caballistics, Inc., Tithe: A Modern Faerie Tale, The Unwritten, Spells, Joe Pitt Casebooks, Stalking the Unicorn, Moonshine, Women of the Otherworld, Blood Coven, Balefire, Sons of the Dark, Ink Exchange, The Onion Girl, Sisters of Isis, Everlost, A Fine and Private Place, Switchers Trilogy, Evermore, Ironside: A Modern Faery's Tale, Who Is Charlie Keeper, The Lost Queen, War for the Oaks, The Wish List, Sleeping in Flame, Daughter of Hounds, Verdigris Deep, The Borderland Series, Touching Darkness, The Secret Hour, Bones of the Moon, Twenty Palaces, Already Dead, Echo, Havemercy, Radiant Shadows, Nightlife, The Demon's Covenant, The Demon's Lexicon, Blue Noon, Breathers: A Zombie's Lament, Bone Dance, Mandragora, Tea with the Black Dragon, Sati, Black Cocktail, Every Last Drop, River, Magic Street, My Dead Body, Wizard of the Pigeons, Half the Blood of Brooklyn, The Immortal Realm, Word & Void, Madhouse. Excerpt: House of Night is a series of vampire-based fantasy novels by American author P. C. Cast and her daughter Kristin Cast. It follows the adventures of Zoey Redbird, a sixteen-year-old girl who has just become a fledgling Vampyre and is required to attend the House of Night boarding school in Tulsa, Oklahoma. The series has been on the New York Times Best Seller list for 63 weeks and there are over seven million copies in print in North America alone. The sixth novel, Tempted, ..

"Cases argued and determined in the Court of Appeals, Supreme and lower courts of record of New York State, with key number annotations." (varies)