101 Most Influential Coming Of Age Movies

A lifelong movie buff puts his knowledge and passion on paper to show you the best films of his favorite movie genre, Coming of Age. The author highlights some of the finest acting, the most poignant moments, and the funniest gags in movies about growing up, reflecting each decade of American culture since the beginning of film-making, while illustrating the ageless turbulence and confusion of adolescence.

Forrest Gump meets Woody Allen in this endearing story about a sea turtle seeking to be reunited with the love of his life. When Akela is separated from his migrant soulmate, Kalea, he will do anything to be reunited with her. Journey with this charming and neurotic sea turtle as he crosses paths with celebrities, politicians, and other moments in history with unbreakable determination to be reunited with his love.

This book provides coverage of the diversity of Australian film and television production between 2000 and 2015. In this period, Australian film and television have been transformed by new international engagements, the emergence of major new talents and a movement away with earlier films’ preoccupation with what it means to be Australian. With original contributions from leading scholars in the field, the collection contains chapters on particular genres (horror, blockbusters and comedy), Indigenous Australian film and television, women’s filmmaking, queer cinema, representations of history, Australian characters in non-Australian films and films about Australians in Asia, as well as chapters on sound in Australian cinema and the distribution of screen content. The book is both scholarly and accessible to the general reader. It will be of particular relevance to students and scholars of Anglophone film and television, as well as to anyone with an interest in Australian culture and creativity.

Movies: 300 Word Search Puzzles puts your movie trivia knowledge to the test with 300 fun-filled word searches that will keep you on your toes for hours a time!

From Santa Claus to Buffy the Vampire Slayer, from Uncle Sam to Uncle Tom, here is a compelling, eye-opening, and endlessly entertaining compendium of fictional trendsetters and world-shakers who have helped shape our culture and our lives. The 101 Most Influential People Who Never Lived offers fascinating histories of our most beloved, hated, feared, and revered invented icons and the indelible marks they made on civilization, including: # 28: Rosie the Riveter, the buff, blue-collar factory worker who helped jump-start the Women's Liberation movement # 7: Siegfried, the legendary warrior-hero of Teutonic nationalism responsible for propelling Germany into two world wars # 80: Icarus, the headstrong high-flyer who inspired the Wright brothers and humankind's dreams of defying gravity . . . while demonstrating the pressing need for flight insurance # 58: Saint Valentine, the hapless, de-canonized loser who lost his heart and head at about the same time # 43: Barbie, the bodacious plastic babe who became a role model for millions of little girls, setting an impossible standard for beauty and style

Charlie Fritz is a Hollywood talent agent hanging onto his career by a thread. After embarrassing himself at a movie screening, he’s in need of a comeback and a superstar client. Luckily, success comes his way in the form of his presumed-to-be dead father. When Bernie Fritz mysteriously arrives in the middle of Los Angeles by taxi, it’s evident he doesn’t remember anything about his prior life, but the white-robe-wearing man does have a cryptic message from the afterlife to share with anyone who will listen. Is he an angel from above or someone who’s simply lost their memory? When Bernie’s message goes viral and creates a social media sensation, Charlie seizes the opportunity to become his dad’s agent. It’s the perfect opportunity for them to finally connect and find a little meaning in their lives—even if for one of them, life is technically over.

Behold the history of a film so scandalous, so outrageous, so explosive it disappeared from print for over a quarter century! A film so dangerous, half its cast and crew met their demise bringing eccentric billionaire Howard Hughes' final cinematic vision to life! Starring All-American legend John Wayne in full Fu Manchu make-up as Mongol madman Genghis Khan! Featuring sultry seductress Susan Hayward as his lover! This is the true story of The Conqueror (1956), the worst movie ever made. Filmed during the dark underbelly of the 1950s--the Cold War--when nuclear testing in desolate southwestern landscapes was a must for survival, the very same landscapes were where exotic stories set in faraway lands could be made. Just 153 miles from the St. George, Utah, set, nuclear bombs were detonated regularly at Yucca Flat and Frenchman Flat in Nevada, providing a bizarre and possibly deadly background to an already surreal moment in cinema history. This book tells the full story of the making of The Conqueror, its ignominious aftermath, and the radiation induced cancer that may have killed John Wayne and many others.

Of all crimes, murder fascinates the public more than any other. While considered a detestable act, for which society reserves its severest punishments, homicide still captivates the American public. But the way homicide and its investigation are depicted in our media fail to capture just how murders get solved. Here, Snow takes us on a tour of murder, its investigation, and its prosecution from the perspective of a seasoned homicide detective. From the commission of the crime to the collection of evidence, examination of the crime scene, roundup of suspects, interrogation, and resolution, he leads readers from the scene to the courtroom, stopping along the way to consider all the elements that go into a murder investigation. He considers the culprits, the motives, the victims and their families, and offers readers a glimpse into the actual techniques and methods used to solve real crimes. This volume will fascinate and inform anyone interested in knowing the truth behind the scene of the crime of murder.

Marketing 101 is a compact, practical handbook created to guide educators in the application of marketing strategies that get results. This book will introduce educators to sound marketing principles and action steps.

This provocative three-volume encyclopedia is a valuable resource for readers seeking an understanding of how movies have both reflected and helped engender America's political, economic, and social history. * Provides 450 A–Z entries that comprehensively cover the historical significance of subjects, people, and films of the American cinema * Contains contributions from 150 distinguished interdisciplinary scholars offering their analysis on the role of movies in American history * Includes reference materials and suggestions for further reading with every entry

From the very beginning of cinema, there have been amateur filmmakers at work. It wasn’t until Kodak introduced 16mm film in 1923, however, that amateur moviemaking became a widespread reality, and by the 1950s, over a million Americans had amateur movie cameras. In Amateur Cinema, Charles Tepperman explores the meaning of the "amateur" in film history and modern visual culture. In the middle decades of the twentieth century—the period that saw Hollywood’s rise to dominance in the global film industry—a movement of amateur filmmakers created an alternative world of small-scale movie production and circulation. Organized amateur moviemaking was a significant phenomenon that gave rise to dozens of clubs and thousands of participants producing experimental, nonfiction, or short-subject narratives. Rooted in an examination of surviving films, this book traces the contexts of "advanced" amateur cinema and articulates the broad aesthetic and stylistic tendencies of amateur films.

Interviews with the author of Dirty Work, Father and Son, Joe, and Big Bad Love

New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.

In our current age of cynicism, John McGowan suggests that the time is right to take a fresh look at pragmatism, the philosophy of American democracy. As McGowan shows, pragmatism can be an inspiring alternative to the despair that seems to dominate contemporary American politics. Pragmatist Politics is passionate and convincing, both heartfelt and clear-eyed. It offers an expansive vision of what the United States could be and should be. From John Dewey and William James, McGowan derives a history of democracy as a way of life, characterized by a distinctive ethos and based on an understanding of politics as potentially effective collective agency. That democratic ideal is wedded to a liberalism that focuses on extending the benefits of democracy and of material prosperity to all. Beyond the intellectual case for liberal democracy, McGowan turns to how James, especially, was attuned to the ways that emotional appeals often trump persuasion through arguments, and he examines the work of Kenneth Burke, among others, to investigate the link between liberal democracy and a comic view of human life. Comedy, McGowan notes, allows consideration of themes of love, forgiveness, and generosity that figure far too infrequently in philosophical accounts of politics. In McGowan's work, the combination of pragmatism and comedy takes us on a wide-ranging exploration of what American politics--and by extension American life--could actually be like if it truly reflected American values.

New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.

This book gathers together many of the illuminating essays on science fiction and fantasy film penned by a major critic in the SF field. The pieces are roughly organized in the chronological order of when the movies and television programs being discussed first appeared, with essays providing more general overviews clustered near the beginning and end of the volume, to provide the overall aura of a historical survey. Although this book does not pretend to provide a comprehensive history of science fiction and fantasy films, it does intermingle analyses of films and TV programs with some discussions of related plays, novels, stories, and comic books, particularly in the essays on This Island Earth and 2001: A Space Odyssey and its sequels. Inciteful, entertaining, and full of intelligent and witty observations about science fiction and its sometimes curious relationship with the visual media, these essays will both delight and entertain critics, fans, and viewers alike.