Go Away Girl A Parody

The existing research has focused on stereotypical perceptions of Latinas as frequently dropping out of school, becoming teen mothers, or being involved with boyfriends in gangs. Latina Girls brings together cutting edge research that challenges these stereotypes.

This bio-bibliography was designed to present a combined biographical, critical, and bibliographical portrait of the Marx Brothers. It examines their significance in film comedy in particular, and as popular culture figures in general. The book is divided into five sections, beginning with a biography which explores the public and private sides of the Marx Brothers. The second section is concerned with the influences of the Marx Brothers as icons of anti-establishment comedy, as contributors to developments in American comedy, as early examples of saturation comedy, and as a crucial link between silent films and the talkies. Three original articles, two by Groucho and one by Gummo, comprise part three. A bibliographical essay, which assesses key reference materials and research collections, is followed by two bibliographical checklists. Appendices containing a chronological biography with a timeline, a filmography, and a selected discography complete the work.

Includes parodies of Tennyson, Longfellow, Bret Harte, Thomas Hood, Swinburne, Browning, Shakespeare, Milton, Poe, Shelley, Cowper, Coleridge, Herrick, Carroll, Lever, Lover, Burns, Scott, Goldsmith, Kingsley, Byron and many others.

Have you ever wondered what the name of the cantina band in Star Wars was? Or how many fictional singers Elvis played? Or how many fake bands had real Top Ten hits? This hysterical, witty, and irreverent book answers all these questions and more. Based on the popular Web site fakebands.com, The Rocklopedia Fakebandica contains almost 1,000 entries covering such pop-culture staples as Spinal Tap, the Monkees, the Partridge Family, the Blues Brothers, the Rutles, Schroeder, the Chipmunks, the Brady Kids, the California Raisins, the Commitments, the Archies, the Banana Splits, Eddie and the Cruisers, the Wonders, Phoebe Buffay, Miss Piggy, Josie and the Pussycats, Jessica Rabbit, School of Rock, and Sgt. Pepper's Lonely Hearts Club Band. Perfect for pop-culture addicts, trivia buffs, and music lovers of all stripes, The Rocklopedia Fakebandica is the consummate addition to any bookshelf, coffee table, or bathroom.

First Published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.

For the few hundred television viewers in 1946, a special treat on the broadcast schedule was the variety show called Hour Glass. It was the first TV program to go beyond talking heads, cooking demonstrations, and sporting events, featuring instead dancers, comics, singers, and long commercials for its sponsor, Chase and Sanborn coffee. Within two years, another variety show, Texaco Star Theatre, became the first true television hit and would be credited with the sales of thousands of television sets. The variety show formula was a staple of television in its first 30 years, in part because it lent itself to a medium where everything had to be live and preferably inside a studio. Most of the early television stars—including Jackie Gleason, Milton Berle, Sid Caesar, Ed Sullivan, Red Skelton, Dinah Shore, and Arthur Godfrey—rose to prominence through weekly variety shows. In the 1960s, major stars such as Jerry Lewis, Dean Martin, Judy Garland and Danny Kaye were hosting variety shows. By the 1970s, the format was giving way to sitcoms and dramas, but pop music stars Sonny and Cher, Tony Orlando and Dawn, and Donny and Marie Osmond hosted some of the last of the species. This book details 57 variety shows from the 1940s through the 1990s. A history of each show is first provided, followed by a brief look at each episode. Air date, guest stars, sketches performed, and a listing of songs featured are included.

This book brings together an analysis of the theoretical connection of genre, reception, and frame theory and a practical demonstration thereof, using a set of parodies of the first wave of the Gothic novel, ranging from well-known titles such as Jane Austen’s Northanger Abbey, to little known and researched titles such as Mary Charlton’s Rosella. Münderlein traces the development of socio-political debates conducted in the late eighteenth and early nineteenth centuries on female roles, behavior and subversion from the subtly subversive Gothic novel to the Gothic parody. Combining two major areas of research, literary criticism and Gothic studies, the book provides both a new take on an ongoing debate in literary criticism as well as an in-depth study of a virtually neglected aspect of Gothic studies, the Gothic parody.

Iuti Mano is a legend of her time. She is a fierce warrior whose energy has been drained by watching those around her suffer and die. Determined to regain her inner calm, she severs her bonds with Mano Niuhi, the honored shark that bestowed its magic and power on generations of her family. But even though she has slain her source of power, she is still plagued by the continuing war ravaging her land. A resident evil force that is increasing its power has disturbed her sabbatical on the uninhabited island she chose for its solitude. When a sorceress tries to steal her power and the mythical Demon Drummers stalk Iuti in order to crown her the Mother Drum, her quest for peace is disturbed. She must use her remaining power to defeat the dark magic that haunts the tranquility of her island paradise.

An intriguing interdisciplinary examination of hip hop aesthetics

"Leaves for a Christmas Bough" by Anonymous is a collection of children's stories and letters. The recollections of the many pleasant hours that passed with a certain juvenile circle, not fifty miles from Boston, and associations connected with this joyous season, have induced the feeble effort of collecting a few stray leaves for its amusement. Excerpt: "A LETTER FROM SANTA CLAUS, FOR CHRISTMAS, 1849. My dear Children: As I have always been in the habit of meeting with you on this Anniversary, and as I cannot expect to see you all together this year, for the sake of old times I am going to write you a letter. Perhaps you are not aware that I have been a silent spectator of your daily occupations, but so it is. I generally take a nap from one year to another, so after our glorious celebration at the "Bee-Hive," I packed myself away in the stove-pipe for that purpose; but the hum of merry voices kept me awake, and thus I lay and listened to what was going on."

Not Fade Away By Dawn R Young My time in the 60's with Brian Jones of the Rolling Stones and the heartbreak of forced Adoption “Not Fade Away" is the fascinating, at times heart wrenching, true life story of a young English girl which encompasses life with The Rolling Stones in Britain's early 60's and the best and worst of that cultural era. This is a gripping ‘must read' for fans of The Rolling Stones and all things British. It takes readers on a journey into the early beginnings of the Stones and also explains how forced adoption was all too common in that era. The author is a survivor who overcame abuse and losses to experience eventual love and joy. Dawn was one of only a handful of people who would go to watch The Rolling Stones play in the early 1960’s. Now, nearly 50 years down the line, their music can heard playing somewhere in the world every minute of every day. Dawn Molloy appears from time to time in books and newspaper articles as she was a girlfriend of Brian Jones who was the founder of the greatest rock and roll band in the world. He was the father of her son, Paul Andrew. Like so many other teenagers in the 60’s, Dawn was made to suffer because of a system that did not allow them a say in the fate of their children. In one way or another, that system and the mind set that went with it, failed them. It ensured that pregnant girls without a wedding band on their finger were stringently and illegally advised to place their children up for adoption. Dawn experienced rejection from a mother who lacked maternal instinct and her childhood was riddled with fear and doubt, abuse and ridicule. This English lady has met Royalty and had tea with the Queen of England. Dawn experienced the elation of her lost son finding her and the myriad emotions that came along with that and endured heart wrenching grief with the death of one of her children. She relocated from England to the USA with her husband and has had the joy and satisfaction of raising 4 children and seeing them grown and independent.

'A cracking read ' Lynn Barber, Observer The Mitford Girls tells the true story behind the gaiety and frivolity of the six Mitford daughters - and the facts are as sensational as any novel: Nancy, whose bright social existence masked an obsessional doomed love which soured her success; Pam, a countrywoman married to one of the best brains in Europe; Diana, an iconic beauty, who was already married when at 22 she fell in love with Oswald Moseley, the leader of the British fascists; Unity, who romantically in love with Hitler, became a member of his inner circle before shooting herself in the temple when WWII was declared; Jessica, the family rebel, who declared herself a communist in the schoolroom and the youngest sister, Debo, who became the Duchess of Devonshire. This is an extraordinary story of an extraordinary family, containing much new material, based on exclusive access to Mitford archives.

Exploring a prominent digital mythology, this book proposes a new way of viewing both online narratives and the online communities which tell them. The Slender Man – a monster known for making children disappear and causing violent deaths to the adults who seek to know more about him – is used as an extended case study to explore the role of digital communities, as well as the question of the existence of a broader “digital culture”. Structural anthropological mythic analysis and ethnographic details demonstrate how the Slender Man mythology is structured, and how its everlasting nature in the online communities demonstrates an importance of the mythos.